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Katja Stuber|Mayr: Missa in C Minor & Stabat Mater

Mayr: Missa in C Minor & Stabat Mater

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For a composer who was so hugely famous during his lifetime, who wrote – and had regularly performed – nearly 70 operas, dozens of oratorios, masses and cantatas, 57 symphonies, Simon Mayr remains largely neglected, nay ignored, nowadays. No one is going to pretend he is the scandalously forgotten ultra-genius of his times, all the more since his times saw the rise of Mozart, Beethoven, Schubert and Chopin – Mayr was born 1763, seven years after Mozart, and died 1845, four years before Chopin. But his music is worth considerably more than just to be left collecting dust in obscure libraries. Most his life and career developed in Bergamo, which makes him more of an Italian composer even though he was born German, but as early as 1802 he definitely moved south of the Alps and never returned back north. He was known for introducing Beethoven’s music to Northern Italy, and certainly some of Beethoven’s teachings stuck onto Mayr, as can be heard in this Mass in c minor written 1825 – though Mozart and Rossini are never too far away either. Things are quite different for his Stabat Mater composed 1803 – during the first years of his tenure as Maestro di capella at the Bergamo cathedral – with obvious leans towards both Haydn and Pergolesi. The work oscillates between the religious and the operatic style, what with arias and duets alternating with concertato movements and more restrained choral numbers. The world-famous orchestra Concerto Köln and the Orpheus Vokalensemble give us an opportunity to reassess Mayr’s music under the best possible musical auspices. © SM/Qobuz

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Mayr: Missa in C Minor & Stabat Mater

Katja Stuber

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Missa in C Minor (Giovanni Simone Mayr)

1
I. Kyrie
Katja Stuber
00:06:43

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

2
II. Gloria
Katja Stuber
00:03:08

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

3
III. Gratias agimus tibi
Katja Stuber
00:01:45

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Tareq Nazmi, Performer

2017 Carus 2017 Carus

4
IV. Qui tollis peccata mundi
Katja Stuber
00:03:14

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

5
V. Quoniam tu solus
Katja Stuber
00:04:02

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

6
VI. Credo
Katja Stuber
00:02:55

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

7
VII. Et incarnatus est
Katja Stuber
00:05:58

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

8
VIII. Et resurrexit
Katja Stuber
00:04:31

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

9
IX. Et vitam venturi saeculi
Katja Stuber
00:03:50

Concerto Koln, Orchestra - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

10
X. Sanctus
Katja Stuber
00:01:28

Concerto Koln, Orchestra - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

11
XI. Hosanna in excelsis
Orpheus Vokalensemble
00:00:48

Concerto Koln, Orchestra - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

12
XII. Benedictus
Katja Stuber
00:02:17

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer - Tareq Nazmi, Performer

2017 Carus 2017 Carus

13
XIII. Hosanna in excelsis
Katja Stuber
00:02:00

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

14
XIV. Agnus Dei
Marion Eckstein
00:03:04

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Mass Text, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor

2017 Carus 2017 Carus

15
XV. Dona nobis pacem
ターリク・ナズミ
00:04:13

Concerto Koln, Orchestra - Mass Text, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Orpheus Vokalensemble, Choir - Tareq Nazmi, Performer

2017 Carus 2017 Carus

Stabat Mater in C Minor (Giovanni Simone Mayr)

16
I. Stabat Mater
Orpheus Vokalensemble
00:02:53

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

17
II. O quam tristis
Fernando Guimarães
00:03:14

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor

2017 Carus 2017 Carus

18
III. Quis est homo
Orpheus Vokalensemble
00:03:18

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

19
IV. Eja Mater
Katja Stuber
00:05:24

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer

2017 Carus 2017 Carus

20
V. Fac me tecum
Marion Eckstein
00:03:17

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Marion Eckstein, Performer - Florian Helgath, Conductor

2017 Carus 2017 Carus

21
VI. Virgo virginum praeclara
Katja Stuber
00:03:52

Concerto Koln, Orchestra - Fernando Guimarães, Performer - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Katja Stuber, Performer

2017 Carus 2017 Carus

22
VII. Christe, cum sit hinc exire
ターリク・ナズミ
00:02:22

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Tareq Nazmi, Performer

2017 Carus 2017 Carus

23
VIII. Quando corpus - Amen
Orpheus Vokalensemble
00:03:35

Concerto Koln, Orchestra - Anonymous, Lyricist - Johann Simon Mayr, Composer - Florian Helgath, Conductor - Orpheus Vokalensemble, Choir

2017 Carus 2017 Carus

アルバム·レビュー

For a composer who was so hugely famous during his lifetime, who wrote – and had regularly performed – nearly 70 operas, dozens of oratorios, masses and cantatas, 57 symphonies, Simon Mayr remains largely neglected, nay ignored, nowadays. No one is going to pretend he is the scandalously forgotten ultra-genius of his times, all the more since his times saw the rise of Mozart, Beethoven, Schubert and Chopin – Mayr was born 1763, seven years after Mozart, and died 1845, four years before Chopin. But his music is worth considerably more than just to be left collecting dust in obscure libraries. Most his life and career developed in Bergamo, which makes him more of an Italian composer even though he was born German, but as early as 1802 he definitely moved south of the Alps and never returned back north. He was known for introducing Beethoven’s music to Northern Italy, and certainly some of Beethoven’s teachings stuck onto Mayr, as can be heard in this Mass in c minor written 1825 – though Mozart and Rossini are never too far away either. Things are quite different for his Stabat Mater composed 1803 – during the first years of his tenure as Maestro di capella at the Bergamo cathedral – with obvious leans towards both Haydn and Pergolesi. The work oscillates between the religious and the operatic style, what with arias and duets alternating with concertato movements and more restrained choral numbers. The world-famous orchestra Concerto Köln and the Orpheus Vokalensemble give us an opportunity to reassess Mayr’s music under the best possible musical auspices. © SM/Qobuz

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