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Deafheaven|Infinite Granite

Infinite Granite

Deafheaven

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対応言語:英語

Sometimes you have to destroy something in order to rebuild it better. At the risk of confusing their most fiercely devoted fans, Deafheaven decided to cut some of the most savage ingredients that helped forge their identity to focus more on dreamy pop sounds. Airy guitars and synth layers take precedence over the saturated sounds which, although they remain present, often punctuate a gradual rise in tension towards the end of the track in the manner of post-rock bands. A finely crafted work that allows the Californian combo to take a deep breath while offering an image that hasn't changed that radically. After all, didn't musicians already draw on these ethereal sounds to create their famous blackgaze of the past?

Even if the instruments remain identifiable, it is the vocal work that definitively marks the break with their previous albums. A clear voice has taken over from the screams worthy of the greatest black metal bands, which have finished by fading away except for two or three intense moments when they erupt. This brings back this visceral side to Deafheaven's music, as at the end of Great Mass of Color, of Villain and of the fabulous Mombasa of which the finale, we would say, revives the drums and guitars worthy of their 2013 SunbatherInfinite Granite may disturb some purists, but it remains a magnificent journey to the frontiers of shoegaze and dream pop taken by a band in full possession of its abilities, and which takes responsibility for its choices to deliver an album full of nuances. A success. © Chief Brody/Qobuz

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Infinite Granite

Deafheaven

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Shellstar
00:06:06

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

2
In Blur
00:05:29

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

3
Great Mass of Color
00:06:00

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

4
Neptune Raining Diamonds
00:03:05

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

5
Lament for Wasps
00:07:08

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

6
Villain
00:05:41

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

7
The Gnashing
00:05:34

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

8
Other Language
00:06:10

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

9
Mombasa
00:08:17

Deafheaven, MainArtist - George Lesage Clarke, Composer, Writer - Kerry Dylan McCoy, Composer, Writer - Shiv Mehra, Composer, Writer - Christopher Paul Johnson, Composer, Writer - Daniel Jordan Tracy, Composer, Writer

© 2021 Deafheaven under exclusive license to Sargent House ℗ 2021 Deafheaven under exclusive license to Sargent House

アルバム·レビュー

Sometimes you have to destroy something in order to rebuild it better. At the risk of confusing their most fiercely devoted fans, Deafheaven decided to cut some of the most savage ingredients that helped forge their identity to focus more on dreamy pop sounds. Airy guitars and synth layers take precedence over the saturated sounds which, although they remain present, often punctuate a gradual rise in tension towards the end of the track in the manner of post-rock bands. A finely crafted work that allows the Californian combo to take a deep breath while offering an image that hasn't changed that radically. After all, didn't musicians already draw on these ethereal sounds to create their famous blackgaze of the past?

Even if the instruments remain identifiable, it is the vocal work that definitively marks the break with their previous albums. A clear voice has taken over from the screams worthy of the greatest black metal bands, which have finished by fading away except for two or three intense moments when they erupt. This brings back this visceral side to Deafheaven's music, as at the end of Great Mass of Color, of Villain and of the fabulous Mombasa of which the finale, we would say, revives the drums and guitars worthy of their 2013 SunbatherInfinite Granite may disturb some purists, but it remains a magnificent journey to the frontiers of shoegaze and dream pop taken by a band in full possession of its abilities, and which takes responsibility for its choices to deliver an album full of nuances. A success. © Chief Brody/Qobuz

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