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Tommaso Pratola|Ķeniņš: Symphonies Nos. 2, 3 & 7

Ķeniņš: Symphonies Nos. 2, 3 & 7

Andris Poga, Latvian National Symphony Orchestra

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Final volume in the first-ever complete recorded cycle of symphonies by Tālivaldis Ķeniņš (1919–2008), one of the most prominent post-WW2 composers in Latvia and Canada. This album includes three of the composer’s eight numbered symphonies performed by the Latvian National Symphony Orchestra under Andris Poga.

Although born in Latvia, Ķeniņš lived most of his life as an exile. He was educated in Paris, where he studied under Tony Aubin and Olivier Messiaen, and won several awards. Ķeniņš emigrated to Canada in 1951 and became a respected pedagogue and a very influential figure in Canada’s music life. Alongside his eight symphonies, the composer also wrote 12 concertos. However, he also included many concertante elements in his symphonies and the Symphony No. 2, “Sinfonia concertante” (1967), scored for three wind instruments and symphony orchestra, is very close to a triple concerto. The symphony’s extensive second movement is based on a lullaby of the Mi’kmaq First Nations people.

Symphony No. 3 (1970) was completed few years after its predecessor and is a step forward in the composer’s journey as a symphonist. Here we encounter the idea of a lyrical hero, which, in the ears of the listener, could be personified. Although many consider Kenins’ 8th Symphony to be his symphonic climax, the 7th Symphony (1980) is by no means a lesser work: it could be even considered as one of the composer’s most personal and intimate creations. The symphony ends with an aria based on a text by the composer’s father and the atmosphere of the work seems to stem from the composer’s emotional trauma on the occupation of his native Latvia by the Soviet troops. © Ondine

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Ķeniņš: Symphonies Nos. 2, 3 & 7

Tommaso Pratola

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Symphony No. 2 "Sinfonia concertante" (Talivaldis Kenins)

1
I. Lento
Tommaso Pratola
00:03:34

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist - Egils Upatnieks, Artist, MainArtist - Tommaso Pratola, Artist, MainArtist - Mārtiņš Circenis, Artist, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

2
II. Molto moderato
Tommaso Pratola
00:12:10

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist - Egils Upatnieks, Artist, MainArtist - Tommaso Pratola, Artist, MainArtist - Mārtiņš Circenis, Artist, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

3
III. Molto animato e marcato
Tommaso Pratola
00:04:02

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist - Egils Upatnieks, Artist, MainArtist - Tommaso Pratola, Artist, MainArtist - Mārtiņš Circenis, Artist, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

Symphony No. 3 (Talivaldis Kenins)

4
I. Allegro moderato
Latvian National Symphony Orchestra
00:04:59

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

5
II. Lento inquieto
Latvian National Symphony Orchestra
00:08:34

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

6
III. Molto animato e brioso
Latvian National Symphony Orchestra
00:05:54

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

Symphony No. 7 (Talivaldis Kenins)

7
I. Intrada
Latvian National Symphony Orchestra
00:03:21

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

8
II. Passacaglia
Latvian National Symphony Orchestra
00:08:03

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

9
III. Allegro molto
Latvian National Symphony Orchestra
00:03:46

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Andris Poga, Conductor, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

10
IV. Aria
Zanda Švēde
00:13:46

Latvian National Symphony Orchestra, Orchestra, MainArtist - Talivaldis Kenins, Composer - Atis Ķeniņš, Lyricist - Andris Poga, Conductor, MainArtist - Zanda Švēde, Artist, MainArtist

(C) 2022 Ondine (P) 2022 Ondine

アルバム·レビュー

Final volume in the first-ever complete recorded cycle of symphonies by Tālivaldis Ķeniņš (1919–2008), one of the most prominent post-WW2 composers in Latvia and Canada. This album includes three of the composer’s eight numbered symphonies performed by the Latvian National Symphony Orchestra under Andris Poga.

Although born in Latvia, Ķeniņš lived most of his life as an exile. He was educated in Paris, where he studied under Tony Aubin and Olivier Messiaen, and won several awards. Ķeniņš emigrated to Canada in 1951 and became a respected pedagogue and a very influential figure in Canada’s music life. Alongside his eight symphonies, the composer also wrote 12 concertos. However, he also included many concertante elements in his symphonies and the Symphony No. 2, “Sinfonia concertante” (1967), scored for three wind instruments and symphony orchestra, is very close to a triple concerto. The symphony’s extensive second movement is based on a lullaby of the Mi’kmaq First Nations people.

Symphony No. 3 (1970) was completed few years after its predecessor and is a step forward in the composer’s journey as a symphonist. Here we encounter the idea of a lyrical hero, which, in the ears of the listener, could be personified. Although many consider Kenins’ 8th Symphony to be his symphonic climax, the 7th Symphony (1980) is by no means a lesser work: it could be even considered as one of the composer’s most personal and intimate creations. The symphony ends with an aria based on a text by the composer’s father and the atmosphere of the work seems to stem from the composer’s emotional trauma on the occupation of his native Latvia by the Soviet troops. © Ondine

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