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ミニストリー|Rantology

Rantology

Ministry

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対応言語:英語

Released in 2004, Houses of the Molé was a monster built from "N.O.W."'s genetic material. The album didn't couch its cynical nihilism in sarcastic thrash acid, as Ministry did with Psalm 69. Instead it was a bruising antiestablishment spokesthing that hammered away at George W. Bush's America lyric by lyric, song by song. Al Jourgensen stays on message with 2005's Rantology. Using a mishmash of remixed classics, live material, and one new song, "Great Satan" (one guess who he thinks that is), Jourgensen has created a shrill blast of aural protest art with one enemy in mind. There are so many W soundbites on Rantology, the president should probably get a credit as a collaborator. All of them are contextualized to embarrass, to vilify, to indict Bush in the court of Uncle Al. The famous "I'm George W. Bush, and I approved this message" campaign tag opens the set, matched to a remix of Molé's "No W"; later he's heard to recite Psalm 23 over a swirling Wagnerian chorus and steadily building tension. The original "N.O.W." is remixed here, too, updated to include both President Bushes over the jagged percussion and Jourgensen's proto-metal yawp. "Stigmata" and "Jesus Built My Hotrod" are revisited on Rantology, too, but Jourgensen doesn't alter them that much. That's probably a good thing: they were dirty and vicious enough already. In contrast, selections from weaker Ministry efforts, like Dark Side of the Spoon's "Bad Blood," add little to the set. Since he retooled Ministry as a culture war battering ram, it's been Jourgensen's angriest words and beats that resonate most; Rant could've used more of that industrialized anger alongside its manipulated Bushisms. The collection might have also found different, unreleased live material to include. Still, the three selections from 2002's Sphinctour are sufficiently loud and more than a little creepy. "I feel like my heart is being touched by Christ," a little girl whispers over "Psalm 69"'s slamming guitar and mechanized blast beats, and she sounds like a zombie. "Thieves" is also strong, where Jourgensen seems possessed by anger. In fact, he seems possessed by anger throughout Rantology. World changers, bad livers, and progressive punks rejoice: Ministry's pissed-off stamina hasn't abated.

© Johnny Loftus /TiVo

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Rantology

ミニストリー

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無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

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1
No W (Redux) Explicit
00:04:14

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

2
The Great Satan
00:03:14

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

3
Wrong (Update Mix) Explicit
00:05:21

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

4
N.W.O.
00:05:06

Ministry, Composer, MainArtist - HERMES PAN, Producer - HYPO LUXA, Producer - JOURGENSEN, Guitar, Programmer, Writer - BARKER, Writer - Jeff Newell, Engineer - Paul Manno, Engineer - William Rieflin, Drums

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

5
Stigmata (Update Mix)
00:05:09

Ministry, Writer, MainArtist - Al Jourgensen, Engineer - HERMES PAN, Producer - HYPO LUXA, Producer - PAUL BARKER, Engineer, Programmer, Writer, Bass - JOURGENSEN, Writer - William Rieflin, Drums, Background Vocals - ALAIN JOURGENSEN, Writer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

6
Waiting Explicit
00:05:02

Ministry, MainArtist - Al Jourgensen, Producer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

7
Warp City Explicit
00:04:01

Ministry, MainArtist - Al Jourgensen, Producer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

8
Jesus Built My Hotrod (Update Mix) Explicit
00:05:52

Ministry, Performance, MainArtist - Al Jourgensen, Writer - Gibby Haynes, Writer - Bruce Balch, Writer - Fred Rieflin, Writer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

9
Bad Blood (Alternate Mix) Explicit
00:05:25

Ministry, MainArtist - Al Jourgensen, Composer, Guitar, Organ, Programmer - Brian Kenny, Engineer - HERMES PAN, Producer - HYPO LUXA, Producer - Jason Bacher, Engineer - Jeff Dehaven, Engineer - LOUIS SVITEK, Composer - PAUL BARKER, Composer, Programmer, Bass - REYNOLDS WASHAM, Composer - Rey Washam, Drums - DEBORAH COON, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

10
Animosity Explicit
00:04:36

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

11
Unsung (Alternate Mix) Explicit
00:03:43

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

12
Bloodlines
00:06:34

Ministry, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

13
Psalm 69 (Live in Paris) Explicit
00:05:03

Ministry, Writer, MainArtist - Al Jourgensen, Producer, Vocals, Instruments - TOM BAKER, MasteringEngineer - LOUIS SVITEK, Guitar - PAUL BARKER, Producer, Bass Guitar - Rey Washam, Drums - Duane Buford, Keyboards - Zlatko Hukic, Guitar

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2002 Sanctuary Records Group Ltd., a BMG Company

14
Thieves (Live in Seattle) Explicit
00:05:06

Ministry, MainArtist - Al Jourgensen, Producer, Vocals, Instruments - Connelly, Writer - TOM BAKER, MasteringEngineer - Ogilvie, Writer - LOUIS SVITEK, Guitar - PAUL BARKER, Producer, Bass Guitar - Rey Washam, Drums - JOURGENSEN, Writer - BARKER, Writer - Alien Jourgensen, Writer - Reiflin, Writer - Duane Buford, Keyboards - Zlatko Hukic, Guitar

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2002 Sanctuary Records Group Ltd., a BMG Company

15
The Fall (Live in London) Explicit
00:08:04

Ministry, Composer, Writer, MainArtist - Al Jourgensen, Producer, Vocals, Instruments - TOM BAKER, MasteringEngineer - LOUIS SVITEK, Guitar - PAUL BARKER, Producer, Bass Guitar - Rey Washam, Drums - Duane Buford, Keyboards - Zlatko Hukic, Guitar

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 2002 Sanctuary Records Group Ltd., a BMG Company

アルバム·レビュー

Released in 2004, Houses of the Molé was a monster built from "N.O.W."'s genetic material. The album didn't couch its cynical nihilism in sarcastic thrash acid, as Ministry did with Psalm 69. Instead it was a bruising antiestablishment spokesthing that hammered away at George W. Bush's America lyric by lyric, song by song. Al Jourgensen stays on message with 2005's Rantology. Using a mishmash of remixed classics, live material, and one new song, "Great Satan" (one guess who he thinks that is), Jourgensen has created a shrill blast of aural protest art with one enemy in mind. There are so many W soundbites on Rantology, the president should probably get a credit as a collaborator. All of them are contextualized to embarrass, to vilify, to indict Bush in the court of Uncle Al. The famous "I'm George W. Bush, and I approved this message" campaign tag opens the set, matched to a remix of Molé's "No W"; later he's heard to recite Psalm 23 over a swirling Wagnerian chorus and steadily building tension. The original "N.O.W." is remixed here, too, updated to include both President Bushes over the jagged percussion and Jourgensen's proto-metal yawp. "Stigmata" and "Jesus Built My Hotrod" are revisited on Rantology, too, but Jourgensen doesn't alter them that much. That's probably a good thing: they were dirty and vicious enough already. In contrast, selections from weaker Ministry efforts, like Dark Side of the Spoon's "Bad Blood," add little to the set. Since he retooled Ministry as a culture war battering ram, it's been Jourgensen's angriest words and beats that resonate most; Rant could've used more of that industrialized anger alongside its manipulated Bushisms. The collection might have also found different, unreleased live material to include. Still, the three selections from 2002's Sphinctour are sufficiently loud and more than a little creepy. "I feel like my heart is being touched by Christ," a little girl whispers over "Psalm 69"'s slamming guitar and mechanized blast beats, and she sounds like a zombie. "Thieves" is also strong, where Jourgensen seems possessed by anger. In fact, he seems possessed by anger throughout Rantology. World changers, bad livers, and progressive punks rejoice: Ministry's pissed-off stamina hasn't abated.

© Johnny Loftus /TiVo

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