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モリッシー|I Am Not a Dog on a Chain

I Am Not a Dog on a Chain

MORRISSEY

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"I do not read newspapers, they are troublemakers," sings Morrissey on the title track of I Am Not a Dog on a Chain, echoing the sentiment he laid bare on "Spent the Day in Bed," the first single pulled from 2017's Low in High School, which was his last album of original material prior to this 2020 set. Morrissey is working once again with Joe Chiccarelli -- the pair struck up a collaboration back in 2014 with World Peace Is None of Your Business -- and picking up the threads they left hanging on Low in High School, pushing the sounds and ideas that hovered in the margins into the center. The shift is apparent when "Jim Jim Falls" kicks off the album with a frenetic electronic squawk, the funkiest -- and synthiest -- sound to be heard on a Morrissey album in many years, if not ever. The rest of I Am Not a Dog on a Chain follows suit, with Morrissey pushing his rhythms hard and embracing a bevy of adventurous, steely, and ornate textures, not to mention extending an invitation to Thelma Houston -- the disco queen known for "Don't Leave Me This Way" -- to wail on "Bobby, Don't You Think They Know." Occasionally, he slides into familiar territory -- "What Kind of People Live in These Houses" revives a Smiths-ian jangle -- but these tracks almost feel like mile markers left to illustrate how far the rest of the album wanders. This aural rush is so bracing, it nearly disguises how I Am Not a Dog on a Chain showcases a Morrissey who seems comfortable in his role as a cantankerous curmudgeon taking jabs at former allies. Set aside this inclination toward sneering solipsism, which not only characterizes but enlivens nearly every song, and I Am Not a Dog on a Chain is one of the better latter-day Morrissey records: the sense of musical daring reveals how placid and complacent he's been for the better part of a decade.

© Stephen Thomas Erlewine /TiVo

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I Am Not a Dog on a Chain

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1
Jim Jim Falls
00:03:44

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer, Drum Programmer - Matt Walker, Drums - Bill Mims, Engineer - Ken Sluiter, Engineer - Roger Manning Jr., Synthesizer - Jesse Tobias, Composer, Electric Guitar, Writer, Electric Sitar - Michael Daly, Composer, Writer - Mando Lopez, Bass, Additional Bass - Maxime Le Guil, Engineer - Gustavo Manzur, Acoustic Piano - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

2
Love Is on Its Way Out
00:03:14

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums - Bill Mims, Engineer - Ken Sluiter, Engineer - Roger Manning Jr., Mellotron - Jesse Tobias, Electric Guitar - Mando Lopez, Bass, Additional Bass - Maxime Le Guil, Engineer - Gustavo Manzur, Composer, Backing Vocals, Writer, Drum Programmer, Synthesizer - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer - Kaia Manzur, Backing Vocals

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

3
Bobby, Don't You Think They Know?
00:05:46

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Boz Boorer, Saxophone - Ken Sluiter, Engineer - Roger Manning Jr., Synthesizer - Thelma Houston, Backing Vocals - Jesse Tobias, Electric Guitar - Mando Lopez, Bass Guitar - Maxime Le Guil, Engineer - Gustavo Manzur, Writer, Acoustic Piano - Dave Ralicke, Saxophone - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

4
I Am Not a Dog on a Chain
00:03:52

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Boz Boorer, Acoustic Guitar - Ken Sluiter, Engineer - Roger Manning Jr., Synthesizer - Jesse Tobias, Composer, Electric Guitar, Writer - Mando Lopez, Bass Guitar - Maxime Le Guil, Engineer - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

5
What Kind of People Live in These Houses?
00:03:41

Victor Indrizzo, Drums - Sean Hurley, Bass Guitar - Emily Lazar, Engineer - MORRISSEY, Composer, Vocals, Writer, MainArtist - Greg Leisz, Pedal Steel Guitar - Joe Chiccarelli, Producer, Engineer - Matt Walker, Percussion - Bill Mims, Engineer - Ken Sluiter, Engineer - Roger Manning Jr., Backing Vocals, Synthesizer - Jesse Tobias, Composer, Acoustic Guitar, Electric Guitar, Writer - Maxime Le Guil, Engineer - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

6
Knockabout World
00:03:25

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Ken Sluiter, Engineer - Steve Aho, Conductor, Arranger, Performance, Contractor - Roger Manning Jr., Composer, String Arranger, Backing Vocals, Writer, Arrangement Horn, Synthesizer - Jesse Tobias, Composer, Guitar, Electric Guitar, Writer - Pavel Ridosko, Engineer - Michael Daly, Composer, Writer - Mando Lopez, Bass Guitar - Maxime Le Guil, Engineer - Gustavo Manzur, Synthesizer - Czech Film Orchestra, Orchestra - Chris Allgood, Assistant Masterer - Roman Sklenar, Engineer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

7
Darling, I Hug a Pillow
00:04:47

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Boz Boorer, Electric Guitar - Ken Sluiter, Engineer - Danny Levin, Trumpet - Jesse Tobias, Electric Guitar - Mando Lopez, Composer, Bass Guitar, Writer - Maxime Le Guil, Engineer - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer - Sally Chae, Backing Vocals

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

8
Once I Saw the River Clean
00:04:19

Mike Daly, Drum Programmer - Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums - Bill Mims, Engineer - Boz Boorer, Acoustic Guitar, Mandolin - Ken Sluiter, Engineer - Roger Manning Jr., Synthesizer - Bridget Regan, Fiddle - Jesse Tobias, Composer, Electric Guitar, Writer - Michael Daly, Composer, Writer - Mando Lopez, Bass Guitar - Maxime Le Guil, Engineer - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

9
The Truth About Ruth
00:03:45

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Boz Boorer, Mandolin, Zither - Ken Sluiter, Engineer - Roger Manning Jr., Organ - Jesse Tobias, Electric Guitar - Maxime Le Guil, Engineer - Gustavo Manzur, Composer, Writer, Acoustic Piano - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

10
The Secret of Music
00:07:52

Harold Spiro, Composer, Writer - Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer, Drum Programmer, Synthesizer - Matt Walker, Drums - Bill Mims, Engineer - Boz Boorer, Clarinet - Ken Sluiter, Engineer - Roger Manning Jr., Synthesizer - Valerie Murtagh, Composer, Writer - Jesse Tobias, Electric Guitar - Mando Lopez, Composer, Writer - Maxime Le Guil, Engineer - Gustavo Manzur, Accordion - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer - Andrea Bulletti, Composer, Guitar, Writer

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

11
My Hurling Days Are Done
00:05:01

Emily Lazar, Engineer - MORRISSEY, Vocals, Writer, MainArtist - Joe Chiccarelli, Producer, Engineer, Drum Programmer - Matt Walker, Drums, Percussion - Bill Mims, Engineer - Boz Boorer, Acoustic Guitar - Ken Sluiter, Engineer - Roger Manning Jr., Backing Vocals, Synthesizer, Acoustic Piano - Jesse Tobias, Composer, Acoustic Guitar, Electric Guitar, Writer - Michael Daly, Composer, Writer - Mando Lopez, Bass Guitar - Maxime Le Guil, Engineer - Gustavo Manzur, Mellotron - Chris Allgood, Assistant Masterer - Nate Haessly, Engineer - Zac Zajdel, Engineer - Glendale Tab & Apple Choir, Choir

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

アルバム·レビュー

"I do not read newspapers, they are troublemakers," sings Morrissey on the title track of I Am Not a Dog on a Chain, echoing the sentiment he laid bare on "Spent the Day in Bed," the first single pulled from 2017's Low in High School, which was his last album of original material prior to this 2020 set. Morrissey is working once again with Joe Chiccarelli -- the pair struck up a collaboration back in 2014 with World Peace Is None of Your Business -- and picking up the threads they left hanging on Low in High School, pushing the sounds and ideas that hovered in the margins into the center. The shift is apparent when "Jim Jim Falls" kicks off the album with a frenetic electronic squawk, the funkiest -- and synthiest -- sound to be heard on a Morrissey album in many years, if not ever. The rest of I Am Not a Dog on a Chain follows suit, with Morrissey pushing his rhythms hard and embracing a bevy of adventurous, steely, and ornate textures, not to mention extending an invitation to Thelma Houston -- the disco queen known for "Don't Leave Me This Way" -- to wail on "Bobby, Don't You Think They Know." Occasionally, he slides into familiar territory -- "What Kind of People Live in These Houses" revives a Smiths-ian jangle -- but these tracks almost feel like mile markers left to illustrate how far the rest of the album wanders. This aural rush is so bracing, it nearly disguises how I Am Not a Dog on a Chain showcases a Morrissey who seems comfortable in his role as a cantankerous curmudgeon taking jabs at former allies. Set aside this inclination toward sneering solipsism, which not only characterizes but enlivens nearly every song, and I Am Not a Dog on a Chain is one of the better latter-day Morrissey records: the sense of musical daring reveals how placid and complacent he's been for the better part of a decade.

© Stephen Thomas Erlewine /TiVo

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© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

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