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ジュディ・コリンズ|Maids and Golden Apples

Maids and Golden Apples

Judy Collins

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Listening to Judy Collins forceful rendering of folk ballads, circa 1961, floods the memory with smoky coffee houses and campus "hoots." Collins sang at the Golden Vanity in Boston and Gerde's Folk City in New York, along side blues' men like Dave Van Ronk. It was at this latter club that Jac Holzman of Elektra records informed Collins that it was time to record her debut. A few weeks later, she entered the studio with guitarist Fred Hellerman and Erik Darling from the Weavers and cut A Maid of Constant Sorrow. Unlike her later albums which included singer-songwriter material, both her debut and Golden Apples of the Sun, recorded in 1962, stick close to traditional material. Bread and butter songs like "The Rising of the Moon" and "I Know Where I'm Going" sit snuggly beside rare-fare like "Wars of Germany" and "The Prickilie Bush." Collins, like Joan Baez, turns the everyday into the extraordinaire with her vibrant delivery. Her treatment of "Sailor's Life" and "John Riley" respects tradition while giving these songs a contemporary feel. It is easy to agree, listening to Collins' first two albums side by side, with writer Jacques Vassal's assertion that Golden Apples of the Sun is the stronger of the two. "The difference lies far more in the intensity of the singing than in the songs that are sung," he writes. The soulful "Twelve Gates to the City," for instance, sounds like it's been filtered through a familiarity with Odetta's forceful approach. Collins confidently undertakes "Christ Child Lullaby" a cappella, and adds an affected tremor to the "Great Selchie of Shule Skerry," giving this tragedy a fragile air. Maids & Golden Apples is an enjoyable release and also an important one: both albums have been out of print for 30 years. Revival fans, Collins' fans, and anyone who enjoys beautifully sung ballads, will want to grab a copy.

© Ronnie D. Lankford, Jr. /TiVo

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Maids and Golden Apples

ジュディ・コリンズ

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1
Maid Of Constant Sorrow
00:02:36

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

2
The Prickilie Bush
00:03:28

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

3
Wild Mountain Thyme
00:02:32

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

4
Tim Evans (Go Down You Murders)
00:02:55

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

5
Sailors Life
00:02:45

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

6
Bold Fenian Men
00:02:47

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

7
Wars Of Germany
00:03:11

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

8
Oh Daddy Be Gay
00:02:37

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

9
I Know Where I'm Going
00:01:51

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

10
John Riley
00:03:38

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

11
Pretty Saro
00:03:07

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

12
The Rising Of The Moon
00:04:11

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

13
I See The Moon
00:01:12

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

14
Golden Apples Of The Sun
00:03:53

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

15
Bonnie Ship The Diamond
00:02:22

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

16
Little Brown Dog
00:03:15

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

17
Twelve Gates To The City
00:03:19

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

18
Christ Child Lullaby
00:02:42

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

19
Great Selchie Of Skerry
00:05:04

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

20
Tell Me Who I'll Marry
00:03:48

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

21
Fannerio
00:03:09

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

22
Crow On The Cradle
00:03:28

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

23
Lark In The Morning
00:00:57

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

24
Sing Hallelujah
00:02:37

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

25
Shule Aroon
00:03:19

Judy Collins, MainArtist - Wildflower Records, MusicPublisher

2001 Wildflower Records 2001 Wildflower Records

アルバム·レビュー

Listening to Judy Collins forceful rendering of folk ballads, circa 1961, floods the memory with smoky coffee houses and campus "hoots." Collins sang at the Golden Vanity in Boston and Gerde's Folk City in New York, along side blues' men like Dave Van Ronk. It was at this latter club that Jac Holzman of Elektra records informed Collins that it was time to record her debut. A few weeks later, she entered the studio with guitarist Fred Hellerman and Erik Darling from the Weavers and cut A Maid of Constant Sorrow. Unlike her later albums which included singer-songwriter material, both her debut and Golden Apples of the Sun, recorded in 1962, stick close to traditional material. Bread and butter songs like "The Rising of the Moon" and "I Know Where I'm Going" sit snuggly beside rare-fare like "Wars of Germany" and "The Prickilie Bush." Collins, like Joan Baez, turns the everyday into the extraordinaire with her vibrant delivery. Her treatment of "Sailor's Life" and "John Riley" respects tradition while giving these songs a contemporary feel. It is easy to agree, listening to Collins' first two albums side by side, with writer Jacques Vassal's assertion that Golden Apples of the Sun is the stronger of the two. "The difference lies far more in the intensity of the singing than in the songs that are sung," he writes. The soulful "Twelve Gates to the City," for instance, sounds like it's been filtered through a familiarity with Odetta's forceful approach. Collins confidently undertakes "Christ Child Lullaby" a cappella, and adds an affected tremor to the "Great Selchie of Shule Skerry," giving this tragedy a fragile air. Maids & Golden Apples is an enjoyable release and also an important one: both albums have been out of print for 30 years. Revival fans, Collins' fans, and anyone who enjoys beautifully sung ballads, will want to grab a copy.

© Ronnie D. Lankford, Jr. /TiVo

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