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グリゴリー・ソコロフ|Grigory Sokolov at Esterházy Palace (Live)

Grigory Sokolov at Esterházy Palace (Live)

Grigory Sokolov

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In a way, pianist Grigory Sokolov might be compared with Glenn Gould: in his performances, there is a very strong personality that is superimposed on the music, but when it came to the relationship between the concert stage and the recording studio, Sokolov went in a direction opposite to Gould's; he has prized live performance and records rarely. When he does, he offers live recordings like this one, made at Haydn's Esterházy Castle in 2018. Three Haydn sonatas open the program, and there's undeniably an attraction in hearing them performed at their birthplace. Sokolov is a prime example of the kind of artist listeners will either love or hate, and a bit of sampling will help them determine the camp into which they fall. The program has an arc not necessarily related to the music involved. He plays the Haydn sonatas in a precise and detailed but rather flat way, catching subtle features of register and motivic structure. Consider the repeated tonic notes of the finale of the Piano Sonata in B minor, Hob. 16/32, which pianists tend to give a Beethovenian percussiveness; Sokolov keeps the temperature low here. The Schubert Impromptus of Op. 142, at first, seem to flow from the Haydn but broaden lyrically as they proceed. Everywhere, Sokolov's control is total, even when he loosens up in the six encores included (one of which is a waltz by the fascinating Russian figure Alexander Griboyedov). These suggest the depth of Sokolov's fandom and that listeners should check him out, yea or nay. Deutsche Grammophon's sound in the big Esterháza spaces is quite good; there is a certain low level of noise, but no detail is lost.

© James Manheim /TiVo

詳細はこちら

Grigory Sokolov at Esterházy Palace (Live)

グリゴリー・ソコロフ

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鍵盤ソナタ 第32番 ト短調 Hob.XVI:44 (ヨーゼフ・ハイドン)

1
第1楽章: Moderato (Live)
00:09:57

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

2
第2楽章: Allegretto (Live)
00:04:56

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

鍵盤ソナタ 第47番 ロ短調 Hob.XVI:32 (ヨーゼフ・ハイドン)

3
第1楽章: Allegro moderato (Live)
00:07:07

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

4
第2楽章: Minuet - Trio (Live)
00:04:31

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

5
第3楽章: Finale. Presto (Live)
00:04:48

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

鍵盤ソナタ 第49番 嬰ハ短調 Hob.XVI:36 (ヨーゼフ・ハイドン)

6
第1楽章: Moderato (Live)
00:09:25

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

7
第2楽章: Scherzando. Allegro con brio (Live)
00:03:09

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

8
第3楽章: Minuet - Trio (Live)
00:05:27

Joseph Haydn, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

4つの即興曲 作品142 D935 (Franz Schubert)

9
第1番: ヘ短調 Allegro moderato (Live)
00:13:46

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

10
第2番: 変イ長調 Allegretto (Live)
00:08:36

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

11
第3番: 変ロ長調 Theme and 5 Variations (Live)
00:12:53

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

12
第4番: ヘ短調 Allegro scherzando (Live)
00:08:34

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

4つの即興曲 作品90 D899 (Franz Schubert)

13
第4番: 変イ長調 Allegretto (Live)
00:08:30

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

組曲 ホ短調 (ジャン=フィリップ・ラモー)

14
第5曲: 鳥のさえずり (Live)
00:03:00

Jean-Philippe Rameau, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

15
ハンガリー風のメロディ ロ短調 D817 (Live)
00:04:06

Franz Schubert, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

24の前奏曲 作品28 (Frederic Chopin)

16
第15番: 変ニ長調《雨だれ》 Sostenuto (Live)
00:07:06

Frederic Chopin, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

2つのワルツ (Alexander Griboyedov)

17
第2曲: ホ短調 (Live)
00:02:27

Alexander Griboyedov, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

前奏曲集 第1巻 (クロード・ドビュッシー)

18
第6曲: 雪の上の足跡 (Live)
00:04:21

Claude Debussy, Composer - Grigory Sokolov, Piano, MainArtist, AssociatedPerformer - Michael Seberich, Producer, Recording Producer

℗ 2022 Grigory Sokolov

アルバム·レビュー

In a way, pianist Grigory Sokolov might be compared with Glenn Gould: in his performances, there is a very strong personality that is superimposed on the music, but when it came to the relationship between the concert stage and the recording studio, Sokolov went in a direction opposite to Gould's; he has prized live performance and records rarely. When he does, he offers live recordings like this one, made at Haydn's Esterházy Castle in 2018. Three Haydn sonatas open the program, and there's undeniably an attraction in hearing them performed at their birthplace. Sokolov is a prime example of the kind of artist listeners will either love or hate, and a bit of sampling will help them determine the camp into which they fall. The program has an arc not necessarily related to the music involved. He plays the Haydn sonatas in a precise and detailed but rather flat way, catching subtle features of register and motivic structure. Consider the repeated tonic notes of the finale of the Piano Sonata in B minor, Hob. 16/32, which pianists tend to give a Beethovenian percussiveness; Sokolov keeps the temperature low here. The Schubert Impromptus of Op. 142, at first, seem to flow from the Haydn but broaden lyrically as they proceed. Everywhere, Sokolov's control is total, even when he loosens up in the six encores included (one of which is a waltz by the fascinating Russian figure Alexander Griboyedov). These suggest the depth of Sokolov's fandom and that listeners should check him out, yea or nay. Deutsche Grammophon's sound in the big Esterháza spaces is quite good; there is a certain low level of noise, but no detail is lost.

© James Manheim /TiVo

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