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エリック・B&ラキム|Let The Rhythm Hit 'Em

Let The Rhythm Hit 'Em

Eric B. & Rakim

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One thing the rap audience will never be accused of is having the world's longest attention span. Even some of the most celebrated hip-hoppers can fade in popularity after only a few albums. Eric B. & Rakim were extremely popular in the mid- to late '80s, but by 1990, rap buyers were starting to lose interest in them. Not much different from Paid in Full or Follow the Leader, Let the Rhythm Hit 'Em makes rapping technique its number one priority. At time when West Coast MCs like Ice-T and Ice Cube were mainly interested in getting a political message across, Rakim's goal was showing how much technique he had. Rakim may rap in a deadpan tone, but "Step Back," "No Omega," and other tunes leave no doubt that he had sizable chops. There are a few message raps (including "In the Ghetto"), although Rakim spends most of his time finding tongue-twisting ways to boast and brag about his microphone skills. The overall result is a CD that is enjoyable, yet limited.

© Alex Henderson /TiVo

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Let The Rhythm Hit 'Em

エリック・B&ラキム

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
レット・ザ・リズム・ヒッテム
00:05:25

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

2
ノー・オメガ
00:04:44

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

3
イン・ザ・ゲットー
00:05:26

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, Producer, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

4
ステップ・バック
00:04:27

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

5
エリック・B.メイド・マイ・デイ
00:05:09

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

6
ラン・フォー・カヴァー
00:04:49

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

7
アンタッチャブルズ
00:04:15

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

8
マホガニー
00:04:37

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

9
キープ・エム・イーガー・トゥ・リッスン
00:04:41

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

10
セット・エム・ストレート
00:04:30

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer

℗ 1990 UMG Recordings, Inc.

11
Let The Rhythm Hit 'Em (12" Vocal Version Remix) Explicit
00:06:11

William Griffin, ComposerLyricist - Eric Barrier, ComposerLyricist - Eric B., Producer - Eric B. & Rakim, MainArtist - Rakim, Producer - DJ Mark the 45 King, Remixer, StudioPersonnel

℗ 1990 UMG Recordings, Inc.

アルバム·レビュー

One thing the rap audience will never be accused of is having the world's longest attention span. Even some of the most celebrated hip-hoppers can fade in popularity after only a few albums. Eric B. & Rakim were extremely popular in the mid- to late '80s, but by 1990, rap buyers were starting to lose interest in them. Not much different from Paid in Full or Follow the Leader, Let the Rhythm Hit 'Em makes rapping technique its number one priority. At time when West Coast MCs like Ice-T and Ice Cube were mainly interested in getting a political message across, Rakim's goal was showing how much technique he had. Rakim may rap in a deadpan tone, but "Step Back," "No Omega," and other tunes leave no doubt that he had sizable chops. There are a few message raps (including "In the Ghetto"), although Rakim spends most of his time finding tongue-twisting ways to boast and brag about his microphone skills. The overall result is a CD that is enjoyable, yet limited.

© Alex Henderson /TiVo

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