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ダニール・トリフォノフ|Rachmaninov : Piano Concertos 1 & 3

Rachmaninov : Piano Concertos 1 & 3

Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin

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Pianist Daniil Trifonov's Rachmaninov albums have gained lots of attention, and this one, featuring the youthful and explosive Piano Concerto No. 1 in F sharp minor, Op. 1, and the perennial crowd-pleasing Piano Concerto No. 3 in D minor, Op. 30, perhaps the most technically difficult concerto in the repertory. You may be confused by the meaningless Destination Rachmaninov: Arrival title and train imagery, and truth to tell, even Deutsche Grammophon's marketing gurus seem to have mostly given up on the concept, but it doesn't matter. Trifonov, you may feel, is not a pianist like Rachmaninov himself. He is fleet rather than sweepingly powerful. However, the fact is that few players today can bring the clarity that he does in the composer's polyphonic textures, and do it at top speed besides. Give it a moment to sink in, and it will sweep you along. Sample the first movement of the Piano Concerto No. 3, and note how Trifonov pushes the tempo every chance he gets, and how Yannick Nézet-Séguin and the Philadelphia Orchestra match him step for step. Indeed, the album marks a new stage in the revival of the Philadelphians under their French conductor; the shaping of the high-velocity brass phrases throughout is remarkable. As elsewhere, Trifonov includes solo piano transcriptions of other works: that of "The Silver Sleigh Bells," from The Bells, Op. 35, works marvelously; that of the Vocalise, Op. 34, No. 14, is less successful, although it's not as pointless as it might sound. Deutsche Grammophon's sound from Verizon Hall in Philadelphia (the solo piano pieces are from elsewhere) is a bit distant but clear enough to show what Trifonov can do. Highly recommended.

© TiVo

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Rachmaninov : Piano Concertos 1 & 3

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銀の鐘 (合唱交響曲《鐘》作品35) (Sergei Rachmaninoff)

1
第1楽章: Allegro ma non tanto (Live)
00:06:55

Daniil Trifonov, Piano - Sergei Rachmaninov, Composer - Christoph Franke, Producer - Sid McLauchlan, Producer, Additional Producer - René Möller, Recording Engineer - Marcus Herzog, Mastering Engineer, Mix Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

ピアノ協奏曲 第1番 嬰ヘ短調 作品1 (Sergei Rachmaninoff)

2
第1楽章: Vivace – Moderato – Vivace
00:13:08

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

3
第2楽章: Andante
00:07:19

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

4
第3楽章: Allegro vivace
00:07:46

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

Vocalise, Op. 34, No. 14 (Sergei Rachmaninoff)

5
Vocalise, Op. 34, No. 14 (Arr. Trifonov for Piano)
00:03:34

Daniil Trifonov, Piano - Sid McLauchlan, Producer - Silas Brown, Recording Engineer - Marcus Herzog, Mastering Engineer, Mix Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

ピアノ協奏曲 第3番 ニ短調 作品30 (Sergei Rachmaninoff)

6
第1楽章: Allegro ma non tanto (Live)
00:17:25

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

7
第2楽章: Intermezzo. Adagio – attacca: (Live)
00:11:18

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

8
第3楽章: Finale. Alla breve (Live)
00:14:24

Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

Pianist Daniil Trifonov's Rachmaninov albums have gained lots of attention, and this one, featuring the youthful and explosive Piano Concerto No. 1 in F sharp minor, Op. 1, and the perennial crowd-pleasing Piano Concerto No. 3 in D minor, Op. 30, perhaps the most technically difficult concerto in the repertory. You may be confused by the meaningless Destination Rachmaninov: Arrival title and train imagery, and truth to tell, even Deutsche Grammophon's marketing gurus seem to have mostly given up on the concept, but it doesn't matter. Trifonov, you may feel, is not a pianist like Rachmaninov himself. He is fleet rather than sweepingly powerful. However, the fact is that few players today can bring the clarity that he does in the composer's polyphonic textures, and do it at top speed besides. Give it a moment to sink in, and it will sweep you along. Sample the first movement of the Piano Concerto No. 3, and note how Trifonov pushes the tempo every chance he gets, and how Yannick Nézet-Séguin and the Philadelphia Orchestra match him step for step. Indeed, the album marks a new stage in the revival of the Philadelphians under their French conductor; the shaping of the high-velocity brass phrases throughout is remarkable. As elsewhere, Trifonov includes solo piano transcriptions of other works: that of "The Silver Sleigh Bells," from The Bells, Op. 35, works marvelously; that of the Vocalise, Op. 34, No. 14, is less successful, although it's not as pointless as it might sound. Deutsche Grammophon's sound from Verizon Hall in Philadelphia (the solo piano pieces are from elsewhere) is a bit distant but clear enough to show what Trifonov can do. Highly recommended.

© TiVo

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