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ダイアン・リーヴス|Never Too Far

Never Too Far

Dianne Reeves

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対応言語:英語

Any vocalist whose album release parties are held at Le Dome on Sunset Strip has got to be a class act, and R&B/jazz song stylist Reeves is certainly that. Helped along by the marvelous texturing skills of producer George Duke and the rhythms of such jazz heavies as Kirk Whalum, Luis Conte, Abe Laboriel, and Stanley Clarke, Reeves shows a grand affinity for a wide range of stylings. Her gospel side is brought out by a choir featuring Phil Perry and Philip Bailey on the feel good title cut, while Conte's snazzy percussion brings out the South African rhythms on the brassy "Fumilayo" and "Eyes on the Prize," on which Duke shows considerable aplomb with the synclavier horns. Duke also infuses some funk in the danceable "Hello (Haven't I Seen You Before)," which features backing vocals by Take 6. Best tunes are the safest ones, though -- the sweet torch ballads "More to Love," "We Belong Together," and the tearjerker "Company," which was co-written by Rickie Lee Jones. Tasty stuff, but how does Reeves sing? Powerfuly, with an emotional voice that commands your attention but doesn't feel the need to overpower. Never Too Far may be classified as an R&B album, but Reeves has the voice and soul of a true jazz diva.

© Jonathan Widran /TiVo

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Never Too Far

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1
ハロー
00:03:44

M. WARREN, ComposerLyricist - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, MainArtist - George Duke, Producer - Mark Kibble, ComposerLyricist - CLAUDE MCKNIGHT, ComposerLyricist

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

2
Never Too Far
00:05:20

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, MainArtist - George Duke, Producer - Diane Louie, Composer

(C) 1990 Blue Note Records ℗ 1989 Capitol Records, LLC

3
Come In
00:06:55

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Producer - Billy Childs, Composer - Diane Louie, Composer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

4
How Long
00:05:05

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Composer, Producer - Diane Louie, Composer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

5
Eyes On The Prize
00:04:37

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Composer, Producer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

6
Bring Me Joy
00:01:12

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Luis Conte, Composer - Dianne Reeves, Composer, MainArtist - George Duke, Producer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

7
Fumilayo
00:05:32

Erik Zobler, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Composer, Producer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

8
More To Love (Than Making Love)
00:04:09

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Composer, Producer - Diane Louie, Composer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

9
We Belong Together
00:05:39

Erik Zobler, Recording Engineer, StudioPersonnel - Dianne Reeves, Composer, MainArtist - George Duke, Producer - Diane Louie, Composer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

10
Company
00:05:26

Jones, Composer - Johnson, Composer - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Dianne Reeves, MainArtist - George Duke, Producer

(C) 1990 Blue Note Records ℗ 1990 Capitol Records, LLC

アルバム·レビュー

Any vocalist whose album release parties are held at Le Dome on Sunset Strip has got to be a class act, and R&B/jazz song stylist Reeves is certainly that. Helped along by the marvelous texturing skills of producer George Duke and the rhythms of such jazz heavies as Kirk Whalum, Luis Conte, Abe Laboriel, and Stanley Clarke, Reeves shows a grand affinity for a wide range of stylings. Her gospel side is brought out by a choir featuring Phil Perry and Philip Bailey on the feel good title cut, while Conte's snazzy percussion brings out the South African rhythms on the brassy "Fumilayo" and "Eyes on the Prize," on which Duke shows considerable aplomb with the synclavier horns. Duke also infuses some funk in the danceable "Hello (Haven't I Seen You Before)," which features backing vocals by Take 6. Best tunes are the safest ones, though -- the sweet torch ballads "More to Love," "We Belong Together," and the tearjerker "Company," which was co-written by Rickie Lee Jones. Tasty stuff, but how does Reeves sing? Powerfuly, with an emotional voice that commands your attention but doesn't feel the need to overpower. Never Too Far may be classified as an R&B album, but Reeves has the voice and soul of a true jazz diva.

© Jonathan Widran /TiVo

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