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Il Gardellino|Handel: Dixit Dominus - Ferrandini: Il pianto di Maria

Handel: Dixit Dominus - Ferrandini: Il pianto di Maria

Deborah Cachet, Sophie Rennert & Rachel Redmond

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対応言語:英語

Few will dispute George Friderick Handel being one of the most accomplished composers of the Classical era, but it should also be noted he possessed to an equal degree, a perhaps less-than-esteemed-but-vital gift in those pre-copyright days, the art of self-promotion. Even in the early stages of his career Handel was well-aware of his prodigious talent and sought to promote it to the utmost. It was that ambition which led the young composer in 1706 to Florence, at the behest of one of the Medicis, to assist in establishing the opera in that city. Handel later decamped for Rome where, his reputation preceding him, he quickly made the acquaintance of leading patrons of the arts among the nobility and upper echelons of the Catholic Church, leading to many commissions.

One of those commissions came from Cardinal Carlo Colonna for the major work on this recording, a setting of the Psalm, 109 in the Vulgate, 110 in the King James, Dixit Dominus (The Lord said unto my Lord). Regardless of the composer’s young age of 22, it is the work of a mature master. Even more remarkable, Handel, though from a strict and observant Lutheran upbringing, was able to work with his Catholic patrons, setting a Latin text suitable for use in Catholic worship.

There are many recordings of Handel’s Dixit Dominus and this is certainly one of the finest, with brilliant performances by soloists, orchestra, and chorus. Conductor Bart Van Reyn’s tempos are on the sprightly side, but never seem excessive or rushed. There is a wonderful freshness and sparkle to this reading, both in performance and the superb high-resolution sound. Particular praise must be made of the three soloists, whose virtuosity and sensitivity to the text are exemplary.

A welcome bonus is a much lesser-known masterpiece by a much lesser-known composer, Giovanni Battista Ferrandini: his Marian cantata (mistakenly attributed until recently to Handel), Il pianto di Maria. In the excellent program notes, Aurélie Walschaert writes this lament differs from earlier ones modeled after the medieval text Stabat Mater, where a narrator describes the sorrows of Mary. Most of the text in this composition is in the first-person, with Mary herself describing the sorrows she is witnessing, thus deepening even further the emotion. A prize should go to mezzo-soprano Sophie Rennert, whose astonishingly empathetic delivery of the text will move any listener, whatever their religion. This is a must for every classical library.  © Anthony Fountain/Qobuz

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Handel: Dixit Dominus - Ferrandini: Il pianto di Maria

Il Gardellino

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Dixit Dominus, HWV 232 (ヘンデル)

1
No. 1, Chorus, "Dixit Dominus, Domino meo" (Chorus, Soprano 1, Soprano 2, Alto, Tenor)
00:04:48

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

2
No. 2, Aria, "Virgam virtutis tuae" (Alto)
00:02:32

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

3
No. 3, Aria, "Tecum principium" (Soprano 1)
00:02:52

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Deborah Cachet, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

4
No. 4, Chorus, "Juravit Dominus" (Chorus)
00:02:11

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

5
No. 5, Chorus, "Secundum ordinem Melchisedech" (Chorus)
00:01:38

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

6
No. 6, Chorus, "Dominus a dextris tuis" (Chorus, Soprano 1, Soprano 2, Alto, Tenor, Bass)
00:02:41

Alberto Martínez, MainArtist - George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Rachel Redmond, MainArtist - Deborah Cachet, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist - Michiel Haspeslagh, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

7
No. 7, Chorus, "Judicabit in nationibus" (Chorus)
00:03:25

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

8
No. 8, Chorus, "De torrente ini via bibet" (Soprano 1, Soprano 2, Chorus)
00:03:49

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Rachel Redmond, MainArtist - Deborah Cachet, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

9
No. 9, Chorus, "Gloria Patri et Filio" (Chorus)
00:06:06

George Frideric Handel, Composer - Anonymous, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble, MainArtist

(C) 2023 Passacaille (P) 2023 Passacaille

Il pianto di Maria (Giovanni Battista Ferrandini)

10
No. 1, Recitativo, "Giunta l’ora fatal dal ciel prescritta" (Soprano)
00:01:27

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

11
No. 2, Cavatina, "Se d’un Dio fui fatta Madre" (Soprano)
00:03:01

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

12
No. 3, Recitativo, "Ah me infelice! Ahi lassa!" (Soprano)
00:01:48

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

13
No. 4, Cavatina da capo, "Se d’un Dio fui fatta Madre" (Soprano)
00:03:01

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

14
No. 5, Recitativo, "Ahimè ch’Egli già esclama ad alta voce" (Soprano)
00:01:04

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

15
No. 6, Aria, "Sventurati miei sospiri" (Soprano)
00:05:34

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

16
No. 7, Recitativo, "Sì disse la gran madre" (Soprano)
00:02:02

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

17
No. 8, Aria, "Pari all’amor immenso" (Soprano)
00:07:27

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

18
No. 9, Recitativo, "Or se per grande orror tremò la terra" (Soprano)
00:00:51

Anonymous, Composer - Giovanni Battista Ferrandini, Composer - Jan De Winne, Producer - il Gardellino, Orchestra, MainArtist - Sophie Rennert, MainArtist - Bart Van Reyn, Conductor, MainArtist - Vlaams Radiokoor, Ensemble

(C) 2023 Passacaille (P) 2023 Passacaille

アルバム·レビュー

Few will dispute George Friderick Handel being one of the most accomplished composers of the Classical era, but it should also be noted he possessed to an equal degree, a perhaps less-than-esteemed-but-vital gift in those pre-copyright days, the art of self-promotion. Even in the early stages of his career Handel was well-aware of his prodigious talent and sought to promote it to the utmost. It was that ambition which led the young composer in 1706 to Florence, at the behest of one of the Medicis, to assist in establishing the opera in that city. Handel later decamped for Rome where, his reputation preceding him, he quickly made the acquaintance of leading patrons of the arts among the nobility and upper echelons of the Catholic Church, leading to many commissions.

One of those commissions came from Cardinal Carlo Colonna for the major work on this recording, a setting of the Psalm, 109 in the Vulgate, 110 in the King James, Dixit Dominus (The Lord said unto my Lord). Regardless of the composer’s young age of 22, it is the work of a mature master. Even more remarkable, Handel, though from a strict and observant Lutheran upbringing, was able to work with his Catholic patrons, setting a Latin text suitable for use in Catholic worship.

There are many recordings of Handel’s Dixit Dominus and this is certainly one of the finest, with brilliant performances by soloists, orchestra, and chorus. Conductor Bart Van Reyn’s tempos are on the sprightly side, but never seem excessive or rushed. There is a wonderful freshness and sparkle to this reading, both in performance and the superb high-resolution sound. Particular praise must be made of the three soloists, whose virtuosity and sensitivity to the text are exemplary.

A welcome bonus is a much lesser-known masterpiece by a much lesser-known composer, Giovanni Battista Ferrandini: his Marian cantata (mistakenly attributed until recently to Handel), Il pianto di Maria. In the excellent program notes, Aurélie Walschaert writes this lament differs from earlier ones modeled after the medieval text Stabat Mater, where a narrator describes the sorrows of Mary. Most of the text in this composition is in the first-person, with Mary herself describing the sorrows she is witnessing, thus deepening even further the emotion. A prize should go to mezzo-soprano Sophie Rennert, whose astonishingly empathetic delivery of the text will move any listener, whatever their religion. This is a must for every classical library.  © Anthony Fountain/Qobuz

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