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When he wrote his two unique quartets for piano, violin, alto and cello, in 1785 and 1786 respectively—the era of The Marriage of Figaro—Mozart was brilliantly inaugurating a genre which, much later, would inspire others, and not the least: Brahms, Mendelssohn, Schumann, Dvořák and Fauré, Saint-Saëns and Chausson. Not the big crowd then, because it is true that the format causes balance problems, that Mozart has overcome with his usual mastery (the others too, be reassured). Because the risk and the temptation are huge to make it some kind of mini-concerto for piano with three string accompaniments, and the composer took great pain to avoid that: yes, he often sets the piano against the three strings, but the exchange remains balanced and never are the strings only there to only act as support. In this, Mozart is the true precursor. On piano, Daniel Barenboim has surrounded himself with three musicians coming from his famous East-West Divan Orchestra: his son Michael B. on violin, the Russian violist Yulia Deyneka and Persian cellist Kian Soltani, great soloists whose value hasn’t awaited the passing of years to blossom in the light of day. Let’s note that these recordings have been made in a public concert in March 2017. © SM/Qobuz
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ピアノ四重奏曲 第1番 ト短調 K. 478 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
ピアノ四重奏曲 第2番 変ホ長調 K. 493 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
Wolfgang Amadeus Mozart, Composer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Michael Barenboim, Violin, MainArtist, AssociatedPerformer - Kian Soltani, Cello, MainArtist, AssociatedPerformer - Thomas Bößl, Mixer, Editor, Mastering Engineer, StudioPersonnel - Yulia Deyneka, Viola, MainArtist, AssociatedPerformer
℗ 2018 Deutsche Grammophon GmbH, Berlin
アルバム·レビュー
When he wrote his two unique quartets for piano, violin, alto and cello, in 1785 and 1786 respectively—the era of The Marriage of Figaro—Mozart was brilliantly inaugurating a genre which, much later, would inspire others, and not the least: Brahms, Mendelssohn, Schumann, Dvořák and Fauré, Saint-Saëns and Chausson. Not the big crowd then, because it is true that the format causes balance problems, that Mozart has overcome with his usual mastery (the others too, be reassured). Because the risk and the temptation are huge to make it some kind of mini-concerto for piano with three string accompaniments, and the composer took great pain to avoid that: yes, he often sets the piano against the three strings, but the exchange remains balanced and never are the strings only there to only act as support. In this, Mozart is the true precursor. On piano, Daniel Barenboim has surrounded himself with three musicians coming from his famous East-West Divan Orchestra: his son Michael B. on violin, the Russian violist Yulia Deyneka and Persian cellist Kian Soltani, great soloists whose value hasn’t awaited the passing of years to blossom in the light of day. Let’s note that these recordings have been made in a public concert in March 2017. © SM/Qobuz
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 6曲
- 合計収録時間 : 01:06:47
- 1 デジタルブックレット
- メインアーティスト : マイケル・バレンボイム ユリア・デイネカ キアン・ソルターニ ダニエル・バレンボイム
- 作曲家 : Wolfgang Amadeus Mozart
- レーベル : Deutsche Grammophon (DG)
- ジャンル： クラシック
© 2018 Deutsche Grammophon GmbH, Berlin ℗ 2018 Deutsche Grammophon GmbH, Berlin
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