カテゴリー:
かご 0

かごは空です

キース・ジャレット|My Foolish Heart

My Foolish Heart

Gary Peacock, Jack DeJohnette, Keith Jarrett

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time for release -- whatever that means. The bottom line is, listeners are very fortunate to have it. The official live offerings by this group have always been crystalline affairs of deep swinging communication, no matter the material. Not only is My Foolish Heart no exception, it is perhaps the standard by which the others should be judged. Almost two hours in length, the program is comprised entirely of jazz and pop standards -- beginning with a tough, limber, punchy version of Miles Davis' "Four" lasting over nine minutes. That the music begins like this, so utterly strident and swaggering, full of lyric invention and energy, is almost reason enough for purchase. The inherent commitment to the music is not measured: it's total. There are few -- if any -- groups in jazz that have been together for such a long time. And there are few groups new or old that are even capable enough to manage such a wide-ranging selection of the repertoire: from the title track and "Four" to "Oleo," "Straight, No Chaser," and even "Five Brothers"! But the selection of material is only the wrapper. What's inside it is not just the history of jazz but history in the making, because these three prove beyond all measure not only the vitality of the material but also the necessity of the trio interpretation of it, and indeed what is possible: bop, hard bop, post-bop, swing, and here even ragtime, played with all the seriousness and joy it demands. The readings of Fats Waller's "Ain't Misbehavin'" and "Honeysuckle Rose" and Rodgers & Hart's "You Took Advantage of Me" are wild affairs, beautifully executed, sure, but played with the requisite emotion that new interpretations require.
On this set, these tunes have been brought out of history, out of the canon of milquetoast sweetness as diversions for the purpose of entertainment, and out into the present as revelatory statements in harmony and rhythmic and lyric invention. The interplay between Peacock and DeJohnette is utterly dynamic. The way these two not only complement but also challenge one another creates a sense of balance that allows Jarrett room for flight -- not into his own quirks as a musician, but into the entire universe of jazz. Peacock and DeJohnette solo a lot here, with in-the-pocket contributions to the melodic panorama of the music. The ballads, too, such as the delicate reading of Sammy Cahn and Jule Styne's "Guess I'll Hang My Tears Out to Dry" and the curious but spot-on choice for a set closer, Cahn and James Van Heusen's "Only the Lonely," are read with such sensitivity and confidence that overly reverent interpretation (a trap for any player who risks bloodlessness) is impossible; the nature of "song" is kept as the trio offers these renditions with deep emotion and a singer's sense of space and elegance. Over 13 tunes, this band offers more surprises, delights, and jaw-dropping musical acumen than even fans believed possible. As Jarrett writes in his liner notes, "There was no other night when we felt that we had to (almost literally) grab the audience by the throat and shake them into hearing what we were doing." Perhaps they were distracted by heat, bad sound, and lighting problems -- Jarrett speaks to these twice in his notes -- but perhaps, until they reached the ragtime segment of the set that demanded a waking response, they were just floored by the swinging intensity with which the set began. Whatever the reason, this document is a mindblower from start to finish, and there are moments when all you can do in response is look at the box slack-jawed and wonder if what you just heard really happened. It did and it does, over and over again. This set is a magical, wondrous moment in the life of a trio when it all comes pouring out as inspiration and mastery.

© Thom Jurek /TiVo

詳細はこちら

My Foolish Heart

キース・ジャレット

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
フォア
00:09:09

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Miles Davis, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
マイ・フーリッシュ・ハート
00:12:25

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Victor Young, ComposerLyricist - Ned Washington, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
オレオ
00:06:37

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Sonny Rollins, Composer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
ホワッツ・ニュー
00:07:54

Robert Haggart, Composer - Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Johnny Burke, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
ソング・イズ・ユー
00:07:43

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Jerome Kern, ComposerLyricist - Oscar Hammerstein II , ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
エイント・ミスビヘイヴン(浮気はやめた)
00:06:41

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Andy Razaf, Author - Fats Waller, Composer - Harry Brooks, Composer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Disc 2

1
ハニーサックル・ローズ
00:06:45

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Andy Razaf, ComposerLyricist - Fats Waller, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
ユー・トック・アドバンテージ・オブ・ミー
00:08:54

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Richard Rodgers, Composer - Lorenz Hart, Author - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
ストレート・ノー・チェイサー
00:10:05

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Thelonious Monk, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
ファイヴ・ブラザーズ
00:06:36

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Gerry Mulligan, Composer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
ゲス・アイル・ハング・マイ・ティアーズ・アウト・トゥ・ドライ
00:11:09

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Jule Styne, Composer - Sammy Cahn, Composer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
オン・グリーン・ドルフィン・ストリート
00:08:18

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Ned Washington, ComposerLyricist - Bronislaw Kaper, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
オンリー・ザ・ロンリー
00:06:15

Jack DeJohnette, Drums, MainArtist, AssociatedPerformer - Sammy Cahn, Author - Jimmy Van Heusen, ComposerLyricist - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2007 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

アルバム·レビュー

My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time for release -- whatever that means. The bottom line is, listeners are very fortunate to have it. The official live offerings by this group have always been crystalline affairs of deep swinging communication, no matter the material. Not only is My Foolish Heart no exception, it is perhaps the standard by which the others should be judged. Almost two hours in length, the program is comprised entirely of jazz and pop standards -- beginning with a tough, limber, punchy version of Miles Davis' "Four" lasting over nine minutes. That the music begins like this, so utterly strident and swaggering, full of lyric invention and energy, is almost reason enough for purchase. The inherent commitment to the music is not measured: it's total. There are few -- if any -- groups in jazz that have been together for such a long time. And there are few groups new or old that are even capable enough to manage such a wide-ranging selection of the repertoire: from the title track and "Four" to "Oleo," "Straight, No Chaser," and even "Five Brothers"! But the selection of material is only the wrapper. What's inside it is not just the history of jazz but history in the making, because these three prove beyond all measure not only the vitality of the material but also the necessity of the trio interpretation of it, and indeed what is possible: bop, hard bop, post-bop, swing, and here even ragtime, played with all the seriousness and joy it demands. The readings of Fats Waller's "Ain't Misbehavin'" and "Honeysuckle Rose" and Rodgers & Hart's "You Took Advantage of Me" are wild affairs, beautifully executed, sure, but played with the requisite emotion that new interpretations require.
On this set, these tunes have been brought out of history, out of the canon of milquetoast sweetness as diversions for the purpose of entertainment, and out into the present as revelatory statements in harmony and rhythmic and lyric invention. The interplay between Peacock and DeJohnette is utterly dynamic. The way these two not only complement but also challenge one another creates a sense of balance that allows Jarrett room for flight -- not into his own quirks as a musician, but into the entire universe of jazz. Peacock and DeJohnette solo a lot here, with in-the-pocket contributions to the melodic panorama of the music. The ballads, too, such as the delicate reading of Sammy Cahn and Jule Styne's "Guess I'll Hang My Tears Out to Dry" and the curious but spot-on choice for a set closer, Cahn and James Van Heusen's "Only the Lonely," are read with such sensitivity and confidence that overly reverent interpretation (a trap for any player who risks bloodlessness) is impossible; the nature of "song" is kept as the trio offers these renditions with deep emotion and a singer's sense of space and elegance. Over 13 tunes, this band offers more surprises, delights, and jaw-dropping musical acumen than even fans believed possible. As Jarrett writes in his liner notes, "There was no other night when we felt that we had to (almost literally) grab the audience by the throat and shake them into hearing what we were doing." Perhaps they were distracted by heat, bad sound, and lighting problems -- Jarrett speaks to these twice in his notes -- but perhaps, until they reached the ragtime segment of the set that demanded a waking response, they were just floored by the swinging intensity with which the set began. Whatever the reason, this document is a mindblower from start to finish, and there are moments when all you can do in response is look at the box slack-jawed and wonder if what you just heard really happened. It did and it does, over and over again. This set is a magical, wondrous moment in the life of a trio when it all comes pouring out as inspiration and mastery.

© Thom Jurek /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストキース・ジャレットによる

Last Dance

キース・ジャレット

Last Dance キース・ジャレット

The Köln Concert (Live at the Opera, Köln, 1975)

キース・ジャレット

Carl Philipp Emanuel Bach

キース・ジャレット

Carl Philipp Emanuel Bach キース・ジャレット

The Köln Concert (Live at the Opera, Köln, 1975)

キース・ジャレット

Standards, Vol. 2

キース・ジャレット

Standards, Vol. 2 キース・ジャレット

プレイリスト

こちらもおすすめ...

Getz/Gilberto

スタン・ゲッツ

Getz/Gilberto スタン・ゲッツ

Blue Train

ジョン・コルトレーン

Blue Train ジョン・コルトレーン

Orchestras

ビル・フリゼール

Orchestras ビル・フリゼール

We Get Requests

オスカー・ピーターソン

We Get Requests オスカー・ピーターソン

The Carnegie Hall Concert

アリス・コルトレーン

The Carnegie Hall Concert アリス・コルトレーン