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Bill Evans With Freddie Hubbard, Percy Heath, Jim Hall, Philly Joe Jones

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Interplay stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. It was recorded in July 1962 with a very young Freddie Hubbard from the Jazz Messengers, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards. Evans has a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. On this program of standards, however, Hubbard slips into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads.

© Thom Jurek /TiVo

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1
あなたと夜と音楽と (Album Version)
ビル・エヴァンス・トリオ
00:07:02

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Howard Dietz, ComposerLyricist - Arthur Schwartz, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Riverside, Inc.

2
星に願いを (Album Version)
ビル・エヴァンス・トリオ
00:05:42

Bill Evans, Piano, AssociatedPerformer - Ned Washington, ComposerLyricist - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Leigh Harline, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

3
アイル・ネヴァー・スマイル・アゲイン (Take 7)
ビル・エヴァンス・トリオ
00:06:30

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Ruth Lowe, ComposerLyricist - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

4
アイル・ネヴァー・スマイル・アゲイン (Take 6)
ビル・エヴァンス・トリオ
00:06:36

Ruth Lowe, ComposerLyricist - Bill Evans Quintet, MainArtist

℗ 1987 Fantasy, Inc.

5
インタープレイ (Album Version)
ビル・エヴァンス・トリオ
00:08:10

Bill Evans, Composer, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

6
ユー・ゴー・トゥ・マイ・ヘッド (Album Version)
ビル・エヴァンス・トリオ
00:05:01

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - J. Fred Coots, ComposerLyricist - Haven Gillespie, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

7
苦しみを夢に隠して (Album Version)
ビル・エヴァンス・トリオ
00:06:21

Bill Evans, Piano, AssociatedPerformer - Ted Koehler, ComposerLyricist - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Billy Moll, ComposerLyricist - Harry Barris, ComposerLyricist - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

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Interplay stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. It was recorded in July 1962 with a very young Freddie Hubbard from the Jazz Messengers, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards. Evans has a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. On this program of standards, however, Hubbard slips into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads.

© Thom Jurek /TiVo

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