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The Purcell Quartet|Les Nations, volume 2

Les Nations, volume 2

François Couperin

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The chamber music of François Couperin comes to mind less readily than do his keyboard works, and the trio (and duo) sonatas heard here are less familiar than the set of Concerts royaux known as "Les goûts réunis" (The Tastes Reunited), composed a few years earlier and intended, as the subtitle suggested, to fuse the new tunefulness coming out of Italy with the formal, elegant dance suites of the French court. The two ordres or suites from the collection Les Nations stylistically follow on those of the earlier sets, with numerous short movements (15 in one, 14 in the other) that bring an elegant, choreographic quality to the Italian tempo-titled movements and a profusion of violinistic melody to the French ones. The period-instrument Purcell Quartet (two violins, of strikingly different personalities, plus a continuo consisting of harpsichord and bass viol) conveys this music beautifully. The players are aware of the substantial differences between Couperin's keyboard output and his chamber music, and they avoid the intense, hothouse atmosphere that can work in the keyboard pieces, with their dense layers of ornament and programmatic suggestion. (Two keyboard preludes appear on this album, in the manner of curtain-raisers for each half of the program.) In the suites from Les Nations, the quartet is rather deliberate, emphasizing elegance and a languorous quality over ornament and edge. Another attractive feature of the program is the inclusion of the unique Concert à 2 instruments à l'unisson -- Piece for two instruments in unison. This work (from the earlier Concerts royaux set) seems to hark back to a long tradition of duos with a didactic purpose; it is filled, atypically for Couperin, with contrapuntal artifice. But that artifice is woven into music so lightweight it seems to float, especially in a performance as attuned to its paradoxical nature as the one here is. The notes by Richard Langham Smith provide a great concise introduction to these masterworks of the French Baroque, including a delightful long quotation from Couperin's own written introduction to the Les Nations set, and the sound is close-up and clear without fetishizing performer noise.
© TiVo

詳細はこちら

Les Nations, volume 2

The Purcell Quartet

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L'Art de toucher le clavecin (François Couperin)

1
L'art de toucher le clavecin: Prelude No. 2 in D Minor
00:01:26

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

Les Nations, 3rd Ordre, 'L'Imperiale' (François Couperin)

2
I. Gravement -
00:02:14

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

3
II. Vivement -
00:01:33

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

4
III. Gravement, et marque - Tres lentement -
00:01:17

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

5
IV. Rondeau: Legerment -
00:02:14

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

6
V. Rondement -
00:01:14

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

7
VI. Vivement
00:02:26

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

8
VII. Allemande: Sans lenteur
00:02:30

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

9
VIII. Courante
00:01:54

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

10
IX. Courante II: Plus marquee
00:01:53

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

11
X. Sarabande: Tendrement
00:02:44

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

12
XI. Bouree: Gayement
00:00:47

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

13
XII. Gigue: D'une legerete moderee
00:01:10

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

14
XIII. Rondeau: Gayement - Premier Couplet - Rondeau - Second Couplet - Rondeau - Troiseme Couplet - Rondeau
00:02:18

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

15
XIV. Chaconne
00:05:11

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

16
XV. Menuet
00:01:13

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

Les gouts-reunis: Concerto No. 13 in G major (François Couperin)

17
I. Vivement
00:01:00

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

18
II. Air: Agreablement
00:02:25

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

19
III. Sarabande: Tendrement
00:03:41

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

20
IV. Chaconne: Legere
00:02:13

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

L'Art de toucher le clavecin (François Couperin)

21
L'art de toucher le clavecin: Prelude No. 3 in G Minor
00:01:00

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

Les Nations, 4th Ordre, ' La Piemontoise' (François Couperin)

22
I. Gravement -
00:01:49

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

23
II. Vivement
00:00:47

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

24
III. Gravement
00:01:28

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

25
IV. Vivement, et marque - Lentement
00:01:17

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

26
V. Air: Gracieusement
00:00:49

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

27
VI. Air II
00:00:49

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

28
VII. Gravement et marque -
00:00:40

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

29
VIII. Legerement
00:00:58

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

30
IX. Allemande: Noblement, et sans lenteur
00:02:45

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

31
X. Courante
00:01:31

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

32
XI. Courante II: Un peu plus gayement
00:02:01

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

33
XII. Sarabande: Tendrement
00:03:03

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

34
XIII. Rondeau: Gayement - Premier Couplet - Rondeau - Second Couplet - Rondeau - Troiseme Couplet - Rondeau
00:02:33

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

35
XIV. Gigue: Affectueusement, quoy que legrement
00:02:21

Rebeka Ruso, viole de gambe - The Purcell Quartet

2006 Chandos 2006 Chandos

アルバム·レビュー

The chamber music of François Couperin comes to mind less readily than do his keyboard works, and the trio (and duo) sonatas heard here are less familiar than the set of Concerts royaux known as "Les goûts réunis" (The Tastes Reunited), composed a few years earlier and intended, as the subtitle suggested, to fuse the new tunefulness coming out of Italy with the formal, elegant dance suites of the French court. The two ordres or suites from the collection Les Nations stylistically follow on those of the earlier sets, with numerous short movements (15 in one, 14 in the other) that bring an elegant, choreographic quality to the Italian tempo-titled movements and a profusion of violinistic melody to the French ones. The period-instrument Purcell Quartet (two violins, of strikingly different personalities, plus a continuo consisting of harpsichord and bass viol) conveys this music beautifully. The players are aware of the substantial differences between Couperin's keyboard output and his chamber music, and they avoid the intense, hothouse atmosphere that can work in the keyboard pieces, with their dense layers of ornament and programmatic suggestion. (Two keyboard preludes appear on this album, in the manner of curtain-raisers for each half of the program.) In the suites from Les Nations, the quartet is rather deliberate, emphasizing elegance and a languorous quality over ornament and edge. Another attractive feature of the program is the inclusion of the unique Concert à 2 instruments à l'unisson -- Piece for two instruments in unison. This work (from the earlier Concerts royaux set) seems to hark back to a long tradition of duos with a didactic purpose; it is filled, atypically for Couperin, with contrapuntal artifice. But that artifice is woven into music so lightweight it seems to float, especially in a performance as attuned to its paradoxical nature as the one here is. The notes by Richard Langham Smith provide a great concise introduction to these masterworks of the French Baroque, including a delightful long quotation from Couperin's own written introduction to the Les Nations set, and the sound is close-up and clear without fetishizing performer noise.
© TiVo

オリジナル音源の詳細 : 65:26 - DDD - Enregistré en octobre 2004 en l'église saint Bartholomée à Orford, Suffolk (Angleterre) - Notes en français, anglais & allemand

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