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ローランド・ビリャソン|モーツァルト:コンサート・アリア集

モーツァルト:コンサート・アリア集

London Symphony Orchestra

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Star tenor Rolando Villazón, having made several top-flight Mozart opera recordings, pauses to offer this set of arias as a sort of appetizer. The Concert Arias title is accurate for slightly less than half the selections; the largest group are insertion arias, pieces written for inclusion in someone else's opera. In this case the composers benefiting from the Mozart touch are Pasquale Anfossi, Niccolò Piccinni, and Johann Adolf Hasse; there is also an aria from an unfinished Mozart comic opera, Lo sposo deluso, K. 430. That's one of the few pieces from Mozart's full maturity here. So, this is a collection of real Mozart obscurities. And, perhaps surprisingly, Villazón brings them to life. He has performed these works frequently in recital, and it shows: throughout, he has a relaxed way of getting into character. Sample Con ossequio, con rispetto, from Piccinni's L'astratto, ovvero il giocator fortunato, for an example of suppressed sarcasm that most singers would just leave alone. Deutsche Grammophon contributes clear sound from none other than Abbey Road studios, and the result is an album that should find a place in large Mozart collections and those of Villazón fans as well.

© TiVo

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モーツァルト:コンサート・アリア集

ローランド・ビリャソン

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1
運命は恋する者に K.209
London Symphony Orchestra
00:03:32

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Anonymous, Author - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

Lo sposo deluso, K.430 / Act 1 (Wolfgang Amadeus Mozart)

2
騙された花婿 K.430
ローランド・ビリャソン
00:03:52

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - Lorenzo Da Ponte, Author - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Franz Beyer, Arranger, Work Arranger - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

3
願わくは問いたもうな K.420
アントニオ・パッパーノ
00:07:16

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Anonymous, Author - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

4
行け、怒りにかられて K.21
London Symphony Orchestra
00:06:26

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

5
レチタティーヴォ 「憐れな男よ!夢なのか」K.431
ローランド・ビリャソン
00:03:33

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

6
アリア 「あたり吹くそよかぜよ」 K.431
London Symphony Orchestra
00:07:18

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

7
アリア 「尊み崇めて」 K.210
ローランド・ビリャソン
00:02:34

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

8
務めが私を強いる今こそ、ジギスムントの事績はかくも偉大にして K.36
ローランド・ビリャソン
00:02:46

Wolfgang Amadeus Mozart, ComposerLyricist - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

9
あんなことやこんなこと K.36
ローランド・ビリャソン
00:06:38

Wolfgang Amadeus Mozart, ComposerLyricist - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

10
クラリーチェは私のいとしの妻になるはず K.256
ローランド・ビリャソン
00:01:46

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

11
もし私の唇を信じないなら K.295
London Symphony Orchestra
00:13:07

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - text from J.A. Hasse's "Artaserse", Author - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

12
千匹もの竜を目の前にするとも K.435
ローランド・ビリャソン
00:04:12

Wolfgang Amadeus Mozart, Composer - David Groves, Producer, Recording Producer - Jonathan Allen, Recording Engineer, StudioPersonnel - Antonio Pappano, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Franz Beyer, Arranger, Work Arranger - Paul Pritchard, Asst. Recording Engineer, StudioPersonnel - Toby Hulbert, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2014 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

Star tenor Rolando Villazón, having made several top-flight Mozart opera recordings, pauses to offer this set of arias as a sort of appetizer. The Concert Arias title is accurate for slightly less than half the selections; the largest group are insertion arias, pieces written for inclusion in someone else's opera. In this case the composers benefiting from the Mozart touch are Pasquale Anfossi, Niccolò Piccinni, and Johann Adolf Hasse; there is also an aria from an unfinished Mozart comic opera, Lo sposo deluso, K. 430. That's one of the few pieces from Mozart's full maturity here. So, this is a collection of real Mozart obscurities. And, perhaps surprisingly, Villazón brings them to life. He has performed these works frequently in recital, and it shows: throughout, he has a relaxed way of getting into character. Sample Con ossequio, con rispetto, from Piccinni's L'astratto, ovvero il giocator fortunato, for an example of suppressed sarcasm that most singers would just leave alone. Deutsche Grammophon contributes clear sound from none other than Abbey Road studios, and the result is an album that should find a place in large Mozart collections and those of Villazón fans as well.

© TiVo

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