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I Barocchisti

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Don't hate this album because it has been beautifully marketed, for if you do you'll miss out on something extraordinary. Italian mezzo-soprano Cecilia Bartoli reportedly worked on it for three years, even suggesting a mystery-novel tie-in, and her label, Decca, kept the contents under wraps until the album's release, dropping hints via Internet videos. When the album appeared, it was issued in a limited-edition hardbound package including numerous essays covering aspects of the life of the composer involved, Agostino Steffani. These range from the cogent and helpful (one details Steffani's influence on Handel) to the probably woolly, shading off into the fictional treatment that's also associated with the project. The album's title reflects the fact that Steffani was a composer-diplomat, born in Italy but active for much of his life in Germany, and surrounded by various kinds of intrigue that seem to figure tangentially into some of the arias on the album. This is all intriguing, and if it spawns a feature film somewhere along the way that's all to the good, but the best news is that none of it is necessary; you can buy the album online or in its plain jewel-box version, familiarize yourself briefly with what it's about, and then be blown away. Perhaps part of Bartoli's "mission" was to elevate the music of the little-known Steffani; if so, she succeeds brilliantly, and one hopes that the release will be followed by full productions of some of Steffani's operas. Stylistically he's all over the map, with some barn-burning virtuoso arias mixed in with splendid trumpet-dominated pieces (Bartoli's interaction here with conductor Diego Fasolis and his orchestra I Barocchisti is a thing of wonder), and shorter tunes that sound a bit like Purcell. Bartoli is on top of every note, and she combines absolute technical mastery with emotional involvement to the hilt in the music's mostly flamboyantly romantic texts. This is a bravura performance that lives up to its considerable hype, and it marks a new milestone for the historical-performance movement, which finally gets a vocalist who can match the efforts of its more imaginative conductors.

© TiVo

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チェチーリア・バルトリ

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《バルトの王アラリーコ》から (Agostino Steffani)

1
負け知らずの軍勢よ、遅れるでない(アラリーコ)
00:02:14

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《セルヴィオ・トゥッリ》から (Agostino Steffani)

2
どの心も希望を持つことを許される(ターナクイル)
00:04:22

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ventura Giacomo Terzago, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《テーベの王妃ニーオベ》から (Agostino Steffani)

3
わたしはどこに?誰がわたしを助けてくれよう?…わたしの胸から、涙よ(アンフィオーネ)
00:05:17

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《タッシローネ》から (Agostino Steffani)

4
もはやあなたたちを隠しませんよ(ロトルーデ)
00:02:19

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《テーベの王妃ニーオベ》から (Agostino Steffani)

5
私を愛してくださいませ、さすればご覧になられるでしょう(ニーオベ)
00:06:41

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Rosario Conte, Lute, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

6
貴女を抱擁しよう、わが女神よ…貴方を抱きしめましょう、私の神さま(クレオンテ、ニーオベ)
00:02:42

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《運命のたび重なる勝利》&《アルミーニオ》から (Agostino Steffani)

7
我が忠実なる軍勢よ、武器を取れ!(ヤルバ、ヤルバの将官たち)...鳴れよ、轟けよ、揺れよ、地は(エルタ)
00:03:26

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Coro della Radiotelevisione Svizzera, Chorus, MainArtist, AssociatedPerformer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《タッシローネ》から (Agostino Steffani)

8
妻よ、気が遠くなっていくようだ…どうか、しないでほしい、そなたの涙で(タッシローネ)
00:05:42

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《アレッサンドロの誇り》から (Agostino Steffani)

9
わたしは忠告を受け入れぬ(エルモラーオ)
00:01:17

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《バルトの王アラリーコ》から (Agostino Steffani)

10
そう、そうですわ、休息なさいませ、愛しのお方…またたく美しい球よ(サビーナ)
00:03:12

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《満たされた自由》から (Agostino Steffani)

11
盲目の神の味方なる夜よ(アルチビーアデ)
00:03:48

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《運命のたび重なる勝利》から (Agostino Steffani)

12
この魂に戦いを挑む(エネーア、ラヴィーニア)
00:02:08

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Philippe Jaroussky, Counter-Tenor, MainArtist, AssociatedPerformer - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《タッシローネ》から (Agostino Steffani)

13
容易に得られる勝利へと(シガルド)
00:02:57

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《アレッサンドロの誇り》から (Agostino Steffani)

14
戦いと勝利のなか(アレッサンドロと合唱)
00:01:27

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Coro della Radiotelevisione Svizzera, Chorus, MainArtist, AssociatedPerformer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《満たされた自由》から (Agostino Steffani)

15
闇を呼ぶ黄昏よ(アスパージア)
00:02:05

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《テーベの王妃ニーオベ》から (Agostino Steffani)

16
疲れた精神の緊張を和らげるため…慕わしい天球よ、さあ唇に与えたまえ(アンフィオーネ)
00:06:16

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《エルコレのアケローオとの闘い》から (Agostino Steffani)

17
最も恐ろしい角蛇(つのへび)を(アルチーデ)
00:02:38

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《テーベの王妃ニーオベ》から (Agostino Steffani)

18
晴れやかにしておくれ、わたしの美しい太陽よ…あなたの腕の中にもどり…わたしの愛の炎よ
00:02:21

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Philippe Jaroussky, Counter-Tenor, MainArtist, AssociatedPerformer - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Luigi Orlandi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《タッシローネ》から (Agostino Steffani)

19
そなたの唇を通し、愛はわたしに呼びかける(タッシローネ)
00:02:39

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《満たされた自由》から (Agostino Steffani)

20
どうか、もう飽きて、運命よ(アスパージア)
00:03:03

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

21
血を流せ、思い悩め、戦え、懸命になれ(アルチビーアデ)
00:03:11

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《タッシローネ》から (Agostino Steffani)

22
父君、もし彼に咎があるとしても(ロトルーデ)
00:05:08

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Stefano Benedetto Pallavicino, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《和に至った好敵手同士の女》から (Agostino Steffani)

23
不安よ、激昂よ(アタランタ、メレアーグロ、合唱)
00:01:35

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Philippe Jaroussky, Counter-Tenor, MainArtist, AssociatedPerformer - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Coro della Radiotelevisione Svizzera, Chorus, MainArtist, AssociatedPerformer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《エンリーコ・レオーネ》から (Agostino Steffani)

24
わたしは破壊と虐殺のなかで死ぬことになろう(エンリーコ)
00:02:40

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ortensio Mauro, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

《マルコ・アウレーリオ》から (Agostino Steffani)

25
語られることのないよう、忠誠についてのほか(合唱)
00:01:18

Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ulrich Ruscher, Asst. Recording Engineer, StudioPersonnel - Diego Fasolis, Conductor, MainArtist - I Barocchisti, Orchestra, MainArtist - Arend Prohmann, Producer, Recording Producer - Agostino Steffani, Composer - Ventura Giacomo Terzago, Author - Coro della Radiotelevisione Svizzera, Chorus, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

アルバム·レビュー

Don't hate this album because it has been beautifully marketed, for if you do you'll miss out on something extraordinary. Italian mezzo-soprano Cecilia Bartoli reportedly worked on it for three years, even suggesting a mystery-novel tie-in, and her label, Decca, kept the contents under wraps until the album's release, dropping hints via Internet videos. When the album appeared, it was issued in a limited-edition hardbound package including numerous essays covering aspects of the life of the composer involved, Agostino Steffani. These range from the cogent and helpful (one details Steffani's influence on Handel) to the probably woolly, shading off into the fictional treatment that's also associated with the project. The album's title reflects the fact that Steffani was a composer-diplomat, born in Italy but active for much of his life in Germany, and surrounded by various kinds of intrigue that seem to figure tangentially into some of the arias on the album. This is all intriguing, and if it spawns a feature film somewhere along the way that's all to the good, but the best news is that none of it is necessary; you can buy the album online or in its plain jewel-box version, familiarize yourself briefly with what it's about, and then be blown away. Perhaps part of Bartoli's "mission" was to elevate the music of the little-known Steffani; if so, she succeeds brilliantly, and one hopes that the release will be followed by full productions of some of Steffani's operas. Stylistically he's all over the map, with some barn-burning virtuoso arias mixed in with splendid trumpet-dominated pieces (Bartoli's interaction here with conductor Diego Fasolis and his orchestra I Barocchisti is a thing of wonder), and shorter tunes that sound a bit like Purcell. Bartoli is on top of every note, and she combines absolute technical mastery with emotional involvement to the hilt in the music's mostly flamboyantly romantic texts. This is a bravura performance that lives up to its considerable hype, and it marks a new milestone for the historical-performance movement, which finally gets a vocalist who can match the efforts of its more imaginative conductors.

© TiVo

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