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対応言語：英語
Wallace Roney's No Room for Argument is about "heritage, mentors, wisdom, responsibility, and spirituality." This CD is packed with excellent straight-ahead, avant-garde, and free jazz that also features samples from speeches given by Martin Luther King, Jr., Malcolm X, and audio by Deepak Chopra. Roney's evolved, imaginative use of his muted trumpet to achieve the meditative and philosophical concepts inherent in the opener "No Room for Argument" is accomplished effectively. Roney weaves its sound into the well-known orations delivered by King and Malcolm X, giving each note a new design that offers his solution to the challenges of performing respected works in a new medium. His mentor piece, an arrangement and direction of "Homage & Acknowledgement," a vital rework featuring the duality of the great Buster Williams at work on the bassline for John Coltrane's "A Love Supreme," and Roney's interpretation of the trumpet sounds of Miles Davis on "Filles de Kilimanjaro" is a exceptional seven-minute masterwork that supplies both the spiritual depth and insistent ground rhythms inherent in the original recordings of the '60s. "Virtual Chocolate Cherry" is a boundless arena for the world-class drummer Lenny White. He makes a very strong impression and his very presence on this CD serves to further the respect Roney has for the lasting mark on his playing on this CD -- the open sound of the '60s that Lenny White helped Miles Davis to initiate. He gives his Gretsch a workout tempered by excellent solos from Geri Allen and Adam Holzman. This CD is a great one and shows Roney as a leading jazz trumpeter.
© Paula Edelstein /TiVo
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無制限ストリーミングプランで１億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
John Coltrane, Composer - Miles Davis, Composer - Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Arranger, Trumpet, Work Arranger, MainArtist, AssociatedPerformer - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer - Buster Williams, Bass Guitar, AssociatedPerformer, ComposerLyricist - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
Steve Hall, Saxophones, AssociatedPerformer - ADAM HOLZMAN, Keyboards, AssociatedPerformer - Geri Allen, Piano, AssociatedPerformer - WALLACE RONEY, Producer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Buster Williams, Bass Guitar, AssociatedPerformer - Lenny White, Drums, AssociatedPerformer - Antoine Roney, Saxophones, AssociatedPerformer - Val "Gelder" Jeanty, Programming, AssociatedPerformer
℗ 2000 Stretch Records, Inc.
アルバム·レビュー
Wallace Roney's No Room for Argument is about "heritage, mentors, wisdom, responsibility, and spirituality." This CD is packed with excellent straight-ahead, avant-garde, and free jazz that also features samples from speeches given by Martin Luther King, Jr., Malcolm X, and audio by Deepak Chopra. Roney's evolved, imaginative use of his muted trumpet to achieve the meditative and philosophical concepts inherent in the opener "No Room for Argument" is accomplished effectively. Roney weaves its sound into the well-known orations delivered by King and Malcolm X, giving each note a new design that offers his solution to the challenges of performing respected works in a new medium. His mentor piece, an arrangement and direction of "Homage & Acknowledgement," a vital rework featuring the duality of the great Buster Williams at work on the bassline for John Coltrane's "A Love Supreme," and Roney's interpretation of the trumpet sounds of Miles Davis on "Filles de Kilimanjaro" is a exceptional seven-minute masterwork that supplies both the spiritual depth and insistent ground rhythms inherent in the original recordings of the '60s. "Virtual Chocolate Cherry" is a boundless arena for the world-class drummer Lenny White. He makes a very strong impression and his very presence on this CD serves to further the respect Roney has for the lasting mark on his playing on this CD -- the open sound of the '60s that Lenny White helped Miles Davis to initiate. He gives his Gretsch a workout tempered by excellent solos from Geri Allen and Adam Holzman. This CD is a great one and shows Roney as a leading jazz trumpeter.
© Paula Edelstein /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 10曲
- 合計収録時間 : 01:11:33
- メインアーティスト : ウォレス・ルーニー
- 作曲家 : Various Composers
- レーベル : Concord Records
- ジャンル： ジャズ
© 2000 Stretch Records, a division of Concord Music Group, Inc. ℗ 2000 Stretch Records, a division of Concord Music Group, Inc.
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