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ペーター・マッテイ|Mattei, Peter: Great Baritone Arias

Mattei, Peter: Great Baritone Arias

Peter Mattei

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Swedish baritone Peter Mattei has been active on the international opera scene since the mid-'90s, but he hasn't made it into the ranks of superstar baritones who proliferated during about the same period. If this album of a wide variety of arias has the effect of bringing him to the attention of a broader spectrum of the opera-loving public, it will have served a valuable service. The album incontrovertibly demonstrates that Mattei is an artist of the first rank not only because the quality of his vocal equipment but because of the depth and breadth of his musicianship revealed in repertoire ranging from Mozart to Britten. Arias from Don Giovanni and Le nozze di Figaro figure prominently on the album and from the first notes of "Finch'han dal vino," Mattei establishes himself as a natural Mozart singer: confident, lyrical, agile, and fluent in the subtleties of characterization. Then the two arias from Tannhäuser (not only the requisite "O, du mein holder Abendstern," but "Blick'ich umher in diesem edlen Kreise") show off a loamy, dark, and deeply resonant voice that makes him seem like an ideal Wagnerian baritone. In the arias from Eugene Onegin, The Queen of Spades, and Faust, Mattei's romantic sensibility comes to the fore, his tone luxuriantly creamy and his bearing fervently passionate. The extended scene from Don Carlo that culminates in the aria, "O Carlo, ascolta," is charged with dramatic urgency. Throughout, Mattei's tone sounds effortlessly produced and his beautifully controlled vibrato is calibrated to the expressive demands of the music. The Royal Stockholm Philharmonic Orchestra, under the leadership of Lawrence Renes, provides a stylistically sensitive accompaniment. The sound of BIS' hybrid SACD is clean, balanced, and immediate, providing an ideal acoustic for showcasing Mattei's impressive performances.

© TiVo

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Mattei, Peter: Great Baritone Arias

ペーター・マッテイ

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Don Giovanni, K. 527, Act I (Wolfgang Amadeus Mozart)

1
Finch'han dal vino, "Champagne Aria"
00:01:21

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Don Giovanni, K. 527, Act II (Wolfgang Amadeus Mozart)

2
Aria. Meta di voi qua vadano
00:02:52

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II (ピョートル・イリイチ・チャイコフスキー)

3
Uzhel ya zasluzhil ot vas nasmyeshku etu?
00:02:19

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Peter Mattei, MainArtist, AssociatedPerformer - Pyotr Ilyich Tchaikovsky, Composer, Lyricist - Lawrence Renes, Conductor, MainArtist - Konstantin Shilovsky, Lyricist

2011 BIS 2011 (P) BIS

Tannhäuser, Tannhauser, Act II (Richard Wagner)

4
Blick ich umher in diesem edlen Kreise
00:05:20

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Richard Wagner, Composer, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Faust, CG 4, Faust, Act I (Charles Gounod)

5
Cavatina. Avant de quitter ces lieux
00:03:18

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Charles Gounod, Composer - Michel Carre, Lyricist - Jules Barbier, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Le nozze di Figaro, K. 492, Act I (Wolfgang Amadeus Mozart)

6
Se vuol ballare
00:02:36

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Le nozze di Figaro, K. 492, Act III (Wolfgang Amadeus Mozart)

7
Recitative and Aria. Hai gia vinta la causa! Cosa sento!
00:04:42

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Tannhäuser, Tannhauser, Act III (Richard Wagner)

8
Wie Todesahnung Dammerung deckt die Lande - O du mein holder Abendstern
00:05:13

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Richard Wagner, Composer, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II (ピョートル・イリイチ・チャイコフスキー)

9
Ya vas liubliu [I Love You]
00:04:01

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Peter Mattei, MainArtist, AssociatedPerformer - Pyotr Ilyich Tchaikovsky, Composer, Lyricist - Lawrence Renes, Conductor, MainArtist - Modest Tchaikovsky, Lyricist

2011 BIS 2011 (P) BIS

Il barbiere di Siviglia (the Barber of Seville), Act I (Gioacchino Rossini)

10
Cavatina. Largo al factotum della citta
00:05:00

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Gioachino Rossini, Composer - Peter Mattei, MainArtist, AssociatedPerformer - Cesare Sterbini, Lyricist - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

11
Rivolgete a lui lo sguardo, K. 584
00:05:09

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act I (ピョートル・イリイチ・チャイコフスキー)

12
Aria. Vi mnye pisali. Net otpiraites - Kogda bi zhizn domashnim krugon
00:05:05

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Peter Mattei, MainArtist, AssociatedPerformer - Pyotr Ilyich Tchaikovsky, Composer, Lyricist - Lawrence Renes, Conductor, MainArtist - Konstantin Shilovsky, Lyricist

2011 BIS 2011 (P) BIS

Don Carlo, Act III (Giuseppe Verdi)

13
Son io, mio Carlo - Per me giunto e il di supremo - O Carlo, ascolta
00:08:12

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Giuseppe Verdi, Composer - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist - Joseph Méry, Lyricist - Camille du Locle, Lyricist

2011 BIS 2011 (P) BIS

Billy Budd, Op. 50, Act II (ベンジャミン・ブリテン)

14
Billy in the Darbies: Look! Through the port comes the moonshine astray
00:06:04

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Eric Crozier, Lyricist - Benjamin Britten, Composer - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist - E.M. Forster, Lyricist

2011 BIS 2011 (P) BIS

Don Giovanni, K. 527, Act II (Wolfgang Amadeus Mozart)

15
Canzonetta. Deh, vieni alla finestra
00:02:31

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Peter Mattei, MainArtist, AssociatedPerformer - Lawrence Renes, Conductor, MainArtist

2011 BIS 2011 (P) BIS

アルバム·レビュー

Swedish baritone Peter Mattei has been active on the international opera scene since the mid-'90s, but he hasn't made it into the ranks of superstar baritones who proliferated during about the same period. If this album of a wide variety of arias has the effect of bringing him to the attention of a broader spectrum of the opera-loving public, it will have served a valuable service. The album incontrovertibly demonstrates that Mattei is an artist of the first rank not only because the quality of his vocal equipment but because of the depth and breadth of his musicianship revealed in repertoire ranging from Mozart to Britten. Arias from Don Giovanni and Le nozze di Figaro figure prominently on the album and from the first notes of "Finch'han dal vino," Mattei establishes himself as a natural Mozart singer: confident, lyrical, agile, and fluent in the subtleties of characterization. Then the two arias from Tannhäuser (not only the requisite "O, du mein holder Abendstern," but "Blick'ich umher in diesem edlen Kreise") show off a loamy, dark, and deeply resonant voice that makes him seem like an ideal Wagnerian baritone. In the arias from Eugene Onegin, The Queen of Spades, and Faust, Mattei's romantic sensibility comes to the fore, his tone luxuriantly creamy and his bearing fervently passionate. The extended scene from Don Carlo that culminates in the aria, "O Carlo, ascolta," is charged with dramatic urgency. Throughout, Mattei's tone sounds effortlessly produced and his beautifully controlled vibrato is calibrated to the expressive demands of the music. The Royal Stockholm Philharmonic Orchestra, under the leadership of Lawrence Renes, provides a stylistically sensitive accompaniment. The sound of BIS' hybrid SACD is clean, balanced, and immediate, providing an ideal acoustic for showcasing Mattei's impressive performances.

© TiVo

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