カテゴリー:
かご 0

かごは空です

Mike Silver|Heaven in Mind

Heaven in Mind

Mike Silver

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

There is something to be said for directness in songwriting. As much as obscure metaphors and abstract imagery can be intriguing, it can be nice to have a clear statement, easily understood, to give concrete direction and purpose to the listener. However, it can also go too far. On Heaven in Mind, British singer/songwriter Mike Silver, who's been in the business since the '70s, is oftentimes so focused on conveying his actual message that he forgets that there needs to be something interesting for his audience to grab onto. It doesn't help that in the liner notes to the album, Silver adds brief explanations about where each piece came from and what it means, as if the lyrics and titles weren't enough ("Doesn't mean that he's not wishing/That he could say in terms she'll comprehend/The fundamental differences/That exist between some women and some men," he explains in "Who Wants to Be the One"?). And Silver's neither country nor folky enough that his storytelling or openness can come across as simply a characteristic of the genre; it just sounds campy, and it gets annoying rather quickly. However, the songs in which Silver explores bluesier territory, like "Midnight Train," "Main Man's Ear," or even his cover of "Love Potion No. 9" (which is pretty good, like something that could've been found on a Clapton Unplugged album), his straightforward style works a lot better, and it doesn't come across as excessive. It also helps that while these songs, like everything else on Heaven in Mind, are quite cleanly produced, they're also lacking the strings and layered acoustic guitars found on much of the rest of the record that's so adult contemporary and nearly lifeless. Silver has a nice voice, and he knows how to make a well-composed song with familiar melodies, and the guitar playing, especially the interplay between him and Chris Jones, is great, but his attempts to write lyrics that everyone can understand get in the way of his music and end up hurting the overall effect of the album.

© Marisa Brown /TiVo

詳細はこちら

Heaven in Mind

Mike Silver

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Heaven
00:04:41

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

2
Who Wants to Be the One?
00:04:06

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

3
Wrong Side of Midnight
00:03:04

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

4
Fly Me to the Moon / Unchained Melody
00:04:44

Bart Howard, Composer, Lyricist - Alex North, Composer, Lyricist - HY ZARET, Composer, Lyricist - Mike Silver, MainArtist - Hampshire-House Publ. Corp., Hzum Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

5
Love Potion No. 9
00:03:00

Jed Leiber, Composer, Lyricist - Mike Silver, MainArtist - TCF Music Publishing Inc, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

6
Breaking the Silence
00:05:17

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

7
Midnight Train
00:03:47

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

8
You
00:03:38

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

9
The Dove and the Dolphin
00:05:39

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

10
Main Man's Ear
00:04:17

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

11
Maybe It's Just Love
00:04:14

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

12
Waiting in Your Heart
00:04:01

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

13
Tumble of Love
00:05:49

Mike Silver, Composer, Lyricist, MainArtist - Faymusic Publishing, MusicPublisher

2005 Stockfisch-Records 2005 Stockfisch-Records

アルバム·レビュー

There is something to be said for directness in songwriting. As much as obscure metaphors and abstract imagery can be intriguing, it can be nice to have a clear statement, easily understood, to give concrete direction and purpose to the listener. However, it can also go too far. On Heaven in Mind, British singer/songwriter Mike Silver, who's been in the business since the '70s, is oftentimes so focused on conveying his actual message that he forgets that there needs to be something interesting for his audience to grab onto. It doesn't help that in the liner notes to the album, Silver adds brief explanations about where each piece came from and what it means, as if the lyrics and titles weren't enough ("Doesn't mean that he's not wishing/That he could say in terms she'll comprehend/The fundamental differences/That exist between some women and some men," he explains in "Who Wants to Be the One"?). And Silver's neither country nor folky enough that his storytelling or openness can come across as simply a characteristic of the genre; it just sounds campy, and it gets annoying rather quickly. However, the songs in which Silver explores bluesier territory, like "Midnight Train," "Main Man's Ear," or even his cover of "Love Potion No. 9" (which is pretty good, like something that could've been found on a Clapton Unplugged album), his straightforward style works a lot better, and it doesn't come across as excessive. It also helps that while these songs, like everything else on Heaven in Mind, are quite cleanly produced, they're also lacking the strings and layered acoustic guitars found on much of the rest of the record that's so adult contemporary and nearly lifeless. Silver has a nice voice, and he knows how to make a well-composed song with familiar melodies, and the guitar playing, especially the interplay between him and Chris Jones, is great, but his attempts to write lyrics that everyone can understand get in the way of his music and end up hurting the overall effect of the album.

© Marisa Brown /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストMike Silverによる

Heaven in Mind

Mike Silver

Heaven in Mind Mike Silver

プレイリスト

こちらもおすすめ...

Come Away With Me

ノラ・ジョーンズ

Come Away With Me ノラ・ジョーンズ

Crime Of The Century [2014 - HD Remaster]

スーパートランプ

Radical Optimism

Dua Lipa

Radical Optimism Dua Lipa

Liberty

Anette Askvik

Liberty Anette Askvik

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

テイラー・スウィフト

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY テイラー・スウィフト