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SILKK THE SHOCKER|Made Man (Edit)

Made Man (Edit)

Silkk The Shocker

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対応言語:英語

Once No Limit was thrust into the spotlight, the label began to churn out albums even faster than they did before Master P was a superstar -- which is really saying something, since the soldiers usually took about a year to ready a new record. The new cycle apparently dictated that a year was the maximum between albums, if the rapid appearence of Silkk the Shocker's third album Made Mann is any indication. Released less than a year after Charge it 2 Da Game -- which in itself was one of the No Limit classics (of course, that's on the No Limit scale, not a hip-hop scale) -- Made Mann illustrates the perils of such an approach. No Limit records are notorious for their recycling, cheapness and tedium, and the shorter release cycle accentuates these shortcomings. It follows the formula exactly, piling on the cameos, photocopied basslines and appropriated rhythms, all in an attempt to approximate the sound of the streets. To a certain extent it works, since it never takes chances and delivers what the audience wants, but naysayers will wonder if even the hardcore fans aren't getting sick of all No Limit albums sounding identical by now.

© Stephen Thomas Erlewine /TiVo

詳細はこちら

Made Man (Edit)

SILKK THE SHOCKER

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1
The Day I Was Made (Edit)
SILKK THE SHOCKER
00:04:24

Silkk The Shocker, Composer, MainArtist - O'Dell For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

2
Somebody Like Me (Edit)
SILKK THE SHOCKER
00:04:12

Mya Harrison, Composer - Silkk The Shocker, Composer, MainArtist - Mya, FeaturedArtist - Whole Records, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

3
It Ain't My Fault 2 (Edit)
SILKK THE SHOCKER
00:03:26

Mystikal, FeaturedArtist - Silkk The Shocker, MainArtist, ComposerLyricist - Vyshonne King Miller, ComposerLyricist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

4
Ghetto Rain (Edit)
SILKK THE SHOCKER
00:04:36

Silkk The Shocker, Composer, MainArtist - Master P, MainArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

5
This Is 4 My (Edit)
SILKK THE SHOCKER
00:02:52

Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

6
Commercial One (Edit)
SILKK THE SHOCKER
00:00:39

Silkk The Shocker, Composer, MainArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

7
You Know What We Bout (Edit)
SILKK THE SHOCKER
00:04:33

Silkk The Shocker, Composer, MainArtist - Jay-Z, FeaturedArtist - Master P, FeaturedArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

8
I Want To Be With You (Edit)
SILKK THE SHOCKER
00:04:52

Silkk The Shocker, Composer, MainArtist - O'Dell, Producer - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

9
All Because Of You (Edit)
SILKK THE SHOCKER
00:04:26

Mia X, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

10
No Limit (Edit)
SILKK THE SHOCKER
00:02:21

Mystikal, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - KLC, Producer - Mr. Serv-On, FeaturedArtist - Big Ed, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

11
End Of The Road (Edit)
SILKK THE SHOCKER
00:04:20

Silkk The Shocker, MainArtist - Lionel Richie, Composer - Vyshonne King Miller, Composer - Sons Of Funk, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

12
We Won't Stop (Edit)
ヴァリアス・アーティスト
00:04:01

C-Murder, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Master P, FeaturedArtist - Carlos Stephens For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

13
Mr. '99 (Edit)
SILKK THE SHOCKER
00:03:02

Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

14
It Takes More (Edit)
SILKK THE SHOCKER
00:04:01

Silkk The Shocker, Composer, MainArtist - Carlos Stephens For Beats By The Pound, Producer - Ghetto Commission, MainArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

15
If It Don't Make $ (Edit)
SILKK THE SHOCKER
00:03:11

Silkk The Shocker, Composer, MainArtist - DJ Whop, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

16
It's Going Around Outside (Edit)
SILKK THE SHOCKER
00:04:38

Silkk The Shocker, Composer, MainArtist - Rico from Sons of Funk, FeaturedArtist - Rico Crowder, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

17
Put It On Something (Edit)
SILKK THE SHOCKER
00:04:49

Mia X, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

18
Commercial Two (Edit)
SILKK THE SHOCKER
00:01:52

Silkk The Shocker, Composer, MainArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

19
Southside Niggas (Edit)
SILKK THE SHOCKER
00:03:13

C-Murder, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Master P, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

20
Get It Up (Edit)
SILKK THE SHOCKER
00:03:38

Silkk The Shocker, Composer, MainArtist - Snoop Dogg, FeaturedArtist - Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Capitol Records LLC

アルバム·レビュー

Once No Limit was thrust into the spotlight, the label began to churn out albums even faster than they did before Master P was a superstar -- which is really saying something, since the soldiers usually took about a year to ready a new record. The new cycle apparently dictated that a year was the maximum between albums, if the rapid appearence of Silkk the Shocker's third album Made Mann is any indication. Released less than a year after Charge it 2 Da Game -- which in itself was one of the No Limit classics (of course, that's on the No Limit scale, not a hip-hop scale) -- Made Mann illustrates the perils of such an approach. No Limit records are notorious for their recycling, cheapness and tedium, and the shorter release cycle accentuates these shortcomings. It follows the formula exactly, piling on the cameos, photocopied basslines and appropriated rhythms, all in an attempt to approximate the sound of the streets. To a certain extent it works, since it never takes chances and delivers what the audience wants, but naysayers will wonder if even the hardcore fans aren't getting sick of all No Limit albums sounding identical by now.

© Stephen Thomas Erlewine /TiVo

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