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Katharina Ruckgaber|Love and Let Die

Love and Let Die

Jan Philip Schulze, Katharina Ruckgaber

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対応言語:英語

Crime novels, films and TV series are all the rage these days. In the UK, sales of crime novels exceed those of romantic, fantasy or science fiction titles. Pre- and post-watershed television crime series such as “Peaky Blinders”, “Line of Duty”, “Murder in Provence”, NCIS and “Better call Saul” often revolve around specific towns, cities or regions and run for several years, expanding on plot lines and drawing in numerous characters. It seems the eagerness to hunt the killer side-by-side with the detectives and a sort of collective desire to sit rigid with fear on our sofas and be subjected to all manner of horrors has taken hold of society. However, the fascination with the depths to which human beings can descend goes back much further; indeed it is part of our “cultural heritage”, so to speak.

Just take a look at the history of literature and you will see it is packed with criminal deeds: the original sin in the Garden of Eden, fratricide in the Bible, and some while later in the antique world, murder and mayhem were the foundations of every Greek or Roman tragedy. This is happening amid – or despite – the daily menu of dramatic events served up on news programmes, the barbarous events taking place around the world, events of such stark reality that they surely leave crime thriller plots in the shade. Does that mean that anyone could become a murderer? Forensic psychiatrists have been investigating this question for years and have repeatedly reached the conclusion that no one is immune to committing an act of madness when fate has dealt them a dreadful blow. That is what happens to the female narrator on this lieder album.

Killing one’s rival, a variation on the crime of passion committed in a conflict situation as a result of overwhelming jealousy, by losing control over one’s negative character traits shines a light on a dark power that causes her to get carried away in a highly tense moment. And now she must live with what she has done, a crime that she is unable to reconcile with her conscience, a deed that makes her feel as if an alien part of her committed it.

In the search for suitable pieces for my idea of a sophisticated, classical, and at the same time varied lieder recital, which aims on a second level to tell a new tale of (crime) fiction in a tight dramatic form, Katharina Ruckgaber went rummaging through the full and rich gamut of German-language lieder repertoire. In her detective work Katharina Ruckgaber came across both popular classics and some rarely heard gems. She would like to take a closer look at some of these works that she consider very special, and at their composers. © solo musica

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Love and Let Die

Katharina Ruckgaber

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¥1,280/ 月から

Goethe-Lieder (Hugo Wolf)

1
No. 5, Mignon I. Heiss mich nicht reden
00:03:15

JOHANN WOLFGANG VON GOETHE, Lyricist - Hugo Wolf, Composer - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Brettllieder (Arnold Schönberg)

2
No. 5, Mahnung
00:02:58

Arnold Schoenberg, Composer - Gustav Hochstetter, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Zeitungsausschnitte, Op. 11 (Hanns Eisler)

3
No. 3, Heiratsannonce. Liebeslied eines Kleinbürgermädchens
00:01:05

Hanns Eisler, Composer - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Und gestern hat er mir Rosen gebracht (Joseph Marx)

4
Und gestern hat er mir Rosen gebracht
00:01:57

Joseph Marx, Composer - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist - Thekla Lingen, Lyricist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Mörike-Lieder (Hugo Wolf)

5
No. 8, Begegnung
00:01:32

Hugo Wolf, Composer - Eduard Mörike, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Ehetanzlied, Op. 10 (Alexander von Zemlinsky)

6
No. 2, Selige Stunde
00:02:06

Alexander von Zemlinsky, Composer - Paul Wertheimer, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Es muss ein Wunderbares sein, S. 314 (Franz Liszt)

7
Es muss ein Wunderbares sein, S. 314
00:01:39

Franz Liszt, Composer - Oskar von Redwitz, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Lieder, Op. 2 (Alexander von Zemlinsky)

8
No. 3, Geflüster der Nacht
00:01:25

Theodor Storm, Lyricist - Alexander von Zemlinsky, Composer - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Vorwurf, WoO 27 (Othmar Schoeck)

9
Vorwurf, WoO 27
00:01:54

Hermann Hesse, Lyricist - Othmar Schoeck, Composer - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520 (Wolfgang Amadeus Mozart)

10
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520
00:01:29

Wolfgang Amadeus Mozart, Composer - Gabriele von Baumberg, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

4 Refrainlieder, D. 866 (Franz Schubert)

11
No. 3, Die Männer sind méchant
00:02:37

Franz Schubert, Composer - Johann Gabriel Seidl, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Italienisches Liederbuch (Hugo Wolf)

12
No. 6, Wer rief dich denn? Wer hat dich herbestellt
00:01:06

Hugo Wolf, Composer - Paul Heyse, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

5 Lieder, Op. 49 (Johannes Brahms)

13
No. 1, Am Sonntag Morgen
00:01:09

Johannes Brahms, Composer - Paul Heyse, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Vergiftet sind meine Lieder, S. 289 (Franz Liszt)

14
Vergiftet sind meine Lieder, S. 289
00:01:26

Franz Liszt, Composer - Heinrich Heine, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Mach's Dir bequem, Lotte (Georg Kreisler)

15
Mach's Dir bequem, Lotte
00:05:30

Georg Kreisler, Composer, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

5 Lieder nach Gedichten von Richard Dehmel (Anton Webern)

16
No. 2, Am Ufer
00:01:26

Anton Webern, Composer - Richard Dehmel, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Die Ballade vom ertrunkenen Mädchen (Kurt Weill)

17
Die Ballade vom ertrunkenen Mädchen
00:02:13

Kurt Weill, Composer - Bertolt Brecht, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Horatios Monologue (Hanns Eisler)

18
Horatios Monologue
00:01:19

Hanns Eisler, Composer - William Shakespeare , Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Elegische Gesänge, Op. 105 (Heinrich von Herzogenberg)

19
No. 3, Ein Gleiches
00:02:29

Joseph Von Eichendorff, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist - Heinrich von Herzogenberg, Composer

(C) 2022 Solo Musica (P) 2022 Solo Musica

Sequenza III for female voice (Luciano Berio)

20
Sequenza III for Female Voice
00:08:34

Luciano Berio, Composer - Markus Kutter, Lyricist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Vorbei (Bruno Walter)

21
Vorbei
00:02:53

Bruno Walter, Composer - Jan Philip Schulze, Artist, MainArtist - Gustav Renner, Lyricist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Der Abschiedsbrief (Bonus Track) (Kurt Weill)

22
Der Abschiedsbrief (Bonus Track)
00:03:29

Kurt Weill, Composer - Erich Kastner, Lyricist - Jan Philip Schulze, Artist, MainArtist - Katharina Ruckgaber, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

アルバム·レビュー

Crime novels, films and TV series are all the rage these days. In the UK, sales of crime novels exceed those of romantic, fantasy or science fiction titles. Pre- and post-watershed television crime series such as “Peaky Blinders”, “Line of Duty”, “Murder in Provence”, NCIS and “Better call Saul” often revolve around specific towns, cities or regions and run for several years, expanding on plot lines and drawing in numerous characters. It seems the eagerness to hunt the killer side-by-side with the detectives and a sort of collective desire to sit rigid with fear on our sofas and be subjected to all manner of horrors has taken hold of society. However, the fascination with the depths to which human beings can descend goes back much further; indeed it is part of our “cultural heritage”, so to speak.

Just take a look at the history of literature and you will see it is packed with criminal deeds: the original sin in the Garden of Eden, fratricide in the Bible, and some while later in the antique world, murder and mayhem were the foundations of every Greek or Roman tragedy. This is happening amid – or despite – the daily menu of dramatic events served up on news programmes, the barbarous events taking place around the world, events of such stark reality that they surely leave crime thriller plots in the shade. Does that mean that anyone could become a murderer? Forensic psychiatrists have been investigating this question for years and have repeatedly reached the conclusion that no one is immune to committing an act of madness when fate has dealt them a dreadful blow. That is what happens to the female narrator on this lieder album.

Killing one’s rival, a variation on the crime of passion committed in a conflict situation as a result of overwhelming jealousy, by losing control over one’s negative character traits shines a light on a dark power that causes her to get carried away in a highly tense moment. And now she must live with what she has done, a crime that she is unable to reconcile with her conscience, a deed that makes her feel as if an alien part of her committed it.

In the search for suitable pieces for my idea of a sophisticated, classical, and at the same time varied lieder recital, which aims on a second level to tell a new tale of (crime) fiction in a tight dramatic form, Katharina Ruckgaber went rummaging through the full and rich gamut of German-language lieder repertoire. In her detective work Katharina Ruckgaber came across both popular classics and some rarely heard gems. She would like to take a closer look at some of these works that she consider very special, and at their composers. © solo musica

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Katharina Ruckgaber

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