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マッドネス|One Step Beyond

One Step Beyond

Madness

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対応言語:英語

It's the sheer exuberance of it all that first smacks listeners straight across the head, that and the pure mayhem that careens wildly from the opening shout to the closing note. A musical roller coaster, a tear through a musical house of mirrors, along the way Madness grab streamers of ska and rocksteady and stuff them gleefully into their baggy trousers. Actually the trousers were yet to come, but One Step Beyond dragged listeners kicking and screaming into a wacky world of their own creation, where Prince Buster slams into swan-clad ballerinas and boats on the Nile, where "Chipmunks are Go!" and the sun never set on the "Land of Hope and Glory." The Nutty Boys was an apt alternate moniker for the band, as they rocket madly through this set, all wicked grins and giggles, smug with their own cleverness and winking slyly at their own goofy musical jokes. Who could be so po-faced as to not join in? The set has lost none of its freshness, appeal or ability to surprise over the years. It still sounds like nothing else on the planet, even though it's influences were waved pennant like from the band's hands -- Buster, of course, and the sheer freneticism of early Jamaican ska and punk's raging fire. And, just as evident, English music hall, Augustus Pablo's Far Eastern sound, Brit Beat pop, the slinkier side of swing and the funnier side of classical ballet, military marches and Dad's Army, funfairs and keyboard riffs on an Oktoberfest tour of the German beerhalls, all this and more were poured straight into the mix and decanted into the Madness brew. There's nary a pause for breath, the wilding never stops, even when they slow the tempos and darken the moods. Amidst this kaleidoscope everyone has their personal faves, be it the trio of Buster tributes of "One Step Beyond," "The Prince" and "Madness," the poppier Sixties Brit flavored hat trick of "In the Middle of the Night," "Bed and Breakfast" and "Mummy's Boy," the heavy on the atmospheres of "My Girl," "Nightboat to Cairo" and "Razorblade Alley" or the wacky batch of "Tarzan's Nuts," "Swan Lake" and "Chipmunks."
No matter what your cup of tea, Madness were playing mother and more than happy to pour it out with lashings of cream and sugar. One Step Beyond? More like a giant leap into a brave new world.

© Jo-Ann Greene /TiVo

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One Step Beyond

マッドネス

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1
One Step Beyond (2009 - Remaster)
00:02:18

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Backing Vocals - Dan Woodgate, Drums, Percussion - Cecil Campbell, Composer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 The Copyright in this sound recording is owned by Stirling Holdings Ltd

2
My Girl (2009 Remaster)
00:02:45

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Backing Vocals - Michael Barson, Composer - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1980 Stirling Holdings Ltd

3
Night Boat To Cairo (2009 - Remaster)
00:03:31

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Composer, Vocals, Writer - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Backing Vocals - Michael Barson, Composer, Writer - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings

4
Believe Me
00:02:29

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Backing Vocals - Barson, Writer - Michael Barson, Composer - Dan Woodgate, Drums, Percussion - Hasler, Writer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

5
Land of Hope and Glory
00:02:58

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, Composer, MainArtist - Christopher Foreman, Composer - Cathal Smyth, Backing Vocals - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 2009 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

6
The Prince (2009 - Remaster)
00:03:20

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Backing Vocals - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings

7
Tarzan's Nuts
00:02:25

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, MainArtist - Cathal Smyth, Composer, Backing Vocals - Barson, Writer - Michael Barson, Composer - Smyth, Writer - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive licence to Union Square Music Limited, a BMG Company

8
In the Middle of the Night
00:03:02

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Mcpherson, Writer - Daniel Woodgate, Composer - Alan Winstanley, Producer - Graham McPherson, Composer, Vocals - Chris Foreman, Guitar - Mark Bedford, Composer, Bass - Madness, MainArtist - Christopher Foreman, Composer - Cathal Smyth, Backing Vocals - Michael Barson, Composer - Dan Woodgate, Drums, Percussion - Foreman, Writer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 2009 Stirling Holdings Limited under exclusive license to Union Square Music, a BMG Company

9
Bed and Breakfast Man
00:02:33

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Daniel Woodgate, Composer - Alan Winstanley, Producer - Graham McPherson, Composer, Vocals - Chris Foreman, Guitar - Mark Bedford, Composer, Bass - Madness, Composer, Performance, MainArtist - Christopher Foreman, Composer - Cathal Smyth, Composer, Backing Vocals - Michael Barson, Composer, Writer - Dan Woodgate, Drums, Percussion - M Barson, Composer, Writer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 2009 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

10
Razorblade Alley
00:02:43

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, Composer, MainArtist - Cathal Smyth, Backing Vocals - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

11
Swan Lake (2009 Remaster)
00:02:38

Mike Barson, Keyboards - Lee Thompson, Composer, Saxophone, Backing Vocals - CLIVE LANGER, Producer - Graham McPherson, Vocals - Mark Bedford, Bass - Madness, Performance, MainArtist - Michael Barson, Composer, Writer - Pyotr Ilyich Tchaikovsky, Composer, Writer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

12
Rockin' In Ab
00:02:30

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, Composer, MainArtist - Cathal Smyth, Backing Vocals - William Smith, Composer - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

13
Mummy's Boy
00:02:25

Mike Barson, Keyboards - Lee Thompson, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, Performance, MainArtist - Cathal Smyth, Backing Vocals - Michael Barson, Composer - Bedford, Writer - Dan Woodgate, Drums, Percussion

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 2009 Stirling Holdings Limited under exclusive license to Union Square Music, a BMG Company

14
Madness (2009 - Remaster)
00:02:38

Mike Barson, Keyboards - Lee Thompson, Saxophone, Vocals, Backing Vocals - CLIVE LANGER, Producer - Daniel Woodgate, Drums, Percussion - Alan Winstanley, Producer - Graham McPherson, Vocals - Chris Foreman, Guitar - Mark Bedford, Bass - Madness, Composer, MainArtist - Cecil Campbell, Composer - Colin Campbell, Composer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

15
Chipmunks Are Go!
00:00:52

Mike Barson, Keyboards - Lee Thompson, Composer, Tenor Saxophone, Vocals, Baritone Saxophone - CLIVE LANGER, Producer - Daniel Woodgate, Composer - Alan Winstanley, Producer - Graham McPherson, Composer, Vocals - Chris Foreman, Guitar - Mark Bedford, Composer, Bass - Madness, MainArtist - Christopher Foreman, Composer - Cathal Smyth, Composer, Backing Vocals - Michael Barson, Composer - Smash, Writer - Dan Woodgate, Drums, Percussion - Smythe, Writer

© 2010 Stirling Holdings Ltd., under exclusive license to Union Square Music Limited, a BMG Company ℗ 1979 2009 Stirling Holdings Limited under exclusive license to Union Square Music Limited, a BMG Company

アルバム·レビュー

It's the sheer exuberance of it all that first smacks listeners straight across the head, that and the pure mayhem that careens wildly from the opening shout to the closing note. A musical roller coaster, a tear through a musical house of mirrors, along the way Madness grab streamers of ska and rocksteady and stuff them gleefully into their baggy trousers. Actually the trousers were yet to come, but One Step Beyond dragged listeners kicking and screaming into a wacky world of their own creation, where Prince Buster slams into swan-clad ballerinas and boats on the Nile, where "Chipmunks are Go!" and the sun never set on the "Land of Hope and Glory." The Nutty Boys was an apt alternate moniker for the band, as they rocket madly through this set, all wicked grins and giggles, smug with their own cleverness and winking slyly at their own goofy musical jokes. Who could be so po-faced as to not join in? The set has lost none of its freshness, appeal or ability to surprise over the years. It still sounds like nothing else on the planet, even though it's influences were waved pennant like from the band's hands -- Buster, of course, and the sheer freneticism of early Jamaican ska and punk's raging fire. And, just as evident, English music hall, Augustus Pablo's Far Eastern sound, Brit Beat pop, the slinkier side of swing and the funnier side of classical ballet, military marches and Dad's Army, funfairs and keyboard riffs on an Oktoberfest tour of the German beerhalls, all this and more were poured straight into the mix and decanted into the Madness brew. There's nary a pause for breath, the wilding never stops, even when they slow the tempos and darken the moods. Amidst this kaleidoscope everyone has their personal faves, be it the trio of Buster tributes of "One Step Beyond," "The Prince" and "Madness," the poppier Sixties Brit flavored hat trick of "In the Middle of the Night," "Bed and Breakfast" and "Mummy's Boy," the heavy on the atmospheres of "My Girl," "Nightboat to Cairo" and "Razorblade Alley" or the wacky batch of "Tarzan's Nuts," "Swan Lake" and "Chipmunks."
No matter what your cup of tea, Madness were playing mother and more than happy to pour it out with lashings of cream and sugar. One Step Beyond? More like a giant leap into a brave new world.

© Jo-Ann Greene /TiVo

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