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All In|Nothing To Lose

Nothing To Lose

All In

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対応言語:英語

Although they describe themselves as a straightforward hardcore band, Birmingham, Alabama's All In reveal strong ties to the slower tempos and viscous weight of sludgecore on their first album, 2006's Nothing to Lose. This is most likely a factor of growing up in the South, where sludge has been the prevailing regional aesthetic for so long, young bands are likely to confuse it for straightforward hardcore, instead of one of its main offshoots. In any case, the quintet spend the majority of their existence trudging lead-footed through their repertoire (one can visualize their fans patiently staking out circle-pit territory, waiting to dive in if things ever accelerate), and even though they do pick up the pace in the beginning of most every song (even going all staccato-metal on the intro to "The Bunk Price Is Right"), each and every one of these tunes inevitably grinds to a near-halt midway through. Clean narrative vocals occasionally interrupt the predominant death growls, and a few melodic guitar lines are even peppered here and there (see tiny bits in "Sarcasm Killed the Rabies" and "It Starts With One Sleeve of Extraordinary Gentlesauce"), but these sound utterly anomalous and forced just for fashion's sake. Then again, the first truly fresh-sounding riff to emerge here doesn't arrive until song number eleven, "Ka Ka Kaboom! The Triple Chicken Bite," which brings up another point about All In: they need to consult their straightforward hardcore handbook to tell us where it says that song titles should be ridiculously silly and/or based on unfathomable intra-band jokes. Notice as well the frequently clunky arranging transitions and often flashy, but fundamentally flawed instrumental performances (not to mention those tediously repetitive song structures -- although, at least that's straightforward hardcore), and here's a band who could have used a little more seasoning before ever being allowed into a studio.
© Eduardo Rivadavia /TiVo

詳細はこちら

Nothing To Lose

All In

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1
All Intro
00:01:19

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

2
Barbar: The Bill Cosby Of Elephants
00:02:32

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

3
The Ol' Doo Rag's A Skipper
00:03:04

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

4
Richard's Crooshy
00:01:29

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

5
Toy Stencil And The Ten Foot Tall Riffs
00:02:45

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

6
The Bunk Price Is Right
00:03:53

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

7
Sarcasm Kill The Rabies
00:04:13

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

8
Four Score And A Broham Stitches Ago
00:01:05

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

9
The Institute Of Zoot Suit McGoot
00:03:02

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

10
Scooter X Catmosh
00:02:31

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

11
Ka Ka Kablow! The Triple Chicken Bite
00:03:26

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

12
Duck Billsappapuss
00:03:58

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

13
It Starts With One Sleeve Of Extraordinary Gentlesauce
00:04:23

All In, Writer, MainArtist

© 2018 SSR Eulogy ℗ 2018 SSR Eulogy

アルバム·レビュー

Although they describe themselves as a straightforward hardcore band, Birmingham, Alabama's All In reveal strong ties to the slower tempos and viscous weight of sludgecore on their first album, 2006's Nothing to Lose. This is most likely a factor of growing up in the South, where sludge has been the prevailing regional aesthetic for so long, young bands are likely to confuse it for straightforward hardcore, instead of one of its main offshoots. In any case, the quintet spend the majority of their existence trudging lead-footed through their repertoire (one can visualize their fans patiently staking out circle-pit territory, waiting to dive in if things ever accelerate), and even though they do pick up the pace in the beginning of most every song (even going all staccato-metal on the intro to "The Bunk Price Is Right"), each and every one of these tunes inevitably grinds to a near-halt midway through. Clean narrative vocals occasionally interrupt the predominant death growls, and a few melodic guitar lines are even peppered here and there (see tiny bits in "Sarcasm Killed the Rabies" and "It Starts With One Sleeve of Extraordinary Gentlesauce"), but these sound utterly anomalous and forced just for fashion's sake. Then again, the first truly fresh-sounding riff to emerge here doesn't arrive until song number eleven, "Ka Ka Kaboom! The Triple Chicken Bite," which brings up another point about All In: they need to consult their straightforward hardcore handbook to tell us where it says that song titles should be ridiculously silly and/or based on unfathomable intra-band jokes. Notice as well the frequently clunky arranging transitions and often flashy, but fundamentally flawed instrumental performances (not to mention those tediously repetitive song structures -- although, at least that's straightforward hardcore), and here's a band who could have used a little more seasoning before ever being allowed into a studio.
© Eduardo Rivadavia /TiVo

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