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アンダーソン・イースト|Maybe We Never Die

Maybe We Never Die

Anderson East

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対応言語:英語

On his 2016 debut, Anderson East went full Stax—diving head-first into the horn-heavy Memphis R&B of Wilson Pickett and Otis Redding, while adding on a few country music flourishes. For his latest, Maybe We Never Die, East embraces disco and sexy '80s soul with a more modern attitude. His full-bodied, slightly husky, do-anything voice is, of course, the star, but the album also finds East in a place of real introspection. Feel-good "Drugs," complete with flute trills, is dance-floor disco à la Silk Sonic. East ponders why society can't deal with reality, instead placating with social media, religion and a million other distractions (including, of course, actual drugs): "Everybody's on drugs/ 'Cause the world behind our eyes/ Is better in disguise/ So we try to keep the feelings numb.” He's guilty of it too, finding solace in the "high" of love on "Madelyn" and its swooning '80s-style soul. "I Hate You" starts out musically and lyrically stark—"Should've stuck with alcohol but you had to have that Adderall"—before it explodes into a plaintive gospel cry: "Baby I love you more than I hate you." The moody title track finds East reaching for the stars, his voice hitting the way-up-there notes to a strings accompaniment as he gets existential. He has said the song, the creation of which began while he was floating in a sensory deprivation tank, is partly about his grandmother's struggles with Alzheimer's. "I started thinking … 'What's the point of bettering yourself, if at the end of your life, your mental hard drive starts to fail?'" But after the opening lyrics— "Heavy as a car crash/ Thought I could take the impact"—the POV gets more hopeful: There has to be more to life than just an arc that ends in fault and failure. On the evocative "Hood of My Car," which practically vibrates with reverb-heavy '80s rhythms and almost-cheesy backing vocals that would make John Mayer jealous, East paints a scene of pure, baby-making longing: telling a lover he wants to get with her right there in the parking lot, on top of the car. The Timberlake-eque "Falling" hits hard with crisp percussion, trampoline-bounce bass and funky guitar stutter. "If You Really Love Me" is an act of abundance, with horns and strings blaring, blasting and punching through the haze. The whole thing ends on the wild and wonderful "Interstellar Outer Space," East's voice unfurling and cracking in a way we've never heard before. This isn't a man worried about impressing, but in finding the meaning of life. © Shelly Ridenour/Qobuz

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Maybe We Never Die

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1
Maybe We Never Die
00:04:29

Kristin Wilkinson, Arranger, Viola - Phillip Smith, AssistantEngineer - Nate Smith, Drums, Percussion - DAVID DAVIDSON, Violin - David Angell, Violin - Rob Kinelski, Mixer - Jason Eskridge, Background Vocals - Carole Rabinowitz, Cello - Pete Lyman, Masterer - Dave Cobb, Producer - Jamie Lidell, Additional Production - Brian Allen, Bass - Trent Dabbs, Background Vocals - Kristen Rogers, Background Vocals - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Acoustic Guitar, Electric Guitar, Vocals, Writer, Programming, MainArtist - Philip Towns, Producer, Organ, Writer, Wurlitzer, Programming, Rhodes Solo - Whitney Coleman, Background Vocals - Eli Heisler, Mixer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

2
Lights On
00:03:32

Phillip Smith, AssistantEngineer - Rob Kinelski, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Drums - Ben Clark, Trumpet - Lucie Silvas, Writer - Brian Allen, Bass - Jay Buchanan, Background Vocals - Kristen Rogers, Background Vocals - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Fancy Hagood, Writer - Anderson East, Producer, Engineer, Electric Guitar, Vocals, Writer, Background Vocals, MainArtist - Philip Towns, Producer, Synthesizer, Shaker, Wurlitzer, Rhodes Solo - Nate Heffron, Flute, Saxophone - Eli Heisler, Assistant Mixer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

3
Madelyn
00:03:15

Phillip Smith, AssistantEngineer - Tom Elmhirst, Mixer, Programmer - Pete Lyman, Masterer - Dave Cobb, Producer, Percussion - Jamie Lidell, Additional Production - Trent Dabbs, Additional Production, Background Vocals, Programming - Kristen Rogers, Background Vocals - Anderson East, Producer, Engineer, Electric Guitar, Percussion, Vocals, Writer, MainArtist - Philip Towns, Producer, Percussion, Writer, Synthesizer, Mellotron - Matt Scatchell, Assistant Mix Engineer - Gregg Koller, Engineer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

4
Drugs
00:03:06

Phillip Smith, Gang Vocals, AssistantEngineer - Nate Smith, Drums, Percussion - Rob Kinelski, Mixer - Jason Eskridge, Background Vocals - Pete Lyman, Masterer - Dave Cobb, Producer - Ben Clark, Flugelhorn, Trumpet - Brian Allen, Bass - Nick Ruth, Writer - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Electric Guitar, Vocals, Writer, Background Vocals, Programming, MainArtist - Aaron Raitiere, Writer - Philip Towns, Producer, Organ, Synthesizer, Claps, Programming, Rhodes Solo, Gang Vocals - Whitney Coleman, Background Vocals - Nate Heffron, Flute, Saxophone, Baritone Saxophone, Arrangement Horn - Eli Heisler, Assistant Mixer - Gregg Koller, Engineer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

5
I Hate You
00:02:46

Phillip Smith, Engineer, AssistantEngineer - Nate Smith, Drums - Rob Kinelski, Mixer - Jason Eskridge, Background Vocals - Pete Lyman, Masterer - Dave Cobb, Producer - Benjy Davis, Writer - Jake Mitchell, Writer - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Acoustic Guitar, Electric Guitar, Percussion, Vocals, Writer, Programming, MainArtist - Aaron Raitiere, Writer - Philip Towns, Producer, Percussion, Piano, Synthesizer, Programming, Bass Moog - Whitney Coleman, Background Vocals - Eli Heisler, Assistant Mixer - Gregg Koller, Engineer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

6
Hood of My Car
00:05:08

Phillip Smith, Engineer, AssistantEngineer - Rob Kinelski, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Writer - Benjy Davis, Writer - Jake Mitchell, Writer - Kristen Rogers, Background Vocals - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Acoustic Guitar, Electric Guitar, Vocals, Writer, 12 String Guitar, Programming, MainArtist - Aaron Raitiere, Writer - Philip Towns, Producer, Piano, Writer, Bass Moog - Eli Heisler, Assistant Mixer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

7
Falling
00:02:39

Phillip Smith, AssistantEngineer - Rob Kinelski, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Drums, Electric Guitar - Trent Dabbs, Background Vocals, Bass - Casey Cuayo, Assistant Mixer - Anderson East, Producer, Engineer, Vocals, Writer, Programming, MainArtist - Philip Towns, Producer, Piano, Synthesizer, Vocoder - Eli Heisler, Assistant Mixer - Gregg Koller, Engineer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

8
Jet Black Pontiac
00:02:57

Phillip Smith, AssistantEngineer - Rob Kinelski, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Percussion, Fuzz Bass - Trent Dabbs, Background Vocals - Chris Powell, Kit Drums - Casey Cuayo, Assistant Mixer - Anderson East, Producer, Engineer, Vocals, Writer, Bass, Programming, MainArtist - Philip Towns, Producer, Piano, Vocoder - Eli Heisler, Assistant Mixer - Gregg Koller, Engineer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

9
Like Nothing Ever Happened
00:03:11

Phillip Smith, AssistantEngineer - Pete Lyman, Masterer - Dave Cobb, Producer - Trent Dabbs, Background Vocals - Casey Cuayo, Assistant Mixer - Anderson East, Producer, Engineer, Vocals, Writer, MainArtist - Philip Towns, Producer, Piano, Writer, Synthesizer, Bass Moog - Eli Heisler, Audio Mixer - Gregg Koller, Engineer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

10
If You Really Love Me
00:04:11

Kristin Wilkinson, Arranger, Viola - Natalie Hemby, Writer - Phillip Smith, Engineer, AssistantEngineer - DAVID DAVIDSON, Violin - David Angell, Violin - Rob Kinelski, Mixer - Jason Eskridge, Background Vocals - Carole Rabinowitz, Cello - Pete Lyman, Masterer - Dave Cobb, Producer, Drums - Ben Clark, French Horn, Trumpet - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Electric Guitar, Vocals, Writer, MainArtist - Aaron Raitiere, Writer - Philip Towns, Producer, Percussion, Piano, Synthesizer, Bass Moog - Whitney Coleman, Background Vocals - Nate Heffron, Clarinet, Saxophone, Baritone Saxophone - Eli Heisler, Assistant Mixer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

11
Just You & I
00:03:18

Phillip Smith, Engineer, AssistantEngineer - Nate Smith, Drums - Rob Kinelski, Mixer - Jason Eskridge, Background Vocals - Pete Lyman, Masterer - Dave Cobb, Producer - Trent Dabbs, Background Vocals - Jake Mitchell, Writer, Programming - Casey Cuayo, Assistant Mixer - Eddie Spear, Engineer - Anderson East, Producer, Electric Guitar, Vocals, Writer, Synthesizer, Wurlitzer, MainArtist - Philip Towns, Producer, Piano, Synthesizer, Wurlitzer, Bass Synthesizer - Whitney Coleman, Background Vocals - Eli Heisler, Assistant Mixer - Trent Kelly Dabbs, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

12
Interstellar Outer Space
00:03:40

Phillip Smith, Engineer, AssistantEngineer - Rob Kinelski, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Drums, Percussion - Lucie Silvas, Writer, Background Vocals - Casey Cuayo, Assistant Mixer - Toby Hulbert, Engineer - Eddie Spear, Engineer - Anderson East, Producer, Vocals, Writer, Programming, MainArtist - Philip Towns, Producer, Writer, Mellotron, Wurlitzer, Programming, Rhodes Solo, Bass Moog - Whitney Coleman, Background Vocals - Eli Heisler, Assistant Mixer - Fany Hagod, Writer

A Low Country Sound/ Elektra Records Release:, © 2021 Elektra Records LLC A Low Country Sound/ Elektra Records Release:, ℗ 2021 Elektra Records LLC

アルバム·レビュー

On his 2016 debut, Anderson East went full Stax—diving head-first into the horn-heavy Memphis R&B of Wilson Pickett and Otis Redding, while adding on a few country music flourishes. For his latest, Maybe We Never Die, East embraces disco and sexy '80s soul with a more modern attitude. His full-bodied, slightly husky, do-anything voice is, of course, the star, but the album also finds East in a place of real introspection. Feel-good "Drugs," complete with flute trills, is dance-floor disco à la Silk Sonic. East ponders why society can't deal with reality, instead placating with social media, religion and a million other distractions (including, of course, actual drugs): "Everybody's on drugs/ 'Cause the world behind our eyes/ Is better in disguise/ So we try to keep the feelings numb.” He's guilty of it too, finding solace in the "high" of love on "Madelyn" and its swooning '80s-style soul. "I Hate You" starts out musically and lyrically stark—"Should've stuck with alcohol but you had to have that Adderall"—before it explodes into a plaintive gospel cry: "Baby I love you more than I hate you." The moody title track finds East reaching for the stars, his voice hitting the way-up-there notes to a strings accompaniment as he gets existential. He has said the song, the creation of which began while he was floating in a sensory deprivation tank, is partly about his grandmother's struggles with Alzheimer's. "I started thinking … 'What's the point of bettering yourself, if at the end of your life, your mental hard drive starts to fail?'" But after the opening lyrics— "Heavy as a car crash/ Thought I could take the impact"—the POV gets more hopeful: There has to be more to life than just an arc that ends in fault and failure. On the evocative "Hood of My Car," which practically vibrates with reverb-heavy '80s rhythms and almost-cheesy backing vocals that would make John Mayer jealous, East paints a scene of pure, baby-making longing: telling a lover he wants to get with her right there in the parking lot, on top of the car. The Timberlake-eque "Falling" hits hard with crisp percussion, trampoline-bounce bass and funky guitar stutter. "If You Really Love Me" is an act of abundance, with horns and strings blaring, blasting and punching through the haze. The whole thing ends on the wild and wonderful "Interstellar Outer Space," East's voice unfurling and cracking in a way we've never heard before. This isn't a man worried about impressing, but in finding the meaning of life. © Shelly Ridenour/Qobuz

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