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デニス・ラッセル・ディヴィス|Maderna & Berio : Now, And Then, Transcriptions

Maderna & Berio : Now, And Then, Transcriptions

Orchestra della Svizzera Italiana, Dennis Russell Davies

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It is not only today that there are affinities between contemporary music and early music; Stravinsky famously cultivated the connection, and conductor and 12-tone composer Bruno Maderna was a student of Gian Francesco Malipiero, who pioneered the early music movement in Italy. It is quite novel today to hear early music through the ears of someone aware of the musical past but unacquainted with the idea of historical performance. Most of Now, and Then consists of transcriptions of early works by Maderna, and they are unusual, both in the selection and in the procedure. Maderna includes works not only by Girolamo Frescobaldi and Giovanni Gabrieli, but also by the lesser-known Giovanni Legrenzi and Ludovico Viadana, and even the totally unknown Dutch official/composer Unico Wilhelm van Wassenaer, some of whose music was once attributed to Pergolesi (and was recycled in Stravinsky's Pulcinella). As will be seen, these works, all nominally from the Baroque, range over 150 years and include polyphony, dances, and concerted pieces from the later Baroque. Maderna is not concerned in the least with authenticity and embroiders the music freely, but neither is his stance Romantic: he uses a variety of techniques to delineate the structures of the pieces in unexpected ways. The overall effect is that you hear something ineffably modern even though it's rooted in the past; although Maderna does not depart from his models as Stravinsky does, the experience of hearing these pieces is similar. The switch to Berio's completely modernist Chemins V, a transcription of Sequenza XI for guitar, is jarring although the presenters justify it by saying that it, like the Maderna works, is a transcription. This release, beautifully played by the Orchestra della Svizzera Italiana under Dennis Russell Davies, offers something of a byway of 20th century music, but it's of considerable interest to those concerned with the first stages of the early music movement.

© TiVo

詳細はこちら

Maderna & Berio : Now, And Then, Transcriptions

デニス・ラッセル・ディヴィス

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Tre pezzi (ジローラモ・フレスコバルディ)

1
1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna)
スヴィッツェラ・イタリアーナ管弦楽団
00:04:33

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Girolamo Frescobaldi, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

2
2a. Christe (Transcription By Bruno Maderna)
スヴィッツェラ・イタリアーナ管弦楽団
00:00:52

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Girolamo Frescobaldi, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

3
2b. Kyrie (Transcription By Bruno Maderna)
スヴィッツェラ・イタリアーナ管弦楽団
00:00:44

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Girolamo Frescobaldi, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

4
3. Bergamasca (Transcription By Bruno Maderna)
スヴィッツェラ・イタリアーナ管弦楽団
00:04:43

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Girolamo Frescobaldi, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Basadonna (ジョヴァンニ・レグレンツィ)

5
La Basadonna (Transcription By Bruno Maderna)
スヴィッツェラ・イタリアーナ管弦楽団
00:03:20

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Giovanni Legrenzi, Composer - Bruno Maderna, Arranger - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

Chemins V (ルチアーノ・ベリオ)

6
Chemins V
パブロ・マルケス
00:20:42

Pablo Marquez, Guitar - Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Luciano Berio, Composer - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

Canzone a tre cori (ジョヴァンニ・ガブリエリ)

7
Canzone a tre cori (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:05:20

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Giovanni Gabrieli, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Napolitana (Viadana)

8
La Napolitana (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:02:18

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Tommaso Lodovico da Viadana, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Venexiana (Viadana)

9
La Venexiana (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:03:11

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Tommaso Lodovico da Viadana, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Veronese (Viadana)

10
La Veronese (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:02:43

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Tommaso Lodovico da Viadana, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Romana (Viadana)

11
La Romana (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:01:52

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Tommaso Lodovico da Viadana, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

La Mantovana (Viadana)

12
La Mantovana (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:01:31

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Tommaso Lodovico da Viadana, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

Palestrina-Konzert (Unico Wilhelm van Wassenaer)

13
1. Grave assai sostenuto (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:03:39

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Unico Wilhelm Graf Van Wassenaer, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

14
2. Andante (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:03:34

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Unico Wilhelm Graf Van Wassenaer, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

15
3. Vivace (Transcription By Bruno Maderna)
デニス・ラッセル・ディヴィス
00:03:25

Orchestra della Svizzera Italiana - Dennis Russell Davies, Conductor - Unico Wilhelm Graf Van Wassenaer, Composer - Bruno Maderna, Transcription - Michael Rast, Recording Engineer - Manfred Eicher, Producer

℗ 2017 ECM Records GmbH

アルバム·レビュー

It is not only today that there are affinities between contemporary music and early music; Stravinsky famously cultivated the connection, and conductor and 12-tone composer Bruno Maderna was a student of Gian Francesco Malipiero, who pioneered the early music movement in Italy. It is quite novel today to hear early music through the ears of someone aware of the musical past but unacquainted with the idea of historical performance. Most of Now, and Then consists of transcriptions of early works by Maderna, and they are unusual, both in the selection and in the procedure. Maderna includes works not only by Girolamo Frescobaldi and Giovanni Gabrieli, but also by the lesser-known Giovanni Legrenzi and Ludovico Viadana, and even the totally unknown Dutch official/composer Unico Wilhelm van Wassenaer, some of whose music was once attributed to Pergolesi (and was recycled in Stravinsky's Pulcinella). As will be seen, these works, all nominally from the Baroque, range over 150 years and include polyphony, dances, and concerted pieces from the later Baroque. Maderna is not concerned in the least with authenticity and embroiders the music freely, but neither is his stance Romantic: he uses a variety of techniques to delineate the structures of the pieces in unexpected ways. The overall effect is that you hear something ineffably modern even though it's rooted in the past; although Maderna does not depart from his models as Stravinsky does, the experience of hearing these pieces is similar. The switch to Berio's completely modernist Chemins V, a transcription of Sequenza XI for guitar, is jarring although the presenters justify it by saying that it, like the Maderna works, is a transcription. This release, beautifully played by the Orchestra della Svizzera Italiana under Dennis Russell Davies, offers something of a byway of 20th century music, but it's of considerable interest to those concerned with the first stages of the early music movement.

© TiVo

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