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Dorothy Love Coates|Get On Board

Get On Board

Dorothy Love Coates

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対応言語:英語

Two dozen stunning leftovers from the Best Of albums. The material here is less famous, but the best of it -- "Peace Be Still," "Get on Board," "These Are They," plus the many alternate takes of Coates' best-known numbers -- ranks with the finest material produced in gospel's 1950s golden age. Coates, at this point, had taken her testifying, preaching vocal style to a new height that imbues even the tracks originally tossed aside with fierce spirit and an unquenchable thirst for freedom. Anthony Heilbut's notes are an excellent combination of informative and enraptured.

© Dave Marsh /TiVo

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Get On Board

Dorothy Love Coates

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1
Peace Be Still (Take 3)
00:02:46

Baker, ComposerLyricist - Palmer, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

2
Glory To His Name (Take 2)
00:02:19

Hoffman, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

3
I'm Sealed (Take 1)
00:02:08

Roberta Martin, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

4
Get Away Jordan (Take 4)
00:03:02

William McDade, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

5
Rest For The Weary (Take 2)
00:03:03

Dorothy Love Coates, MainArtist - Evelyn Starks, Arranger, Work Arranger - Samuel Harmer, ComposerLyricist

℗ 1992 Fantasy, Inc.

6
Deliver Me (Take 3)
00:02:07

Dorothy Love Coates, MainArtist, ComposerLyricist - Evelyn Starks, ComposerLyricist

℗ 1992 Fantasy, Inc.

7
Oh My Lord
00:02:13

Traditional, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

8
Lead Me, Heavenly Father (Take 1)
00:03:09

Robert Mosley, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

9
Old Gospel Train (The Next Stop Is Mine) (Take 2)
00:02:49

Dorothy Love Coates, MainArtist - Eugene Sims, ComposerLyricist

℗ 1992 Fantasy, Inc.

10
Get On Board (Take 2)
00:03:00

Dorothy Love Coates, MainArtist - Eugene Sims, ComposerLyricist

℗ 1992 Fantasy, Inc.

11
The Railroad
00:03:04

Dorothy Love Coates, MainArtist - M. Miller, ComposerLyricist

℗ 1992 Fantasy, Inc.

12
Plenty Good Room (Take 2)
00:02:27

Traditional, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

13
Sometime
00:03:06

K. Morris, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

14
No Hiding Place (Take 5)
00:02:06

Traditional, ComposerLyricist - Dorothy Love Coates, Arranger, Work Arranger, MainArtist - Evelyn Starks, Arranger, Work Arranger

℗ 1992 Fantasy, Inc.

15
Waiting For Me
00:02:23

James Vaughan, ComposerLyricist - Dorothy Love Coates, Arranger, Work Arranger, MainArtist - Evelyn Starks, Arranger, Work Arranger

℗ 1992 Fantasy, Inc.

16
Wade In The Water
00:01:53

Traditional, ComposerLyricist - Dorothy Love Coates, MainArtist

℗ 1992 Fantasy, Inc.

17
I Wouldn't Mind Dying (Take 3)
00:02:18

Dorothy Love Coates, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

18
I'll Be With Thee
00:02:20

Dorothy Love Coates, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

19
He's Calling Me (Take 3)
00:02:45

Dorothy Love Coates, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

20
Untitled Instrumental
00:04:04

Dorothy Love Coates, MainArtist - Evelyn Starks, ComposerLyricist

℗ 1992 Fantasy, Inc.

21
Thank You Lord For Using Me (Sermonette)
00:06:36

Dorothy Love Coates, MainArtist - Odessa Edwards, ComposerLyricist

℗ 1992 Fantasy, Inc.

22
These Are They (Take 1)
00:02:47

Dorothy Love Coates, MainArtist - Herbert William Brewster, ComposerLyricist

℗ 1992 Fantasy, Inc.

23
99 1/2 (Take 1)
00:02:37

Dorothy Love Coates, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

24
That's Enough (Take 2)
00:02:18

Dorothy Love Coates, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

アルバム·レビュー

Two dozen stunning leftovers from the Best Of albums. The material here is less famous, but the best of it -- "Peace Be Still," "Get on Board," "These Are They," plus the many alternate takes of Coates' best-known numbers -- ranks with the finest material produced in gospel's 1950s golden age. Coates, at this point, had taken her testifying, preaching vocal style to a new height that imbues even the tracks originally tossed aside with fierce spirit and an unquenchable thirst for freedom. Anthony Heilbut's notes are an excellent combination of informative and enraptured.

© Dave Marsh /TiVo

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