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チャック・ベリー|Fresh Berry's

Fresh Berry's

Chuck Berry

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Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.

© Bruce Eder /TiVo

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Fresh Berry's

チャック・ベリー

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無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

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1
イット・ワズント・ミー (Single Version)
00:02:33

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 UMG Recordings, Inc.

2
ラン・ジョー
00:02:16

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

3
エヴリ・デイ・ウィ・ロック・アンド・ロール
00:02:10

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

4
ワン・フォー・マイ・ベイビー(アンド・ワン・モア・フォー・ザ・ロード)
00:02:42

Johnny Mercer, Author - Chuck Berry, MainArtist - Harold Arlen, Composer - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

5
ウェルカム・バック・プリティ・ベイビー
00:02:34

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

6
イッツ・マイ・オウン・ビジネス (Album Version)
00:02:09

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

7
ライト・オフ・ランパート・ストリート
00:02:21

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

8
ヴァイヤ・コン・ディオス
00:02:36

Chuck Berry, MainArtist - Buddy Pepper, ComposerLyricist - Inez James, ComposerLyricist - Larry Russell, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

9
メリリー・ウィ・ロック・アンド・ロール
00:02:10

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

10
マイ・マスタング・フォード (Album Version)
00:02:16

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

11
エイント・ザット・ジャスト・ライク・ウーマン
00:02:12

Fleecy Moore, ComposerLyricist - Chuck Berry, MainArtist - Claude De Metrius, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1986 Geffen Records

12
ウィー・アワー・ブルース
00:03:13

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

アルバム·レビュー

Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.

© Bruce Eder /TiVo

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