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Derek Lee Ragin|Italian Lute Songs

Italian Lute Songs

Derek Lee Ragin

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Lute songs and musical practice: the madrigal and monody The song for lute and vocalist was enormously popular in the sixteenth century. They were initially arranged from multi-voiced compositions with the singer performing the highest voice. The lutanist tried to reproduce all the other voices (as far as this was possible), adding ornamentation according to his own taste in order to give more body to the sound of the instrument. This practice was so successful that even well-known composers made arrangements. In 1536 for exam-ple, Adrian Willaert arranged twenty-two madrigals by Philippe Verdelot for lute and voice. In 1530 the term "madrigal" was first used for a composition by Verdelot. Within a short time this new musical genre spread throughout Italian territories. The madrigal was developed in reaction to other types of multi-voiced songs like the frottola. Its most significant innovations were the use of serious texts that were chosen, its free form and polyphonic texture. There is a strong tendency in Verdelot's madrigals towards vertical harmonic structures, but they may also have an imitative character. The texture of most madrigals lies somewhere between these two extremes, a mixed form described by musicologist Alfred Einstein as "polyphonically animated homophony". Although most composers at the time preferred the texts of Petrarch, Verdelot made grateful use of the works of his contemporaries, for example Martelli: "Donna che sette tra belle bella" and "Con l'Angelico riso"...

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Italian Lute Songs

Derek Lee Ragin

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1
Intavolatura de li madrigali: No. 13, Madonna il tuo bel viso
Derek Lee Ragin
00:02:50

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

2
Intavolatura de li madrigali: No. 19, Con langelico riso
Derek Lee Ragin
00:01:08

Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist - Niccolò Martelli, Lyricist

1992 Channel Classics Records 1992 Channel Classics Records

3
Intavolatura de li madrigali: No. 10, Se mai provasti donna
Derek Lee Ragin
00:01:06

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

4
Ricercar (I)
Peter Croton
00:01:21

Anonymous, Composer - Copyright Control, MusicPublisher - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

5
Intavolatura de li madrigali: No. 9, Donna che sete tra le belle bella
Derek Lee Ragin
00:01:27

Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist - Niccolò Martelli, Lyricist

1992 Channel Classics Records 1992 Channel Classics Records

6
Intavolatura de li madrigali: No. 12, Ben chel'misero cor
Derek Lee Ragin
00:01:48

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

7
Intavolatura de li madrigali: No. 6, Fuggi fuggi cor moi
Derek Lee Ragin
00:01:08

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Philippe Verdelot, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

8
Ricercar (II)
Peter Croton
00:02:49

Anonymous, Composer - Copyright Control, MusicPublisher - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

9
Ricercar (III)
Peter Croton
00:01:16

Anonymous, Composer - Copyright Control, MusicPublisher - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

10
Ricercar (IV)
Peter Croton
00:03:12

Copyright Control, MusicPublisher - Francesco da Milano, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

11
Arie e canzoni in musica: Zefiro torno
Derek Lee Ragin
00:01:13

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

12
Arie e canzoni in musica: Poichè l mio largo pianto
Derek Lee Ragin
00:01:29

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

13
Arie e canzoni in musica: Chi mi sente cantar
Derek Lee Ragin
00:01:29

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

14
Arie e canzoni in musica: Qual fattura
Derek Lee Ragin
00:01:32

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

15
Arie e canzoni in musica: Il Medesimo
Derek Lee Ragin
00:02:05

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

16
Arie e canzoni in musica: Mentre donna real nobil e bella
Derek Lee Ragin
00:01:31

Anonymous, Lyricist - Copyright Control, MusicPublisher - Derek Lee Ragin, MainArtist - Cosimo Bottegari, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

17
Praeludium
Peter Croton
00:01:42

Copyright Control, MusicPublisher - Peter Croton, MainArtist - Laurencini da Roma, Composer

1992 Channel Classics Records 1992 Channel Classics Records

18
Courante
Peter Croton
00:01:45

Copyright Control, MusicPublisher - Peter Croton, MainArtist - Laurencini da Roma, Composer

1992 Channel Classics Records 1992 Channel Classics Records

19
Le musiche da cantar: No. 16, Cruda Amarilli
Derek Lee Ragin
00:02:16

Copyright Control, MusicPublisher - Sigismondo D'India, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist - Giovanni Battista Guarini, Lyricist

1992 Channel Classics Records 1992 Channel Classics Records

20
Le musiche da cantar: No. 4, Io son nel duol si vinto
Derek Lee Ragin
00:02:14

Anonymous, Lyricist - Copyright Control, MusicPublisher - Sigismondo D'India, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

21
Le musiche da cantar: No. 1, Cara mia cetr' andianne
Derek Lee Ragin
00:01:45

Anonymous, Lyricist - Copyright Control, MusicPublisher - Sigismondo D'India, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

22
Le musiche da cantar: No. 5, Intenerite voi lagrime mie
Derek Lee Ragin
00:02:24

Copyright Control, MusicPublisher - Sigismondo D'India, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist - Ottavio Rinuccini, Lyricist

1992 Channel Classics Records 1992 Channel Classics Records

23
Intavolatura di liuto et di chitarrone, Pt. 1: Toccata XXIV
Peter Croton
00:01:35

Copyright Control, MusicPublisher - Alessandro Piccinini, Composer - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

24
Arie musicali, libro 2: No. 9, Aria a voce sola, F 7.32, "A miei pianti al fine un dì"
Derek Lee Ragin
00:02:20

Anonymous, Lyricist - Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

25
Arie musicali, libro 1: No. 7, Aria di Romanesca, F 7.07, "Dunque dovrò del puro servir mio"
Derek Lee Ragin
00:02:46

Anonymous, Lyricist - Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

26
Arie musicali, libro 1: No. 15, Aria, F 7.15, "Se l'aura spira tutta vezzosa"
Derek Lee Ragin
00:01:07

Anonymous, Lyricist - Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

27
Arie musicali, libro 2: No. 10, Aria a voce sola, F 7.33, "O mio cor, dolce mia vita"
Derek Lee Ragin
00:02:30

Anonymous, Lyricist - Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

28
Arie musicali, libro 1: No. 16, Aria di Passagaglia, F 7.16, "Così mi disprezzate"
Derek Lee Ragin
00:03:01

Anonymous, Lyricist - Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Derek Lee Ragin, MainArtist - Peter Croton, MainArtist

1992 Channel Classics Records 1992 Channel Classics Records

アルバム·レビュー

Lute songs and musical practice: the madrigal and monody The song for lute and vocalist was enormously popular in the sixteenth century. They were initially arranged from multi-voiced compositions with the singer performing the highest voice. The lutanist tried to reproduce all the other voices (as far as this was possible), adding ornamentation according to his own taste in order to give more body to the sound of the instrument. This practice was so successful that even well-known composers made arrangements. In 1536 for exam-ple, Adrian Willaert arranged twenty-two madrigals by Philippe Verdelot for lute and voice. In 1530 the term "madrigal" was first used for a composition by Verdelot. Within a short time this new musical genre spread throughout Italian territories. The madrigal was developed in reaction to other types of multi-voiced songs like the frottola. Its most significant innovations were the use of serious texts that were chosen, its free form and polyphonic texture. There is a strong tendency in Verdelot's madrigals towards vertical harmonic structures, but they may also have an imitative character. The texture of most madrigals lies somewhere between these two extremes, a mixed form described by musicologist Alfred Einstein as "polyphonically animated homophony". Although most composers at the time preferred the texts of Petrarch, Verdelot made grateful use of the works of his contemporaries, for example Martelli: "Donna che sette tra belle bella" and "Con l'Angelico riso"...

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