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アッカデーミア・ビザンティーナ|Haydn: Symphonies 78, 79, 80, 81

Haydn: Symphonies 78, 79, 80, 81

Accademia Bizantina, Ottavio Dantone

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Historically informed performances of the symphonies of Franz Joseph Haydn are increasingly available, albeit on an irregular basis, but it's surprising to find that two of the symphonies have received their first period instrument recordings on this 2016 release from Decca. While period versions of the Symphony No. 78 in C minor and the Symphony No. 80 in D minor have been recorded before, notably by Roy Goodman and the Hanover Band, the only other available period versions of the Symphony No. 79 in F major and the Symphony No. 81 in G major are in concert footage of Christopher Hogwood and the Academy of Ancient Music on YouTube. This double CD of recordings by Ottavio Dantone and the Accademia Bizantina are part of a projected Haydn symphony set, so these somewhat overlooked pieces at least have coverage for the sake of the collection. But the sound of Accademia Bizantina is not especially distinctive for a period performance, insofar as the strings are fairly bland and homogeneous in tone, lacking any glossiness or transparency, and the authentic woodwinds and horns don't stand out vividly enough to make the music much different than a conventional modern performance. While this ensemble is noted for its many recordings of Baroque music, it doesn't seem to have the right balance, blend, and feeling for Classical music, and this Haydn two-fer is unlikely to attract HIP aficionados.

© TiVo

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Haydn: Symphonies 78, 79, 80, 81

アッカデーミア・ビザンティーナ

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Symphony No. 78 in C Minor, Hob.I:78 - Edited H.C.Robbins Landon (ヨーゼフ・ハイドン)

1
1. Vivace
00:08:02

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

2
2. Adagio
00:09:25

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

3
3. Menuetto (Allegretto)
00:03:59

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

4
4. Finale (Presto)
00:03:50

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

Symphony No. 79 in F Major, Hob.I:79 - Edited H.C. Robbins Landon (ヨーゼフ・ハイドン)

5
1. Allegro con spirito
00:09:10

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

6
2. Adagio cantabile - Un poco allegro
00:05:58

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

7
3. Menuetto (Allegretto)
00:04:00

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

8
4. Finale (Vivace)
00:04:46

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

Symphony No. 80 in D Minor, Hob.I:80 - Edited H.C. Robbins Landon (ヨーゼフ・ハイドン)

9
1. Allegro spiritoso
00:05:09

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

10
2. Adagio
00:10:27

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

11
3. Menuetto
00:03:21

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

12
4. Finale (Presto)
00:07:12

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

Symphony No. 81 in G Major, Hob.I:81 - Edited H.C. Robbins Landon (ヨーゼフ・ハイドン)

13
1. Vivace
00:09:26

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

14
2. Andante
00:07:36

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

15
3. Menuetto - Allegro
00:04:24

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

16
4. Finale - Allegro ma non troppo
00:06:53

Joseph Haydn, Composer - Roberto Chinellato, Recording Engineer, StudioPersonnel - Fabio Framba, Producer, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - H.C. Robbins Landon, Contributor, Work Editor

℗ 2016 Accademia Bizantina

アルバム·レビュー

Historically informed performances of the symphonies of Franz Joseph Haydn are increasingly available, albeit on an irregular basis, but it's surprising to find that two of the symphonies have received their first period instrument recordings on this 2016 release from Decca. While period versions of the Symphony No. 78 in C minor and the Symphony No. 80 in D minor have been recorded before, notably by Roy Goodman and the Hanover Band, the only other available period versions of the Symphony No. 79 in F major and the Symphony No. 81 in G major are in concert footage of Christopher Hogwood and the Academy of Ancient Music on YouTube. This double CD of recordings by Ottavio Dantone and the Accademia Bizantina are part of a projected Haydn symphony set, so these somewhat overlooked pieces at least have coverage for the sake of the collection. But the sound of Accademia Bizantina is not especially distinctive for a period performance, insofar as the strings are fairly bland and homogeneous in tone, lacking any glossiness or transparency, and the authentic woodwinds and horns don't stand out vividly enough to make the music much different than a conventional modern performance. While this ensemble is noted for its many recordings of Baroque music, it doesn't seem to have the right balance, blend, and feeling for Classical music, and this Haydn two-fer is unlikely to attract HIP aficionados.

© TiVo

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