カテゴリー:
かご 0

かごは空です

Phish|LivePhish, Vol. 11 11/17/97 (McNichols Sports Arena, Denver, CO)

LivePhish, Vol. 11 11/17/97 (McNichols Sports Arena, Denver, CO)

Phish

  • 発売日 : 2002/04/16 レーベル: ADA US
  • メインアーティスト : Phish
  • ジャンル: ロック

デジタルブックレット

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

対応言語:英語

With a new minimalist funk approach (discovered during the March 1997 show documented on Slip, Stich & Pass), Phish set out to fill arenas not with the propulsive flurries of notes that had marked their earlier efforts (see Live Phish, Vol. 10, recorded in June 1994, for an example) but with spacious grooves that could hang comfortably in the vast air of cavernous arenas. Though they'd worked on it to some success throughout the summer of 1997, they didn't have their breakthrough until the early fall. Recorded a scant four shows into the tour, this November 1997 outing from Denver, CO, was a quick favorite of both the band and their fans. Apparently intended for release at some earlier point, the band mentioned it repeatedly throughout The Phish Book (published in the fall of 1998), saying that they listened to the version of "Ghost" from this performance every remaining night of the tour on their bus. Indeed, it is an incredible rendition of the song, spanning just over 20 minutes with unique grooves that manage to be both beautifully psychedelic and deeply funky. The rest of the first set, including a gorgeous "Reba," is also top-notch. The second set, which mostly finds itself hanging in frustrating blues grooves (including a mostly soulless warp-speed reading of Chuck Berry's oft-covered "Johnny B. Goode") isn't nearly as interesting (though the 11-minute so-called "Denver Jam" is as weird and woolly as anything from the experimental Siket Disc). The third disc contains filler tracks from a few nights later, recorded in Illinois, including a half-hour version of "Wolfman's Brother" that slips in and out of relevance. When it's on, however, it positively cooks. The music on Live Phish, Vol. 11 is about as far as the band could get from their early-'90s efforts while still being the same band. The band's jamming is patient where it used to be hyper, concentrating on expanding a limited set of ideas to their fullest degrees. It is this approach that set the course for the next four years of Phish's career, before they began their touring hiatus in late 2000.

© Jesse Jarnow /TiVo

詳細はこちら

LivePhish, Vol. 11 11/17/97 (McNichols Sports Arena, Denver, CO)

Phish

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Tweezer
00:18:00

Trey Anastasio, Writer - Phish, MainArtist - Jon Fishman, Writer - Page McConnell, Writer - Mike Gordon, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

2
Reba
00:14:09

Trey Anastasio, Writer - Phish, Composer, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

3
Train Song
00:03:37

Joe Linitz, Writer - Phish, MainArtist - Mike Gordon, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

4
Ghost
00:21:24

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

5
Fire
00:05:25

Jimi Hendrix, Writer - Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

6
Down With Disease
00:16:18

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

7
Olivia's Pool
00:02:18

Marshall, Writer - Trey Anastasio, Writer - Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

8
Johnny B. Goode
00:05:02

Chuck Berry, Writer - Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

9
Denver Jam
00:12:01

Trey Anastasio, Writer - Phish, MainArtist - Jon Fishman, Writer - Page McConnell, Writer - Mike Gordon, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

10
Jesus Just Left Chicago
00:14:06

Billy Gibbons, Writer - Dusty Hill, Writer - Frank Beard, Writer - Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

11
When The Circus Comes
00:05:14

David Hidalgo, Writer - Louis Perez, Writer - Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

12
You Enjoy Myself
00:23:09

Trey Anastasio, Writer - Phish, Composer, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

13
Character Zero
00:07:45

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

14
Wolfman's Brother (11/19/97)
00:28:21

Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

15
Makisupa Policeman
00:10:51

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

16
Saw It Again Soundcheck (11/16/97) (Bonus Track)
00:05:50

Phish, MainArtist

© 1997 2009 Phish, Inc ℗ 1997 2009 Who Is She Music, Inc

アルバム·レビュー

With a new minimalist funk approach (discovered during the March 1997 show documented on Slip, Stich & Pass), Phish set out to fill arenas not with the propulsive flurries of notes that had marked their earlier efforts (see Live Phish, Vol. 10, recorded in June 1994, for an example) but with spacious grooves that could hang comfortably in the vast air of cavernous arenas. Though they'd worked on it to some success throughout the summer of 1997, they didn't have their breakthrough until the early fall. Recorded a scant four shows into the tour, this November 1997 outing from Denver, CO, was a quick favorite of both the band and their fans. Apparently intended for release at some earlier point, the band mentioned it repeatedly throughout The Phish Book (published in the fall of 1998), saying that they listened to the version of "Ghost" from this performance every remaining night of the tour on their bus. Indeed, it is an incredible rendition of the song, spanning just over 20 minutes with unique grooves that manage to be both beautifully psychedelic and deeply funky. The rest of the first set, including a gorgeous "Reba," is also top-notch. The second set, which mostly finds itself hanging in frustrating blues grooves (including a mostly soulless warp-speed reading of Chuck Berry's oft-covered "Johnny B. Goode") isn't nearly as interesting (though the 11-minute so-called "Denver Jam" is as weird and woolly as anything from the experimental Siket Disc). The third disc contains filler tracks from a few nights later, recorded in Illinois, including a half-hour version of "Wolfman's Brother" that slips in and out of relevance. When it's on, however, it positively cooks. The music on Live Phish, Vol. 11 is about as far as the band could get from their early-'90s efforts while still being the same band. The band's jamming is patient where it used to be hyper, concentrating on expanding a limited set of ideas to their fullest degrees. It is this approach that set the course for the next four years of Phish's career, before they began their touring hiatus in late 2000.

© Jesse Jarnow /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

Happier Than Ever (Explicit)

ビリー・アイリッシュ

Happier Than Ever (Explicit) ビリー・アイリッシュ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

ビリー・アイリッシュ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? ビリー・アイリッシュ

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストPhishによる

Sigma Oasis

Phish

Sigma Oasis Phish

The Gorge '98

Phish

Farmhouse

Phish

Farmhouse Phish

Lawn Boy

Phish

Lawn Boy Phish

Junta

Phish

Junta Phish

プレイリスト

こちらもおすすめ...

i/o

ピーター・ガブリエル

i/o ピーター・ガブリエル

Money For Nothing

ダイアー・ストレイツ

Money For Nothing ダイアー・ストレイツ

Rumours

フリートウッド・マック

Rumours フリートウッド・マック

Now And Then

The Beatles

Now And Then The Beatles

The Boy

Mark Knopfler

The Boy Mark Knopfler