無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
Opera was born, the inquirer into the genre's origins soon learns, when a group of Florentine experimenters trying to revive the power of ancient drama hit on a new kind of musical declamation. More obscure is the long history of such experiments over almost the entire Renaissance period, even though what was being reborn in the "Renaissance" was the culture of the ancient world. Daedalus ensemble director Roberto Festa notes in his booklet essay that the music sampled here "has escaped the attention of musicologists and interpreters." The program offers attempts by various mid-Renaissance composers -- French, German, and Flemish-Italian -- to adapt what they knew of the rules of classical poetry to the evolving art of polyphonic text-setting. A few of these pieces show up in historical anthologies; Claude Le Jeune's "musique mesurée" chansons and Cipriano de Rore's O sonno (which seems tangentially rather than directly related to the main theme) are known to those who paid attention in music history survey classes. But most of the music is new to the recorded repertory. The most unusual revelation here is that these metrical-musical experiments extended to sacred music as well as secular; in the Latin motets of the curiously named composer Petrus Tritonius (born around 1465 in what is now Bolzano, Italy) the repetitive rhythms lend the music an intriguing, chant-like quality. Tritonius' music, unknown today, was vigorously reprinted during the first half of the sixteenth century. Many of the secular pieces are less immediately compelling; the reason music history students doze off during Le Jeune and wake up again for Marenzio and Gesualdo is that the rhythmically freer Italian madrigal is simply more expressive. However, the performances and the presentation of the material reach the Alpha label's usual high standard, with a terrific essay on a Raphael painting of the Greek Muses, and spare, somewhat mysterious readings from Daedalus (with voices, viols, and flutes) that capture the fascination the ancients inspired in the Renaissance. This release can be safely recommended for those with a serious interest in the world of Renaissance ideas.
© TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Daedalus, Performer - Roberto Festa, Performer - Anonyme, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Franciscus Nigrus, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Jacob Arcadelt, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Petrus Tritonius, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Antonius Capreolus Brixien, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Franchino Gaffurio, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Bartolomeo Tromboncino, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Cipriano de Rore, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Jacob Arcadelt, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Claude Le Jeune, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Claude Le Jeune, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Claude Le Jeune, Composer
2009 Alpha 2008 Alpha
Daedalus, Performer - Roberto Festa, Performer - Petrus Tritonius, Composer
2009 Alpha 2008 Alpha
アルバム·レビュー
Opera was born, the inquirer into the genre's origins soon learns, when a group of Florentine experimenters trying to revive the power of ancient drama hit on a new kind of musical declamation. More obscure is the long history of such experiments over almost the entire Renaissance period, even though what was being reborn in the "Renaissance" was the culture of the ancient world. Daedalus ensemble director Roberto Festa notes in his booklet essay that the music sampled here "has escaped the attention of musicologists and interpreters." The program offers attempts by various mid-Renaissance composers -- French, German, and Flemish-Italian -- to adapt what they knew of the rules of classical poetry to the evolving art of polyphonic text-setting. A few of these pieces show up in historical anthologies; Claude Le Jeune's "musique mesurée" chansons and Cipriano de Rore's O sonno (which seems tangentially rather than directly related to the main theme) are known to those who paid attention in music history survey classes. But most of the music is new to the recorded repertory. The most unusual revelation here is that these metrical-musical experiments extended to sacred music as well as secular; in the Latin motets of the curiously named composer Petrus Tritonius (born around 1465 in what is now Bolzano, Italy) the repetitive rhythms lend the music an intriguing, chant-like quality. Tritonius' music, unknown today, was vigorously reprinted during the first half of the sixteenth century. Many of the secular pieces are less immediately compelling; the reason music history students doze off during Le Jeune and wake up again for Marenzio and Gesualdo is that the rhythmically freer Italian madrigal is simply more expressive. However, the performances and the presentation of the material reach the Alpha label's usual high standard, with a terrific essay on a Raphael painting of the Greek Muses, and spare, somewhat mysterious readings from Daedalus (with voices, viols, and flutes) that capture the fascination the ancients inspired in the Renaissance. This release can be safely recommended for those with a serious interest in the world of Renaissance ideas.
© TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 13曲
- 合計収録時間 : 00:52:00
- メインアーティスト : Daedalus Roberto Festa
- 作曲家 : 作者不詳
- レーベル : Alpha Classics
- ジャンル: クラシック
- コレクション: Ut Pictura Musica
2009 Alpha 2008 Alpha
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット(FLAC, ALAC, WAV, AIFF...)でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。