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Carter The Unstoppable Sex Machine|Post Historic Monsters

Post Historic Monsters

Carter The Unstoppable Sex Machine

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For the band's fourth album in as many years, Carter the Unstoppable Sex Machine takes a darker and more fed-up tone than before. Where albums like 1992: The Love Album or 101 Damnations had been more overtly tongue in cheek, there's a new kind of directness and even a little bitterness on display on Post Historic Monsters. The acoustic folk of "Suicide Isn't Painless" is a direct slam against Manic Street Preachers and the way lead singer Richey James would exploit his own mental illness for publicity, and "Lenny and Terence" takes dead aim at Lenny Kravitz and Terence Trent D'Arby for their obsession with musical styles of the past. The songs are basically straight-up dance rock with punkish, distorted guitar over chattering beats, with the lounge-y "Being There" the main exception. A solid but somewhat hectoring album, Post Historic Monsters is a bit wearying to listen to.
© Stewart Mason /TiVo

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Post Historic Monsters

Carter The Unstoppable Sex Machine

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1
2 Million Years BC
00:00:40

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

2
The Music That Nobody Likes Explicit
00:04:27

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

3
Midday Crisis
00:03:55

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

4
Cheer up It May Never Happen
00:04:05

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

5
Stuff the Jubilee
00:03:54

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

6
A Bachelor for Baden Powell
00:03:55

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

7
Spoilsports Personality of the Year
00:05:03

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

8
Suicide Isn't Painless
00:01:18

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

9
Being Here
00:02:04

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

10
Evil
00:02:50

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

11
Sing Fat Lady Sing
00:03:34

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

12
Travis
00:03:03

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

13
Lean on Me I Won't Fall Over Explicit
00:03:40

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

14
Lenny and Terence
00:03:56

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

15
Over the Moon and Under the Thumb
00:03:43

Carter The Unstoppable Sex Machine, MainArtist

1993 Chrysalis Records Limited 1993 Chrysalis Records Limited

アルバム·レビュー

For the band's fourth album in as many years, Carter the Unstoppable Sex Machine takes a darker and more fed-up tone than before. Where albums like 1992: The Love Album or 101 Damnations had been more overtly tongue in cheek, there's a new kind of directness and even a little bitterness on display on Post Historic Monsters. The acoustic folk of "Suicide Isn't Painless" is a direct slam against Manic Street Preachers and the way lead singer Richey James would exploit his own mental illness for publicity, and "Lenny and Terence" takes dead aim at Lenny Kravitz and Terence Trent D'Arby for their obsession with musical styles of the past. The songs are basically straight-up dance rock with punkish, distorted guitar over chattering beats, with the lounge-y "Being There" the main exception. A solid but somewhat hectoring album, Post Historic Monsters is a bit wearying to listen to.
© Stewart Mason /TiVo

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