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The fourth long-player from the spell-casting English singer/songwriter, Kitchen Sink is aptly named, as Nadine Shah and longtime collaborator/producer Ben Hillier have crafted a wily and inventive collection of songs that pair astute social commentary with crisp, cosmopolitan arrangements drawing from a deep and intuitive arsenal of styles. The follow-up to Shah's Mercury Prize-nominated Holiday Destination, the 11-track set commences with the airy and funky "Club Cougar." Like its predecessor, the scathing "Ladies for Babies (Goats for Love)" is awash in wiggly beats, staccato horns, and flourishes of Tropicalia, with Shah's evocative lyrics and stately, confidant voice wryly and vividly parsing the relationship between sexism and fertility. Exploring the notion of what it means to be both a woman in your thirties and an outsider (Shah was born of Pakistani and Norwegian parentage), the sinewy title track's clanging guitars and strident piano mirror the narrator's insistence on combating cognitive bias with confidence -- it's a strut, not a sprint. There are echoes of Shah's bluesy, noir-pop past peppered throughout Kitchen Sink, most notably on the cinematic "Kite" and the sumptuous closer "Prayer Mat," but the overall vibe is as playful as it is rooted in emotional and societal discord. Like her sonic contemporaries PJ Harvey, Cate Le Bon, and Fiona Apple, Shah presents as a mystery wrapped in an enigma, when in reality she's just innately talented and resolute in her convictions. Unsurprisingly, the mesmerizing Kitchen Sink distills those two predilections into something that's both compelling and otherworldly.
© James Christopher Monger /TiVo
現在、試聴中です。
無制限ストリーミングプランで１億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Writer, Synthesizer - Ben Nicholls, Bass Guitar - Pete Wareham, Saxophone - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Backing Vocals, Writer - Ben Nicholls, Bass Guitar, Backing Vocals - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Piano, Writer, Bass, Synthesizer - NEILL MACCOLL, Composer, Guitar, Writer - Ben Nicholls, Composer, Bass Guitar, Piano, Writer - Pete Wareham, Saxophone - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer, Violin - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Writer, Synthesizer - Ben Nicholls, Composer, Bass Guitar, Writer, Whistle - Pete Wareham, Engineer, Flute - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Writer, Synthesizer - NEILL MACCOLL, Guitar - Ben Nicholls, Composer, Bass Guitar, Piano, Writer - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer, Farfisa Organ - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Piano, Writer, Bass, Synthesizer - Nadine Shah, Composer, Writer, Claps, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Engineer, Guitar, Piano, Vocals, Writer, Synthesizer - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Writer, Bass, Synthesizer - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Engineer, Guitar, Percussion, Writer, Synthesizer - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Vocals, Writer, Synthesizer - NEILL MACCOLL, Guitar, Hohner Guitaret Guitar - Ben Nicholls, Bass Guitar - Pete Wareham, Flute, Saxophone - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
Ben Hillier, Composer, Producer, Drums, Engineer, Guitar, Percussion, Piano, Writer, Synthesizer - NEILL MACCOLL, Composer, Guitar, Writer - Ben Nicholls, Bass Guitar - Nadine Shah, Composer, Writer, MainArtist - Dan Crook, Engineer - Katie Tavini, Engineer - Maisie Crook, Engineer
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
アルバム·レビュー
The fourth long-player from the spell-casting English singer/songwriter, Kitchen Sink is aptly named, as Nadine Shah and longtime collaborator/producer Ben Hillier have crafted a wily and inventive collection of songs that pair astute social commentary with crisp, cosmopolitan arrangements drawing from a deep and intuitive arsenal of styles. The follow-up to Shah's Mercury Prize-nominated Holiday Destination, the 11-track set commences with the airy and funky "Club Cougar." Like its predecessor, the scathing "Ladies for Babies (Goats for Love)" is awash in wiggly beats, staccato horns, and flourishes of Tropicalia, with Shah's evocative lyrics and stately, confidant voice wryly and vividly parsing the relationship between sexism and fertility. Exploring the notion of what it means to be both a woman in your thirties and an outsider (Shah was born of Pakistani and Norwegian parentage), the sinewy title track's clanging guitars and strident piano mirror the narrator's insistence on combating cognitive bias with confidence -- it's a strut, not a sprint. There are echoes of Shah's bluesy, noir-pop past peppered throughout Kitchen Sink, most notably on the cinematic "Kite" and the sumptuous closer "Prayer Mat," but the overall vibe is as playful as it is rooted in emotional and societal discord. Like her sonic contemporaries PJ Harvey, Cate Le Bon, and Fiona Apple, Shah presents as a mystery wrapped in an enigma, when in reality she's just innately talented and resolute in her convictions. Unsurprisingly, the mesmerizing Kitchen Sink distills those two predilections into something that's both compelling and otherworldly.
© James Christopher Monger /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 11曲
- 合計収録時間 : 00:46:51
- メインアーティスト : ネイディーン・シャー
- 作曲家 : Various Composers
- レーベル : Infectious Music
- ジャンル： ポップス / ロック ロック オルタナティヴ＆インディー
© 2020 BMG Rights Management (UK) Limited trading as Infectious Music ℗ 2020 BMG Rights Management (UK) Limited trading as Infectious Music
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