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De Labyrintho|Josquin: Musica symbolica

Josquin: Musica symbolica

De Labyrintho, Walter Testolin

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When this disc by De Labyrintho of Josquin's radiant Missa Gaudeamus was released in early 2006, there was only one other recording available: a 1997 recording by A Sei Voci. For listeners who had not already heard the earlier disc, the choice was tough. Both discs were astoundingly beautifully recorded, albeit in totally different ways: De Labyrintho's Stradivarius sound was clear and clean and deep, while A Sei Voci's Astree sound was rich and warm and full. Both performances were astonishingly well-sung, albeit again in totally different ways: the smaller De Labyrintho's performance was lean and pure and cool, while the larger A Sei Voci's performance was lush and plush and warm. Both interpretations were wholly and completely spiritual, with perhaps more sublimity in De Labyrintho's more devotional performance and possibly more humanity in A Sei Voci's more ritualized performance. For listeners who had heard the earlier disc, however, the choice was clear. With Josquin' luminous counterpoint and numinous harmonies performed in both cases with such obvious love and immense commitment, the only reasonable choice was both.

© TiVo

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Josquin: Musica symbolica

De Labyrintho

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Missa "Gaudeamus" (Josquin des Prés)

1
Kyrie
00:03:32

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

2
Gloria
00:06:47

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

3
Credo
00:11:46

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

4
Sanctus
00:07:18

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

5
Agnus Dei
00:06:33

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

Alma Redemptoris mater - Ave regina caelorum (Josquin des Prés)

6
Alma Redemptoris mater - Ave regina caelorum
00:05:19

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

Illibata Dei virgo nutrix/La mi la (Josquin des Prés)

7
Illibata Dei virgo nutrix - La mi la
00:07:31

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

Benedicta es, caelorum regina (Josquin des Prés)

8
Benedicta es, caelorum regina
00:06:24

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

Ut Phoebi radiis (Josquin des Prés)

9
Ut Phoebi radiis
00:05:33

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

Inviolata, integra et casta es (Josquin des Prés)

10
Inviolata, integra et casta es
00:03:10

Josquin des Prez, Composer - Walter Testolin, Conductor - De Labyrintho, Choir, MainArtist

(C) 2005 Stradivarius (P) 2005 Stradivarius

アルバム·レビュー

When this disc by De Labyrintho of Josquin's radiant Missa Gaudeamus was released in early 2006, there was only one other recording available: a 1997 recording by A Sei Voci. For listeners who had not already heard the earlier disc, the choice was tough. Both discs were astoundingly beautifully recorded, albeit in totally different ways: De Labyrintho's Stradivarius sound was clear and clean and deep, while A Sei Voci's Astree sound was rich and warm and full. Both performances were astonishingly well-sung, albeit again in totally different ways: the smaller De Labyrintho's performance was lean and pure and cool, while the larger A Sei Voci's performance was lush and plush and warm. Both interpretations were wholly and completely spiritual, with perhaps more sublimity in De Labyrintho's more devotional performance and possibly more humanity in A Sei Voci's more ritualized performance. For listeners who had heard the earlier disc, however, the choice was clear. With Josquin' luminous counterpoint and numinous harmonies performed in both cases with such obvious love and immense commitment, the only reasonable choice was both.

© TiVo

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