無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
The Bad Plus, the leaderless trio comprised of bassist Reid Anderson, pianist Ethan Iverson, and drummer David King, have a well-deserved reputation for arresting and mischievous readings of rock, pop, and classical pieces ranging from Aphex Twin to Gyorgy Ligeti to the Flaming Lips. As a result, their own fine compositions have often been -- unfairly -- overlooked. Never Stop, the Bad Plus' eighth recording, is their first of completely original material. In a decade-long career filled with curve balls (the last being 2009's For All I Care, their first set of all cover material and the first to feature a vocalist), Never Stop pushes their margin and extends their reach far past canonical definitions of the "jazz piano trio." "The Radio Tower Has a Beating Heart" feels like a nearly six-minute classical intro, full of complex harmonics, roiling kit drums, and a near pastoral theme that is interspersed with angular yet lyric, swinging post-bop improvisation. The title track is nearly an uptempo pop song, set to a near marching tempo. Irony abounds in "My Friend Metatron," with its relatively brief schematic theme that gives way to shimmering crescendos and codas, Latin tinges, and multiple time signatures. "Beryl Loves to Dance" feels more like a sprinting scherzo before it settles down into a funky groove with some knotty harmonic twists adding more irony -- not gimmickry -- to the mix. "Snowball" is a brief, lilting, skeletal ballad, imbued with near impressionistic piano nuances before Anderson takes the melody and asserts it with restraint and taste. "2 P.M." works through a particularly intense jazz improvisation while keeping a taut focus on modern classical composition as a methodology. The two longest pieces are the elegant "People Like You," where Iverson touches on Vince Guaraldi and Bill Evans, and "Bill Hickman at Home," a haunting naturally flowing jazz ballad with added quirkiness because it is played on a slightly out of tune piano, allowing for some compelling inside-out improvisation with a nearly cinematic flourish. The set closes with handclaps on the joyous gospelized blues "Super America." The Bad Plus' originals have always been provocative, but being parceled between covers, their impact was unduly blunted. Hearing an entire program of them on Never Stop offers listeners a full appreciation of just how innovative and creative -- and yet accessible -- they are, even as they redefine and expand the role of the piano trio in jazz.
© Thom Jurek /TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
David King, Drums, AssociatedPerformer, ComposerLyricist - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer, ComposerLyricist - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer, ComposerLyricist - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer, ComposerLyricist - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer, ComposerLyricist - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer, ComposerLyricist - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer, ComposerLyricist - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer - Ethan Iverson, Piano, AssociatedPerformer, ComposerLyricist
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer - Ethan Iverson, Piano, AssociatedPerformer, ComposerLyricist
℗ 2010 Do The Math Records
David King, Drums, AssociatedPerformer, ComposerLyricist - The Bad Plus, MainArtist - Reid Anderson, Double Bass, AssociatedPerformer - Ethan Iverson, Piano, AssociatedPerformer
℗ 2010 Do The Math Records
アルバム·レビュー
The Bad Plus, the leaderless trio comprised of bassist Reid Anderson, pianist Ethan Iverson, and drummer David King, have a well-deserved reputation for arresting and mischievous readings of rock, pop, and classical pieces ranging from Aphex Twin to Gyorgy Ligeti to the Flaming Lips. As a result, their own fine compositions have often been -- unfairly -- overlooked. Never Stop, the Bad Plus' eighth recording, is their first of completely original material. In a decade-long career filled with curve balls (the last being 2009's For All I Care, their first set of all cover material and the first to feature a vocalist), Never Stop pushes their margin and extends their reach far past canonical definitions of the "jazz piano trio." "The Radio Tower Has a Beating Heart" feels like a nearly six-minute classical intro, full of complex harmonics, roiling kit drums, and a near pastoral theme that is interspersed with angular yet lyric, swinging post-bop improvisation. The title track is nearly an uptempo pop song, set to a near marching tempo. Irony abounds in "My Friend Metatron," with its relatively brief schematic theme that gives way to shimmering crescendos and codas, Latin tinges, and multiple time signatures. "Beryl Loves to Dance" feels more like a sprinting scherzo before it settles down into a funky groove with some knotty harmonic twists adding more irony -- not gimmickry -- to the mix. "Snowball" is a brief, lilting, skeletal ballad, imbued with near impressionistic piano nuances before Anderson takes the melody and asserts it with restraint and taste. "2 P.M." works through a particularly intense jazz improvisation while keeping a taut focus on modern classical composition as a methodology. The two longest pieces are the elegant "People Like You," where Iverson touches on Vince Guaraldi and Bill Evans, and "Bill Hickman at Home," a haunting naturally flowing jazz ballad with added quirkiness because it is played on a slightly out of tune piano, allowing for some compelling inside-out improvisation with a nearly cinematic flourish. The set closes with handclaps on the joyous gospelized blues "Super America." The Bad Plus' originals have always been provocative, but being parceled between covers, their impact was unduly blunted. Hearing an entire program of them on Never Stop offers listeners a full appreciation of just how innovative and creative -- and yet accessible -- they are, even as they redefine and expand the role of the piano trio in jazz.
© Thom Jurek /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 10曲
- 合計収録時間 : 00:58:15
- メインアーティスト : ザ・バッド・プラス
- 作曲家 : Various Composers
- レーベル : Universal Music Group International
- ジャンル: ジャズ
© 2010 Do The Math Records ℗ 2010 Do The Math Records
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット(FLAC, ALAC, WAV, AIFF...)でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。