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ヨナス・カウフマン|Franz Schubert : Die schöne Müllerin (La Belle Meunière)

Franz Schubert : Die schöne Müllerin (La Belle Meunière)

Jonas Kaufmann - Helmut Deutsch

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対応言語:英語

In a fascinating interview in the CD program notes, German tenor Jonas Kaufmann and pianist Helmut Deutsch discuss interpretive issues that Die schöne Müllerin raises, particularly whether the singer is meant to present the point of view of neutral narrator (a view of one of the composer's contemporaries) or the lovesick young miller himself. These performers come down strongly on the side of the singer being the miller, except in the sections that the poet specifically designates as the words of the stream that flows by the mill. Kaufmann's performance powerfully bears out his conviction; he brings an Italianate, even verismo intensity to the passions of the young man at first so hopeful in love, and then shattered by his beloved's rejection. It's not a version that will necessarily please purists who demand fidelity to the performance practice of the composer's era, but other listeners may find the hot-blooded intensity of Kaufmann's passion thrilling. (Even those who might not approve would have to admit that the singer offers thoughtfully considered, reasonable explanations for his interpretive choices.) In Kaufmann's interpretation, the young miller starts out as a true innocent who is dazzled by the power of his first infatuation, and then gradually unravels with the revelation that his love is hopeless. The singer offers this interpretive decision as an explanation for why he wanted to record the cycle while his voice was still young, since this is inherently a young man's music and story. Kaufmann beautifully captures the arc of the story from the carefree joy of the first songs, through a dawning understanding of reality, to complete despair. His voice darkens and roughens as the songs progress, and the seventeenth and eighteenth, "Die böse Farbe" and "Trockne Blumen," have a surprisingly feral abandon. Deutsch, playing a modern instrument, offers a supple and passionate accompaniment that matches Kaufmann's interpretation. The sound of Decca's recording, made at a live 2009 performance in Munich, is clean and clear, with good balance and a warmly present ambience.

© TiVo

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Franz Schubert : Die schöne Müllerin (La Belle Meunière)

ヨナス・カウフマン

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歌曲集 《美しき水車小屋の娘》 D.795 (Franz Schubert)

1
さすらい
00:02:43

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

2
どこへ?
00:02:14

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

3
止まれ!
00:01:36

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

4
小川に寄せる感謝の言葉
00:02:23

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

5
仕事を終えた宵の集いで
00:02:39

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

Die schöne Müllerin, D.795 (Franz Schubert)

6
知りたがる男
00:04:03

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

7
いらだち
00:02:41

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

8
朝の挨拶
00:04:01

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

9
水車職人の花
00:03:40

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

10
涙の雨
00:03:58

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

11
僕のものだ!
00:02:21

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

12
休息
00:04:26

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

13
緑色のリュートのリボンを持って
00:01:53

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

14
狩人
00:01:05

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

15
嫉妬と誇り
00:01:39

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

16
好きな色
00:04:34

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

17
邪悪な色
00:02:06

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

18
枯れた花
00:03:48

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

19
水車職人と小川
00:04:02

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

20
小川の子守歌
00:07:17

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Wilhelm Müller, Author - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

Der Jüngling an der Quelle, D 300 (Franz Schubert)

21
Schubert: Der Jüngling an der Quelle, D.300
00:02:09

Franz Schubert, Composer - Jonas Kaufmann, Tenor, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Helmut Deutsch, Piano, MainArtist, AssociatedPerformer - Johann Gaudenz Freiherr von Salis-Seewis, Author - Oliver Rogalla Von Heyden, Recording Engineer, StudioPersonnel

℗ 2009 Decca Music Group Limited

アルバム·レビュー

In a fascinating interview in the CD program notes, German tenor Jonas Kaufmann and pianist Helmut Deutsch discuss interpretive issues that Die schöne Müllerin raises, particularly whether the singer is meant to present the point of view of neutral narrator (a view of one of the composer's contemporaries) or the lovesick young miller himself. These performers come down strongly on the side of the singer being the miller, except in the sections that the poet specifically designates as the words of the stream that flows by the mill. Kaufmann's performance powerfully bears out his conviction; he brings an Italianate, even verismo intensity to the passions of the young man at first so hopeful in love, and then shattered by his beloved's rejection. It's not a version that will necessarily please purists who demand fidelity to the performance practice of the composer's era, but other listeners may find the hot-blooded intensity of Kaufmann's passion thrilling. (Even those who might not approve would have to admit that the singer offers thoughtfully considered, reasonable explanations for his interpretive choices.) In Kaufmann's interpretation, the young miller starts out as a true innocent who is dazzled by the power of his first infatuation, and then gradually unravels with the revelation that his love is hopeless. The singer offers this interpretive decision as an explanation for why he wanted to record the cycle while his voice was still young, since this is inherently a young man's music and story. Kaufmann beautifully captures the arc of the story from the carefree joy of the first songs, through a dawning understanding of reality, to complete despair. His voice darkens and roughens as the songs progress, and the seventeenth and eighteenth, "Die böse Farbe" and "Trockne Blumen," have a surprisingly feral abandon. Deutsch, playing a modern instrument, offers a supple and passionate accompaniment that matches Kaufmann's interpretation. The sound of Decca's recording, made at a live 2009 performance in Munich, is clean and clear, with good balance and a warmly present ambience.

© TiVo

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