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ザ・バンド|Music From Big Pink (Deluxe Edition/Remixed 2018)

Music From Big Pink (Deluxe Edition/Remixed 2018)

The Band

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None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's often icy and majestic organ, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.

© William Ruhlmann /TiVo

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Music From Big Pink (Deluxe Edition/Remixed 2018)

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1
怒りの涙 (Remixed 2018)
00:05:26

Rick Danko, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, Composer - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer, Tenor Saxophone, AssociatedPerformer - Don Hahn, Engineer, StudioPersonnel - Garth Hudson, Organ, Soprano Saxophone, AssociatedPerformer - Levon Helm, Drums, Tambourine, AssociatedPerformer - Richard Manuel, Composer, Piano, Vocalist, AssociatedPerformer

℗ 2018 UMG Recordings, Inc.

2
トゥ・キングダム・カム (Remixed 2018)
00:03:22

Rick Danko, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Composer, Electric Guitar, Vocalist, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Garth Hudson, Organ, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Piano, Vocalist, AssociatedPerformer - Rex Updegraft, Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

3
イン・ア・ステイション (Remixed 2018)
00:03:34

Rick Danko, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Acoustic Guitar, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Garth Hudson, Keyboards, Piano, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Piano, Vocalist, AssociatedPerformer, ComposerLyricist - Rex Updegraft, Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

4
カレドニア・ミッション (Remixed 2018)
00:02:57

Rick Danko, Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Composer, Acoustic Guitar, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer, Piano, AssociatedPerformer - Garth Hudson, Organ, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Background Vocalist, AssociatedPerformer - Rex Updegraft, Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

5
ザ・ウェイト (Remixed 2018)
00:04:45

Marvin Tarplin, ComposerLyricist - Warren Moore, ComposerLyricist - Dan Hersch, Mastering Engineer, StudioPersonnel - ROBBIE ROBERTSON, ComposerLyricist - The Band, MainArtist - JOHN SIMON, Producer - Andrew Sandoval, Mastering Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

6
ウィ・キャン・トーク (Remixed 2018)
00:03:05

Rick Danko, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Don Hahn, Engineer, StudioPersonnel - Garth Hudson, Organ, AssociatedPerformer - Levon Helm, Drums, Vocalist, AssociatedPerformer - Richard Manuel, Piano, Vocalist, AssociatedPerformer, ComposerLyricist

℗ 2018 UMG Recordings, Inc.

7
ロング・ブラック・ベール (Remixed 2018)
00:03:06

Rick Danko, Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Acoustic Guitar, AssociatedPerformer - The Band, MainArtist - Danny Dill, Composer - JOHN SIMON, Producer - Garth Hudson, Organ, AssociatedPerformer - Levon Helm, Drums, Background Vocalist, AssociatedPerformer - Richard Manuel, Piano, Background Vocalist, AssociatedPerformer - Rex Updegraft, Engineer, StudioPersonnel - Mari John Wilkin, Composer

℗ 2018 UMG Recordings, Inc.

8
チェスト・フィーバー (Remixed 2018)
00:05:27

Rick Danko, Violin, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Dan Hersch, Mastering Engineer, StudioPersonnel - ROBBIE ROBERTSON, Composer, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer, Baritone Saxophone, AssociatedPerformer - Andrew Sandoval, Mastering Engineer, StudioPersonnel - Don Hahn, Engineer, StudioPersonnel - Garth Hudson, Organ, Tenor Saxophone, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Piano, Vocalist, AssociatedPerformer

℗ 2018 UMG Recordings, Inc.

9
悲しきスージー (Remixed 2018)
00:04:08

Rick Danko, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Garth Hudson, Organ, Soprano Saxophone, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Composer, Piano, Vocalist, AssociatedPerformer - Rex Updegraft, Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

10
火の車 (Remixed 2018)
00:03:25

Rick Danko, Vocalist, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, ComposerLyricist - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Don Hahn, Engineer, StudioPersonnel - Garth Hudson, Keyboards, Organ, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Piano, Background Vocalist, AssociatedPerformer

℗ 2018 UMG Recordings, Inc.

11
アイ・シャル・ビー・リリースト (Remixed 2018)
00:03:22

Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, ComposerLyricist - The Band, MainArtist - JOHN SIMON, Producer

℗ 2018 UMG Recordings, Inc.

12
ヤズー・ストリート・ジャーナル (Outtake)
00:04:11

Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Composer - The Band, MainArtist - JOHN SIMON, Producer - Andrew Sandoval, Mixer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

13
怒りの涙 (Alternate Take)
00:05:33

Rick Danko, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, Composer - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer, Tenor Saxophone, AssociatedPerformer - Don Hahn, Engineer, StudioPersonnel - Garth Hudson, Organ, Soprano Saxophone, AssociatedPerformer - Levon Helm, Drums, Tambourine, AssociatedPerformer - Richard Manuel, Composer, Piano, Vocalist, AssociatedPerformer

℗ 2018 UMG Recordings, Inc.

14
ロング・ディスタンス・オペレイター (Outtake)
00:04:34

Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, Composer - The Band, MainArtist - JOHN SIMON, Producer

℗ 2018 UMG Recordings, Inc.

15
悲しきスージー (Alternate Take)
00:03:01

Rick Danko, AssociatedPerformer, Bass (Vocal) - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - ROBBIE ROBERTSON, Electric Guitar, AssociatedPerformer - The Band, MainArtist - JOHN SIMON, Producer - Garth Hudson, Organ, Soprano Saxophone, AssociatedPerformer - Levon Helm, Drums, AssociatedPerformer - Richard Manuel, Composer, Piano, Vocalist, AssociatedPerformer - Rex Updegraft, Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

16
キー・トゥ・ザ・ハイウェイ (Outtake)
00:02:28

Charles Segar, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - The Band, MainArtist - JOHN SIMON, Producer - Andrew Sandoval, Mixer, StudioPersonnel - William Lee Broonzy, ComposerLyricist

℗ 2018 UMG Recordings, Inc.

17
アイ・シャル・ビー・リリースト (Acapella)
00:03:05

Bob Ludwig, Mastering Engineer, StudioPersonnel - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Bob Dylan, ComposerLyricist - The Band, MainArtist - JOHN SIMON, Producer

℗ 2018 UMG Recordings, Inc.

アルバム·レビュー

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's often icy and majestic organ, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.

© William Ruhlmann /TiVo

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