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Various Artists|Mahler: Symphony No.3/Das klagende Lied

Mahler: Symphony No.3/Das klagende Lied

Multi Interprètes, Royal Concertgebouw Orchestra, Bernard Haitink

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対応言語:英語

Originally released in 1966, Bernard Haitink's vivid recording of Gustav Mahler's Symphony No. 3 in D minor is coupled here with a 1973 performance of Das klagende Lied; since these are among the least performed and least familiar works in Mahler's catalog, the pairing is mutually beneficial to each, and listeners who have neither in their collections would do well to consider snapping up this affordable set. Perhaps the only flaw should be mentioned up front: though virtually no tape hiss is audible, there is a bit of an acoustic "vacuum" around the sound of the musicians, suggesting that the analog masters have been cleaned up a bit too efficiently and some resonance seems lost. Still, even if this recording is a little deficient in sonority and less than life-like in presence, the performance of the symphony is still worth having, not only for the Concertgebouw Orchestra's fully involved, utterly transparent playing and radiant singing from contralto Maureen Forrester, but also for the memorable choral fifth movement, sung with a magical lightness by the Netherlands Radio Choir and the Boys' Chorus of St. Willibrord Church, Amsterdam. Das klagende Lied is slightly less enjoyable, partly because this early cantata is less recognizably Mahlerian, a bit stilted, and possibly too operatic for its narrow parameters. Yet the compelling performances by soprano Heather Harper, contralto Norma Procter, and tenor Werner Hollweg make this work's strange tale of revenge more accessible, and Haitink and the Concertgebouw deliver clear, crisply articulated support that makes the work easier to appreciate in purely musical terms.

© TiVo

詳細はこちら

Mahler: Symphony No.3/Das klagende Lied

Various Artists

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Symphony No. 3 in D minor - Part 1 (マーラー)

1
第1楽章: 力強く、決然と
ロイヤル・コンセルトヘボウ管弦楽団
00:32:15

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Symphony No.3 in D minor - Part 2 (マーラー)

2
第2楽章: メヌエットのテンポで、非常におだやかに
ロイヤル・コンセルトヘボウ管弦楽団
00:10:21

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Symphony No. 3 in D minor - Part 2 (マーラー)

3
第3楽章: 気楽に、スケルツォ風に、急がずに
ロイヤル・コンセルトヘボウ管弦楽団
00:16:53

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

4
第4楽章: 非常にゆっくりと、神秘的に
モーリン・フォレスター
00:08:42

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Maureen Forrester, Mezzo-Soprano, MainArtist, AssociatedPerformer - Friedrich Nietzsche, Author

℗ 1966 Universal International Music B.V.

5
第5楽章:活発なテンポで、表出は大胆に
モーリン・フォレスター
00:04:07

Traditional, Author - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Maureen Forrester, Mezzo-Soprano, MainArtist, AssociatedPerformer - Boy's Choir Of The St. Willisbrorduskerk In Rotterdam, Choir, MainArtist - Women's Chorus Of The Netherlands Radio, Chorus, MainArtist, AssociatedPerformer

℗ 1966 Universal International Music B.V.

Disc 2

1
第6楽章: ゆるやかに。静かに。感情をこめて
ロイヤル・コンセルトヘボウ管弦楽団
00:22:04

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Das Klagende Lied / Pt. 1 (マーラー)

2
ひややかな森の中の柳の木の傍らに
ロイヤル・コンセルトヘボウ管弦楽団
00:06:12

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

3
ひとりの楽人がその道を歩んで行った
ロイヤル・コンセルトヘボウ管弦楽団
00:06:27

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

4
ああ、わが親しき楽人よ!
ロイヤル・コンセルトヘボウ管弦楽団
00:05:56

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

Das Klagende Lied / Pt. 2 (マーラー)

5
そそり立つ岩の上の王城に
ロイヤル・コンセルトヘボウ管弦楽団
00:03:58

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

6
だが王はなぜ沈黙し、青ざめているのか?
ロイヤル・コンセルトヘボウ管弦楽団
00:05:14

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

7
ああ、わがいとしの楽人よ!
ロイヤル・コンセルトヘボウ管弦楽団
00:02:19

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

8
王は玉座から飛び上がり
ロイヤル・コンセルトヘボウ管弦楽団
00:01:07

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1973 Universal International Music B.V.

9
おお、わが兄上よ!
ロイヤル・コンセルトヘボウ管弦楽団
00:06:49

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

アルバム·レビュー

Originally released in 1966, Bernard Haitink's vivid recording of Gustav Mahler's Symphony No. 3 in D minor is coupled here with a 1973 performance of Das klagende Lied; since these are among the least performed and least familiar works in Mahler's catalog, the pairing is mutually beneficial to each, and listeners who have neither in their collections would do well to consider snapping up this affordable set. Perhaps the only flaw should be mentioned up front: though virtually no tape hiss is audible, there is a bit of an acoustic "vacuum" around the sound of the musicians, suggesting that the analog masters have been cleaned up a bit too efficiently and some resonance seems lost. Still, even if this recording is a little deficient in sonority and less than life-like in presence, the performance of the symphony is still worth having, not only for the Concertgebouw Orchestra's fully involved, utterly transparent playing and radiant singing from contralto Maureen Forrester, but also for the memorable choral fifth movement, sung with a magical lightness by the Netherlands Radio Choir and the Boys' Chorus of St. Willibrord Church, Amsterdam. Das klagende Lied is slightly less enjoyable, partly because this early cantata is less recognizably Mahlerian, a bit stilted, and possibly too operatic for its narrow parameters. Yet the compelling performances by soprano Heather Harper, contralto Norma Procter, and tenor Werner Hollweg make this work's strange tale of revenge more accessible, and Haitink and the Concertgebouw deliver clear, crisply articulated support that makes the work easier to appreciate in purely musical terms.

© TiVo

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