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The Mountain Goats|Getting Into Knives

Getting Into Knives

The Mountain Goats

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対応言語:英語

Let's get the first big question out of the way: No, Getting into Knives is not a concept album about knives. Even casual observers are aware by now that lead Mountain Goat John Darnielle loves few things more than a set of songs unified by a particular theme. But after regaling us with stories of professional wrestlers, goths struggling with maturity, fantasy role-playing games and the people who love them, or French history, this time Darnielle and his cohorts have given us a set of 13 songs about as many different characters, all trying to move forward in their lives and make sense of the world around them. While these people don't have anything particular in common, that doesn't mean Darnielle has gotten lazy or lost focus; as befits his status as a published author, Getting into Knives plays like a collection of short stories, with a similar unifying feel but a different angle of attack for each chapter. These are people aiming high in life, with some sounding confident but reasonable and others possibly deluded yet unafraid. Darnielle's songs are unusually literate and thoughtful without seeming forced or pretentious, and with time he's become a composer whose music is as effective as his verse. Getting into Knives may well be the best-crafted and most musically satisfying album the Mountain Goats have released to date. Cut in Memphis in March 2020, it finds John Darnielle and his core trio -- Peter Hughes on bass, Matt Douglas on keyboards, woodwinds, and guitars, and Jon Wurster on drums -- playing with the sure-footed interplay of a crack jazz band, even as the melodies are rooted in pop. The easy but vital nuance of the arrangements is reinforced by the welcome interludes from the guest musicians (including Charles Hodges of the legendary Hi Records house band on organ), and Darnielle has learned how to sing with an authority that matches the skill set of the band and gives his characters life and personality. Songs for Pierre Chuvin, released earlier the same year, demonstrated that Darnielle isn't afraid to go back to his lo-fi roots when fate forces his hand, but Getting into Knives reminds us he's at the peak of his abilities in the art of record-making, and reminds us it's possible for a band to be brilliant without a shred of arrogance.
© Mark Deming /TiVo

詳細はこちら

Getting Into Knives

The Mountain Goats

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¥1,280/ 月から

1
Corsican Mastiff Stride
00:02:20

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

2
Get Famous
00:03:19

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

3
Picture of My Dress
00:04:20

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

4
As Many Candles As Possible
00:03:24

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

5
Tidal Wave
00:05:25

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

6
Pez Dorado
00:04:56

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

7
The Last Place I Saw You Alive
00:04:40

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

8
Bell Swamp Connection
00:05:50

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

9
The Great Gold Sheep
00:05:03

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

10
Rat Queen
00:04:09

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

11
Wolf Count
00:03:49

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

12
Harbor Me
00:04:07

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

13
Getting Into Knives
00:05:14

The Mountain Goats, MainArtist - John Darnielle, Composer, Lyricist - Matt Ross-Spang, Producer, Mixer - Cadmean Dawn (ASCAP) administered worldwide by Pacific Electric Music Publishing, MusicPublisher

2020 Merge Records 2020 Merge Records

アルバム·レビュー

Let's get the first big question out of the way: No, Getting into Knives is not a concept album about knives. Even casual observers are aware by now that lead Mountain Goat John Darnielle loves few things more than a set of songs unified by a particular theme. But after regaling us with stories of professional wrestlers, goths struggling with maturity, fantasy role-playing games and the people who love them, or French history, this time Darnielle and his cohorts have given us a set of 13 songs about as many different characters, all trying to move forward in their lives and make sense of the world around them. While these people don't have anything particular in common, that doesn't mean Darnielle has gotten lazy or lost focus; as befits his status as a published author, Getting into Knives plays like a collection of short stories, with a similar unifying feel but a different angle of attack for each chapter. These are people aiming high in life, with some sounding confident but reasonable and others possibly deluded yet unafraid. Darnielle's songs are unusually literate and thoughtful without seeming forced or pretentious, and with time he's become a composer whose music is as effective as his verse. Getting into Knives may well be the best-crafted and most musically satisfying album the Mountain Goats have released to date. Cut in Memphis in March 2020, it finds John Darnielle and his core trio -- Peter Hughes on bass, Matt Douglas on keyboards, woodwinds, and guitars, and Jon Wurster on drums -- playing with the sure-footed interplay of a crack jazz band, even as the melodies are rooted in pop. The easy but vital nuance of the arrangements is reinforced by the welcome interludes from the guest musicians (including Charles Hodges of the legendary Hi Records house band on organ), and Darnielle has learned how to sing with an authority that matches the skill set of the band and gives his characters life and personality. Songs for Pierre Chuvin, released earlier the same year, demonstrated that Darnielle isn't afraid to go back to his lo-fi roots when fate forces his hand, but Getting into Knives reminds us he's at the peak of his abilities in the art of record-making, and reminds us it's possible for a band to be brilliant without a shred of arrogance.
© Mark Deming /TiVo

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