カテゴリー:
かご 0

かごは空です

ロード|Pure Heroine

Pure Heroine

Lorde

提供音質
24-Bit/96 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

Signed to a major label at an early age, she was groomed in the darkness of studios, the label knowing the potential they had in their singer/songwriter. She wrote on her own, then she was paired with a sympathetic producer/songwriter, live performances taking a back seat to woodshedding. If this story in the early years of the 2010s brings to mind Lana Del Rey, it's no coincidence that it also applies to New Zealand singer/songwriter Lorde, whose 2013 debut, Pure Heroine, contains all of the stylized goth foreboding of LDR's Born to Die and almost none of the louche, languid glamour. This is not a small thing. Lana Del Rey is a self-created starlet willing herself into stardom but Lorde fancies herself a poet, churning away at the darker recesses of her soul. Some of this may be due to age. Lorde, as any pre-release review or portrait helpfully illustrated, was only 16 when she wrote and recorded Pure Heroine with producer Joel Little, and an adolescent aggrievance and angst certainly underpin the songs here. Lorde favors a tragic romanticism, an all-or-nothing melodrama that Little accentuates with his alternately moody and insistent productions. Where Lana Del Rey favors a studiously detached irony, Lorde pours it all out which, in itself, may be an act: her bedsit poetry is superficially more authentic but the music is certainly more pop, both in its construction -- there are big hooks in the choruses and verses -- and in the production, which accentuates a sad shimmer where everything is beautiful and broken. There is a topical appeal here, particularly because Lorde and Little do spend so much time on the surface, turning it into something seductive, but it is no more real than the studied detachment of Lana Del Rey, who Lorde so strongly (and intentionally) resembles. Born to Die is meant to be appreciated as slippery, elusive pop; Pure Heroine seems to hint at the truth...but the truth is, Lorde is a pop invention as much as LDR and is not nearly as honest about her intentions.

© Stephen Thomas Erlewine /TiVo

詳細はこちら

Pure Heroine

ロード

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
テニス・コート Explicit
00:03:19

Joel Little, Producer, Mixer, Engineer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

2
400ルクス
00:03:54

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

3
ロイヤルズ
00:03:10

Joel Little, Producer, Mixer, StudioPersonnel, ComposerLyricist - Stuart Hawkes, Mastering Engineer, StudioPersonnel - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2012 Universal Music NZ Ltd.

4
リブズ
00:04:18

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

5
バズカット・シーズン
00:04:06

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

6
チーム
00:03:12

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

7
グローリー・アンド・ゴア
00:03:30

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

8
スティル・セイン
00:03:07

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

9
ホワイト・ティース・ティーンズ
00:03:36

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

10
ア・ワールド・アローン
00:04:55

Joel Little, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Lorde, MainArtist - Ella Yelich O'Connor, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2013 Universal Music NZ Ltd.

アルバム·レビュー

Signed to a major label at an early age, she was groomed in the darkness of studios, the label knowing the potential they had in their singer/songwriter. She wrote on her own, then she was paired with a sympathetic producer/songwriter, live performances taking a back seat to woodshedding. If this story in the early years of the 2010s brings to mind Lana Del Rey, it's no coincidence that it also applies to New Zealand singer/songwriter Lorde, whose 2013 debut, Pure Heroine, contains all of the stylized goth foreboding of LDR's Born to Die and almost none of the louche, languid glamour. This is not a small thing. Lana Del Rey is a self-created starlet willing herself into stardom but Lorde fancies herself a poet, churning away at the darker recesses of her soul. Some of this may be due to age. Lorde, as any pre-release review or portrait helpfully illustrated, was only 16 when she wrote and recorded Pure Heroine with producer Joel Little, and an adolescent aggrievance and angst certainly underpin the songs here. Lorde favors a tragic romanticism, an all-or-nothing melodrama that Little accentuates with his alternately moody and insistent productions. Where Lana Del Rey favors a studiously detached irony, Lorde pours it all out which, in itself, may be an act: her bedsit poetry is superficially more authentic but the music is certainly more pop, both in its construction -- there are big hooks in the choruses and verses -- and in the production, which accentuates a sad shimmer where everything is beautiful and broken. There is a topical appeal here, particularly because Lorde and Little do spend so much time on the surface, turning it into something seductive, but it is no more real than the studied detachment of Lana Del Rey, who Lorde so strongly (and intentionally) resembles. Born to Die is meant to be appreciated as slippery, elusive pop; Pure Heroine seems to hint at the truth...but the truth is, Lorde is a pop invention as much as LDR and is not nearly as honest about her intentions.

© Stephen Thomas Erlewine /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストロードによる

Solar Power

ロード

Solar Power ロード

Melodrama

ロード

Melodrama ロード

Pure Heroine

ロード

Pure Heroine ロード

Take Me to the River

ロード

Te Ao Mārama

ロード

Te Ao Mārama ロード
こちらもおすすめ...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

Evolve

イマジン・ドラゴンズ

Evolve イマジン・ドラゴンズ

All Born Screaming

セイント・ヴィンセント

All Born Screaming セイント・ヴィンセント

In Times New Roman...

クイーンズ・オブ・ザ・ストーン・エイジ

In Times New Roman... クイーンズ・オブ・ザ・ストーン・エイジ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

ビリー・アイリッシュ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? ビリー・アイリッシュ