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U.F.O.|Making Contact (2009 Remaster)

Making Contact (2009 Remaster)

Ufo

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Sadly, it happens. Great rock bands disintegrate, often before their time, and a string of recordings appears posthumously that at best offers little resemblance to the sound and attitude associated with the group, and, at worst, smears the reputation of present and past membership. Then, when the critical musicians reform for real, all credibility has been sucked out of their moniker, and futility extends into farce. While UFO and its various key players made enough good music together and separately after their late-'70s heyday to avoid any worse-case scenarios, records like 1983's Making Contact did little to maintain the metal outfit's dwindling accessibility. With only singer Phil Mogg remaining from the key Mogg/Way/Schenker grouping that led to UFO's most successful releases, this disc should more appropriately be labeled as a solo offering. Mogg sounds fine, but the material here is mostly second-rate '80s pop-metal. The Thin Lizzy-tinted "A Fool for Love" and the upbeat "Push, It's Love" almost cut it, but like the rest of Making Contact, these tracks are mired in a mid- to slow-tempo quagmire of tired riffs and cliché lyrics that limit the record's ability to rock.
© Vincent Jeffries /TiVo

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Making Contact (2009 Remaster)

U.F.O.

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1
Blinded by a Lie (2009 Remaster)
00:03:57

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

2
Diesel in the Dust (2009 Remaster)
00:04:28

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

3
A Fool for Love (2009 Remaster)
00:03:56

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

4
You and Me (2009 Remaster)
00:03:20

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

5
When It's Time to Rock (2009 Remaster)
00:05:23

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

6
The Way the Wild Wind Blows (2009 Remaster)
00:04:13

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

7
Call My Name (2009 Remaster)
00:03:13

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

8
All over You (2009 Remaster)
00:04:23

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

9
No Getaway (2009 Remaster)
00:03:31

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

10
Push, It's Love (2009 Remaster)
00:03:13

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

11
Everybody Knows (2009 Remaster)
00:03:35

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

12
When It's Time to Rock (Live in Oxford)
00:05:48

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

13
Blinded by a Lie (Live in Oxford)
00:03:48

Ufo, MainArtist

2009 Chrysalis Records Limited 2009 Chrysalis Records Limited

アルバム·レビュー

Sadly, it happens. Great rock bands disintegrate, often before their time, and a string of recordings appears posthumously that at best offers little resemblance to the sound and attitude associated with the group, and, at worst, smears the reputation of present and past membership. Then, when the critical musicians reform for real, all credibility has been sucked out of their moniker, and futility extends into farce. While UFO and its various key players made enough good music together and separately after their late-'70s heyday to avoid any worse-case scenarios, records like 1983's Making Contact did little to maintain the metal outfit's dwindling accessibility. With only singer Phil Mogg remaining from the key Mogg/Way/Schenker grouping that led to UFO's most successful releases, this disc should more appropriately be labeled as a solo offering. Mogg sounds fine, but the material here is mostly second-rate '80s pop-metal. The Thin Lizzy-tinted "A Fool for Love" and the upbeat "Push, It's Love" almost cut it, but like the rest of Making Contact, these tracks are mired in a mid- to slow-tempo quagmire of tired riffs and cliché lyrics that limit the record's ability to rock.
© Vincent Jeffries /TiVo

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