カテゴリー:
かご 0

かごは空です

Frankie Armstrong|I Heard A Woman Singing

I Heard A Woman Singing

Frankie Armstrong

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

Problem number one is musical: Frankie Armstrong is a British folk singer blessed with a strong, clear, supple voice, and she's well aware of the quality of her instrument. Unfortunately, she seems to have but one trick in her interpretive bag, and that trick is overkill. Every song is delivered at a volume somewhere between mezzoforte and fortissimo, and at an emotional pitch somewhere between seething frustration and barely contained rage. "Nothing Between Us Now" is a harangue aimed petulantly at a faithless lover; James Taylor's "Millworker" is a protest song hammered out with all the subtlety of a picket chant; even the potentially gorgeous "Tam Lin" is beaten soundly about the head and shoulders by that strong, clear, supple voice. You find yourself straining to hear the songs through the singer. Problem number two is gender-political: though this is supposed to be an album dealing with women's issues, that expectation is only borne out if you believe that women's issues begin and end with the shallowness, inconstancy and treachery of men. This record doesn't really seem to be about women at all -- it's about the men who leave them, the men who exploit and abuse them, the men who make them have babies, and the men who are so inconsiderate as to drink themselves to death and leave their wives with the babies they made them have. Men do all of those things, of course, and there's nothing the matter with saying so. But one might be forgiven for wondering if there isn't more than one side to the stories told in these songs, or whether all of the shallowness, inconstancy and treachery is really so uniformly distributed to one side of the sexual faultline. Ultimately, that nagging question ends up distracting as much from the music on this album as Frankie Armstrong's bludgeoning delivery does.

© Rick Anderson /TiVo

詳細はこちら

I Heard A Woman Singing

Frankie Armstrong

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Cattle Call
00:01:41

Traditional, ComposerLyricist - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

2
Mr. Fox
00:04:10

Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Michael Cogan, Producer, Recording Producer - John Pole, ComposerLyricist - Terry Yarnell, ComposerLyricist

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

3
Come Geordie, Hold The Bairn
00:02:36

Jody Stecher, Mandolin, AssociatedPerformer - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Leon Rosselson, Guitar, AssociatedPerformer - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Michael Cogan, Producer, Recording Producer - Jo Wilson, ComposerLyricist

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

4
My Daughter, My Son
00:02:58

Jonathan Wyner, Mastering Engineer, StudioPersonnel - Leon Rosselson, Guitar, AssociatedPerformer, ComposerLyricist - Roy Bailey, Vocals, AssociatedPerformer - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

5
Nothing Between Us Now
00:04:11

Sandra Kerr, ComposerLyricist - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Michael Cogan, Producer, Recording Producer - John Pole, ComposerLyricist

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

6
New Boots
00:02:18

Jonathan Wyner, Mastering Engineer, StudioPersonnel - Leon Rosselson, Guitar, Vocals, AssociatedPerformer - Nancy Nicholson, ComposerLyricist - Roy Bailey, Vocals, AssociatedPerformer - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

7
Millworker
00:03:09

JAMES TAYLOR, ComposerLyricist - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Leon Rosselson, Guitar, AssociatedPerformer - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bill Amatneek, Upright Bass, AssociatedPerformer - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

8
Lady Margaret
00:01:55

Jody Stecher, Fiddle, AssociatedPerformer - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Brian Pearson, ComposerLyricist - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bill Amatneek, Upright Bass, AssociatedPerformer - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

9
Tam Lin
00:07:32

Traditional, ComposerLyricist - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

10
Taken By Surprise
00:02:58

Jody Stecher, Sarod, AssociatedPerformer - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

11
The Ballad Of Erica Levine
00:03:43

Jody Stecher, Guitar, Mandolin, Fiddle, AssociatedPerformer - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bill Amatneek, Upright Bass, AssociatedPerformer - Michael Cogan, Producer, Recording Producer - Bob Blue, ComposerLyricist

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

12
I Don't Want Your Red, Red Roses
00:02:30

Jody Stecher, Guitar, Mandolin, Fiddle, AssociatedPerformer - Jonathan Wyner, Mastering Engineer, StudioPersonnel - Leon Rosselson, ComposerLyricist - Frankie Armstrong, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bill Amatneek, Upright Bass, AssociatedPerformer - Michael Cogan, Producer, Recording Producer

℗ 1998 Rounder Records, a division of Concord Music Group, Inc.

アルバム·レビュー

Problem number one is musical: Frankie Armstrong is a British folk singer blessed with a strong, clear, supple voice, and she's well aware of the quality of her instrument. Unfortunately, she seems to have but one trick in her interpretive bag, and that trick is overkill. Every song is delivered at a volume somewhere between mezzoforte and fortissimo, and at an emotional pitch somewhere between seething frustration and barely contained rage. "Nothing Between Us Now" is a harangue aimed petulantly at a faithless lover; James Taylor's "Millworker" is a protest song hammered out with all the subtlety of a picket chant; even the potentially gorgeous "Tam Lin" is beaten soundly about the head and shoulders by that strong, clear, supple voice. You find yourself straining to hear the songs through the singer. Problem number two is gender-political: though this is supposed to be an album dealing with women's issues, that expectation is only borne out if you believe that women's issues begin and end with the shallowness, inconstancy and treachery of men. This record doesn't really seem to be about women at all -- it's about the men who leave them, the men who exploit and abuse them, the men who make them have babies, and the men who are so inconsiderate as to drink themselves to death and leave their wives with the babies they made them have. Men do all of those things, of course, and there's nothing the matter with saying so. But one might be forgiven for wondering if there isn't more than one side to the stories told in these songs, or whether all of the shallowness, inconstancy and treachery is really so uniformly distributed to one side of the sexual faultline. Ultimately, that nagging question ends up distracting as much from the music on this album as Frankie Armstrong's bludgeoning delivery does.

© Rick Anderson /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストFrankie Armstrongによる

Till the Grass O'ergrew the Corn

Frankie Armstrong

Tam Lin

Frankie Armstrong

Tam Lin Frankie Armstrong

Cats of Coven Lawn

Frankie Armstrong

Cats of Coven Lawn Frankie Armstrong

Songs and Ballads

Frankie Armstrong

Songs and Ballads Frankie Armstrong

The Garden of Love

Frankie Armstrong

The Garden of Love Frankie Armstrong

プレイリスト

こちらもおすすめ...

Greatest Hits

トレイシー・チャップマン

Greatest Hits トレイシー・チャップマン

You're the One

Rhiannon Giddens

You're the One Rhiannon Giddens

Tracy Chapman

トレイシー・チャップマン

Tracy Chapman トレイシー・チャップマン

Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert

キャット・パワー

Cape Forestier

アンガス&ジュリア・ストーン

Cape Forestier アンガス&ジュリア・ストーン