カテゴリー:
かご 0

かごは空です

グラス・ルーツ|Feelings

Feelings

The Grass Roots

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

対応言語:英語

The second album by this version of the Grass Roots -- who changed the spelling of their name to "Grassroots" here (and then changed it back two albums later) -- was a serious departure from its predecessor. Having reached the Top 10 with "Let's Live for Today" and made the Top 100 with the accompanying album -- all done under the direction of producers Steve Barri and P.F. Sloan, with a lot of outside musicians playing on them -- the group members were eager to flex their own musical muscles. The result was Feelings, a much less slick, less polished work but one that better reflected the quartet's own sensibilities. This album was to the Grass Roots roughly what Headquarters was to the Monkees, though not remotely as popular. The album opens with the title track, a group original going back two years, to their days as a garage band -- the sound is psychedelia with a garage band edge, complete with fuzz effects and a spaced-out feel, complete with a faux-raga break. A trio of Barri/Sloan and P.F. Sloan numbers follow, all produced in a more lyrical folk-rock/pop mode that recalls the prior album -- indeed, "Here's Where You Belong" closely resembles "Where Were You When I Needed You" in tempo and texture. "The Sins of the Family Fall on the Daughter" is a surprisingly catchy number for so serious a subject (and title), with pleasant hooks and a searing lead guitar part of the sort that AM radio listeners seldom associated with this band; and "Melody for You" is a pleasant piece of midtempo Baroque pop/rock. The members' own compositions dominate most of the rest of the record, and the sound varies widely -- the Warren Entner/Rob Grill-authored "Who Will You Be Tomorrow" offers a deliberately heavier sound without any attempt at emulating the pretty pop harmonies that dress up the Barri/Sloan numbers -- but on "You Might as Well Go My Way" (written by Richard Podolor) and "All Good Things Come to an End" (authored by Albert Hammond), the group delivers a leaner, punchier version of their folk-rock sound. Creed Bratton's bluesy "Hot Bright Lights" gives the lead guitarist a chance to show off his work with the volume pedal; they switch gears to languid psychedelic pop on Entner and Grill's "Hey Friend," while the same writing duo's "You and Love Are the Same" gives Entner a great part on rhythm guitar and all four a chance to contribute some lush choruses amid a psychedelic haze that is enhanced by the presence of a string orchestra accompaniment. And "Dinner for Eight" is an eerily reflective piece with a disconnected psychedelic break that rolls right back into a reprise of "Feelings." Without a hit single to drive its sales, Feelings was ignored by most listeners and never charted, which is a shame. The album isn't close to perfect -- and has more flaws than its predecessor -- but it's also more ambitious musically, and does offer a rare and honest glimpse of the group in an unusual moment of experimentation. And it is close to essential listening for anyone wondering who these guys were, beyond the hits -- certainly anyone who owns the Rhino double-CD anthology should also have this album as an equally valid complement to their most commercially successful work.

© Bruce Eder /TiVo

詳細はこちら

Feelings

グラス・ルーツ

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Feelings
00:02:59

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer, ComposerLyricist - Creed Bratton, Guitar, AssociatedPerformer - Kenny Fukomoto, ComposerLyricist

℗ 1967 UMG Recordings, Inc.

2
Here's Where You Belong
00:03:14

P.F. Sloan, ComposerLyricist - Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer, ComposerLyricist - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1967 UMG Recordings, Inc.

3
The Sins Of A Family Fall On The Daughter
00:03:02

P.F. Sloan, ComposerLyricist - Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

4
Melody For You
00:02:56

P.F. Sloan, ComposerLyricist - Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1967 UMG Recordings, Inc.

5
Who Will You Be Tomorrow
00:02:38

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer, ComposerLyricist - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

6
You Might As Well Go My Way
00:02:04

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Richard Podolor, ComposerLyricist - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

7
All Good Things Come To An End
00:02:45

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Albert Hammond, ComposerLyricist - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

8
Hot Bright Lights
00:05:03

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer, ComposerLyricist - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

9
Hey Friend
00:03:03

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer, ComposerLyricist - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

10
You And Love Are The Same
00:02:47

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer, ComposerLyricist - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer

℗ 1968 UMG Recordings, Inc.

11
Dinner For Eight
00:02:59

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer - Creed Bratton, Guitar, AssociatedPerformer, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

12
Feelings (Reprise)
00:00:40

Jimmie Haskell, String Arranger, Keyboards, Horn Arranger, AssociatedPerformer - Larry Knechtel, Keyboards, AssociatedPerformer - Steve Barri, Producer - Chuck Britz, Recording Engineer, StudioPersonnel - The Grass Roots, MainArtist - Warren Entner, Guitar, AssociatedPerformer, ComposerLyricist - Rob Grill, Bass Guitar, AssociatedPerformer - Rick Coonce, Drums, AssociatedPerformer, ComposerLyricist - Creed Bratton, Guitar, AssociatedPerformer - Kenny Fukomoto, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

アルバム·レビュー

The second album by this version of the Grass Roots -- who changed the spelling of their name to "Grassroots" here (and then changed it back two albums later) -- was a serious departure from its predecessor. Having reached the Top 10 with "Let's Live for Today" and made the Top 100 with the accompanying album -- all done under the direction of producers Steve Barri and P.F. Sloan, with a lot of outside musicians playing on them -- the group members were eager to flex their own musical muscles. The result was Feelings, a much less slick, less polished work but one that better reflected the quartet's own sensibilities. This album was to the Grass Roots roughly what Headquarters was to the Monkees, though not remotely as popular. The album opens with the title track, a group original going back two years, to their days as a garage band -- the sound is psychedelia with a garage band edge, complete with fuzz effects and a spaced-out feel, complete with a faux-raga break. A trio of Barri/Sloan and P.F. Sloan numbers follow, all produced in a more lyrical folk-rock/pop mode that recalls the prior album -- indeed, "Here's Where You Belong" closely resembles "Where Were You When I Needed You" in tempo and texture. "The Sins of the Family Fall on the Daughter" is a surprisingly catchy number for so serious a subject (and title), with pleasant hooks and a searing lead guitar part of the sort that AM radio listeners seldom associated with this band; and "Melody for You" is a pleasant piece of midtempo Baroque pop/rock. The members' own compositions dominate most of the rest of the record, and the sound varies widely -- the Warren Entner/Rob Grill-authored "Who Will You Be Tomorrow" offers a deliberately heavier sound without any attempt at emulating the pretty pop harmonies that dress up the Barri/Sloan numbers -- but on "You Might as Well Go My Way" (written by Richard Podolor) and "All Good Things Come to an End" (authored by Albert Hammond), the group delivers a leaner, punchier version of their folk-rock sound. Creed Bratton's bluesy "Hot Bright Lights" gives the lead guitarist a chance to show off his work with the volume pedal; they switch gears to languid psychedelic pop on Entner and Grill's "Hey Friend," while the same writing duo's "You and Love Are the Same" gives Entner a great part on rhythm guitar and all four a chance to contribute some lush choruses amid a psychedelic haze that is enhanced by the presence of a string orchestra accompaniment. And "Dinner for Eight" is an eerily reflective piece with a disconnected psychedelic break that rolls right back into a reprise of "Feelings." Without a hit single to drive its sales, Feelings was ignored by most listeners and never charted, which is a shame. The album isn't close to perfect -- and has more flaws than its predecessor -- but it's also more ambitious musically, and does offer a rare and honest glimpse of the group in an unusual moment of experimentation. And it is close to essential listening for anyone wondering who these guys were, beyond the hits -- certainly anyone who owns the Rhino double-CD anthology should also have this album as an equally valid complement to their most commercially successful work.

© Bruce Eder /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストグラス・ルーツによる

Let's Live for Today / Things I Should Have Said (Rerecorded)

グラス・ルーツ

Lovin' Things

グラス・ルーツ

Lovin' Things グラス・ルーツ

Anthology: 1965-1975

グラス・ルーツ

Anthology: 1965-1975 グラス・ルーツ

Let's Live For Today

グラス・ルーツ

Let's Live For Today グラス・ルーツ

Leaving It All Behind

グラス・ルーツ

Leaving It All Behind グラス・ルーツ

プレイリスト

こちらもおすすめ...

i/o

ピーター・ガブリエル

i/o ピーター・ガブリエル

Money For Nothing

ダイアー・ストレイツ

Money For Nothing ダイアー・ストレイツ

Rumours

フリートウッド・マック

Rumours フリートウッド・マック

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

パール・ジャム

Dark Matter パール・ジャム