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キングストン・トリオ|New Frontier

New Frontier

The Kingston Trio

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The Kingston Trio's 14th album for Capitol Records appeared at a time when folk music was changing around them in ways that no one could have predicted just a couple of years earlier. Bob Dylan had not yet charted a record, but he was at Columbia Records and he was writing serious, topical, angry songs that would soon start getting attention; and a rival folk group called Peter, Paul & Mary was starting to make headway with the public doing songs that had a political and philosophical edge. The New Frontier is upbeat, basically cheerful, optimistic music celebrating youth, nowhere more so than on John Stewart's title song, a bold, optimistic celebration of the Kennedy era. The originals are interspersed with familiar standards ("Long Black Veil," which is sung in an almost rollicking manner, contrasting eerily with the Band's version of a decade later), all sung with sweet harmonies and played with winning exuberance. "Greenback Dollar" became a single (and a modest hit) and is the most familiar song here, but the album as a whole matches its most upbeat and lyrical moments. The only break in the mood is the group's version of Ewan MacColl's "The First Time" (best known as "The First Time Ever I Saw Your Face"), which is gloriously subdued and gentle in every detail of the playing and singing.

© Bruce Eder /TiVo

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New Frontier

キングストン・トリオ

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1
Greenback Dollar
00:02:51

Ken Ramsey, Composer - Hoyt Axton, Composer - Voyle Gilmore, Producer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

2
Some Fool Made A Soldier Of Me
00:02:13

Voyle Gilmore, Producer - Jerry Fuller, Composer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

3
To Be Redeemed
00:02:22

Jane Bowers, Composer - Voyle Gilmore, Producer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

4
Honey, Are You Mad At Your Man?
00:02:00

Reynolds, Composer - Voyle Gilmore, Producer - Shane, Composer - The Kingston Trio, MainArtist - Errol Stewart, Composer

℗ 1962 Capitol Records, LLC

5
Adios Farewell
00:02:49

Voyle Gilmore, Producer - Terry Gilkyson, Composer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

6
Poor Ellen Smith
00:02:26

Reynolds, Composer - Voyle Gilmore, Producer - Shane, Composer - The Kingston Trio, MainArtist - Errol Stewart, Composer

℗ 1962 Capitol Records

7
My Lord What A Mornin'
00:02:31

Reynolds, Composer - Voyle Gilmore, Producer - Shane, Composer - The Kingston Trio, MainArtist - Errol Stewart, Composer

℗ 1962 Capitol Records

8
Long Black Veil
00:02:27

Voyle Gilmore, Producer - Danny Dill, Composer - The Kingston Trio, MainArtist - Mari John Wilkin, Composer

℗ 1993 Capitol Records, LLC

9
Genny Glenn
00:02:34

STEWART, Composer - Reynolds, Composer - Voyle Gilmore, Producer - Shane, Composer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

10
The First Time
00:02:52

Ewan MacColl, Composer - Voyle Gilmore, Producer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records, LLC

11
Dogie's Lament
00:02:19

STEWART, Composer - Reynolds, Composer - Voyle Gilmore, Producer - Shane, Composer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records

12
The New Frontier
00:02:24

Voyle Gilmore, Producer - John Stewart, Composer - The Kingston Trio, MainArtist

℗ 1962 Capitol Records, LLC

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The Kingston Trio's 14th album for Capitol Records appeared at a time when folk music was changing around them in ways that no one could have predicted just a couple of years earlier. Bob Dylan had not yet charted a record, but he was at Columbia Records and he was writing serious, topical, angry songs that would soon start getting attention; and a rival folk group called Peter, Paul & Mary was starting to make headway with the public doing songs that had a political and philosophical edge. The New Frontier is upbeat, basically cheerful, optimistic music celebrating youth, nowhere more so than on John Stewart's title song, a bold, optimistic celebration of the Kennedy era. The originals are interspersed with familiar standards ("Long Black Veil," which is sung in an almost rollicking manner, contrasting eerily with the Band's version of a decade later), all sung with sweet harmonies and played with winning exuberance. "Greenback Dollar" became a single (and a modest hit) and is the most familiar song here, but the album as a whole matches its most upbeat and lyrical moments. The only break in the mood is the group's version of Ewan MacColl's "The First Time" (best known as "The First Time Ever I Saw Your Face"), which is gloriously subdued and gentle in every detail of the playing and singing.

© Bruce Eder /TiVo

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