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KASSE-MADY DIABATE|Fode

Fode

Kasse Mady Diabate

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From the Diabate lineage of jalis, Kasse Mady here presents an album of semi-contemporary music. There are tracks of more traditional work, with the nkoni replacing the more usual guitar, but even then synthesizers tend to creep into the picture when no one is looking. More often, there is a deliberate mix of the old style of vocals with the new style of instrumentation. The songs are sometimes loping and sometimes somewhat too lengthy for their own good. Aside from this, the music is performed well. The arrangements are always tight and the vocals are always perfectly timed, even if the voice is perhaps a slight bit weaker than some of the artist's contemporaries. One would do well to pick up albums from other Malian artists prior to Kasse Mady, as well as a number of Senegalese artists. Fode is certainly a worthwhile listen, but not at the top of any given best-of list.

© Adam Greenberg /TiVo

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Fode

KASSE-MADY DIABATE

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¥1,280/ 月から

1
Fode
00:04:39

Kasse Mady Diabate, MainArtist, ComposerLyricist

℗ 1989 Syllart Records

2
Malo Magni
00:04:36

Kasse Mady Diabate, Composer, MainArtist

℗ 1989 Syllart Records / Sterns Africa

3
Laban Djoro
00:09:20

Kasse Mady Diabate, MainArtist, ComposerLyricist

℗ 1989 Syllart Records

4
Siran Mogoye
00:04:32

Kasse Mady Diabate, MainArtist, ComposerLyricist

℗ 1989 Syllart Records

5
Djina
00:04:42

Kasse Mady Diabate, MainArtist, ComposerLyricist

℗ 1989 Syllart Records

6
Den Te San
00:04:57

Kasse Mady Diabate, MainArtist, ComposerLyricist

℗ 1989 Syllart Records

アルバム·レビュー

From the Diabate lineage of jalis, Kasse Mady here presents an album of semi-contemporary music. There are tracks of more traditional work, with the nkoni replacing the more usual guitar, but even then synthesizers tend to creep into the picture when no one is looking. More often, there is a deliberate mix of the old style of vocals with the new style of instrumentation. The songs are sometimes loping and sometimes somewhat too lengthy for their own good. Aside from this, the music is performed well. The arrangements are always tight and the vocals are always perfectly timed, even if the voice is perhaps a slight bit weaker than some of the artist's contemporaries. One would do well to pick up albums from other Malian artists prior to Kasse Mady, as well as a number of Senegalese artists. Fode is certainly a worthwhile listen, but not at the top of any given best-of list.

© Adam Greenberg /TiVo

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