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Mary Wells|Mary Wells Sings My Guy

Mary Wells Sings My Guy

Mary Wells

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On this album, Smokey Robinson demonstrated his ability to craft and hone great material for female acts, something he would later repeat with The Marvelettes. Besides the title track, which became Motown's first Top Ten and #1 pop hit, there were other strong tunes, such as "He's the One I Love" and "At Last," that weren't hits but certainly should have been.
© Ron Wynn /TiVo

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Mary Wells Sings My Guy

Mary Wells

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1
He's The One I Love
メアリー・ウェルズ
00:02:39

SMOKEY ROBINSON, Producer, ComposerLyricist - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

2
ウィスパー・ユー・ラヴ・ミー・ボーイ (Single Version)
メアリー・ウェルズ
00:02:41

SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

3
マイ・ガイ (Single Version)
メアリー・ウェルズ
00:02:54

Paul Riser, Trombone, AssociatedPerformer - George Bohanon, Trombone, AssociatedPerformer - SMOKEY ROBINSON, Producer, ComposerLyricist - Mary Wells, Vocals, MainArtist, AssociatedPerformer - Dave Hamilton, Vibraphone, AssociatedPerformer - Eddie Willis, Guitar, AssociatedPerformer - Earl Van Dyke, Organ, AssociatedPerformer - Robert White, Guitar, AssociatedPerformer - Russ Conway, Trumpet, AssociatedPerformer - Johnny Griffith, Piano, AssociatedPerformer - James Jamerson, Double Bass, AssociatedPerformer - Benny Benjamin, Drums, AssociatedPerformer - Herbert Williams, Trumpet, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

4
Does He Love Me?
メアリー・ウェルズ
00:02:52

SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - Ivy Joe Hunter, ComposerLyricist - William Mickey Stevenson, ComposerLyricist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

5
How? When My Heart Belongs To You
メアリー・ウェルズ
00:02:27

SMOKEY ROBINSON, Producer, ComposerLyricist - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

6
He Holds His Own
メアリー・ウェルズ
00:02:30

SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - Lamont Dozier, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, ComposerLyricist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

7
My Baby Just Cares For Me
メアリー・ウェルズ
00:02:53

Walter Donaldson, Composer - Gus Kahn, Author - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

8
I Only Have Eyes For You
メアリー・ウェルズ
00:02:49

AL DUBIN, ComposerLyricist - Harry Warren, ComposerLyricist - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

9
You Do Something To Me
メアリー・ウェルズ
00:02:38

Cole Porter, ComposerLyricist - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

10
It Had To Be You
メアリー・ウェルズ
00:02:25

Gus Kahn, ComposerLyricist - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - Isham Jones, ComposerLyricist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

11
If You Love Me (Really Love Me)
メアリー・ウェルズ
00:02:40

Edith Piaf, ComposerLyricist - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - Geoffrey Parsons, ComposerLyricist - William "Mickey" Stevenson, Producer - Marguerite Angèle Monnot, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

12
At Last
メアリー・ウェルズ
00:02:42

Harry Warren, ComposerLyricist - Mack Gordon, ComposerLyricist - SMOKEY ROBINSON, Producer - Mary Wells, MainArtist - William "Mickey" Stevenson, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

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On this album, Smokey Robinson demonstrated his ability to craft and hone great material for female acts, something he would later repeat with The Marvelettes. Besides the title track, which became Motown's first Top Ten and #1 pop hit, there were other strong tunes, such as "He's the One I Love" and "At Last," that weren't hits but certainly should have been.
© Ron Wynn /TiVo

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