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Trio Carlo Van Neste|Dvorák: Dumky Trio, Op. 90 - Smetana: Piano Trio, Op. 15

Dvorák: Dumky Trio, Op. 90 - Smetana: Piano Trio, Op. 15

Trio Carlo Van Neste

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対応言語:英語

Ever hear the sarcastic mantra "anything worth doing is worth overdoing"? It would appear that the Trio Carlo Van Neste -- which got its name via a rather circuitous route after the previous ensemble with that name changed titles -- holds this philosophy near and dear. From the opening of Dvorák's Op. 90 "Dumky" Trio, the initial impression is one of exciting and distinct contrasts. These contrasts -- whether they come in the form of mode changes, tempo distinctions, or textures -- are at the very heart of what makes for a good Dumky performance. But like a dessert that's a little too sweet and rich, Trio Carlo Van Neste's constant over exaggeration of every ritardando and every glissando quickly becomes saccharine. The openings of five out of six movements that begin with slow tempos are almost ponderously deliberate, even the two middle movements that are only marked Andante. Their performance of Smetana's Op. 15 Piano Trio, which is also replete with contrasting sections, is much less overstated than the Dvorák, although there is still a tendency to repeatedly make too much out of every small little gesture written into the score. Apart from the musical interpretation, the Trio's sound is generally well-balanced and intonation is acceptable (though sometimes sharp in the violin). Still, listeners may find slightly more understated performances of these two works preferable.
© TiVo

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Dvorák: Dumky Trio, Op. 90 - Smetana: Piano Trio, Op. 15

Trio Carlo Van Neste

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Trio à clavier Dumky, Op. 90 (Antonin Dvorak)

1
I. Lento Maestoso
Alexandre Debrus
00:04:10

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

2
II. Poco Adagio
Alexandre Debrus
00:07:03

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

3
III. Andante
Alexandre Debrus
00:06:18

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

4
IV. Andante Moderato
Alexandre Debrus
00:04:59

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

5
V. Allegro
Alexandre Debrus
00:04:15

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

6
VI. Lento maestoso
Alexandre Debrus
00:04:52

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Antonin Dvorak, Composer

2007 Pavane Records 2007 Pavane Records

Trio à clavier, Op. 15 (Bedrich Smetana)

7
I. Moderato assai
Alexandre Debrus
00:10:38

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Bedrich Smetana, Composer

2007 Pavane Records 2007 Pavane Records

8
II. Allegro, ma non agitato - Alternativo I (Andante) - Tempo I - Alternativo II (Maestoso) - Tempo I
Alexandre Debrus
00:07:59

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Bedrich Smetana, Composer

2007 Pavane Records 2007 Pavane Records

9
III. Finale (Presto - Meno presto, tranquillo assai - Grave, quasi marcia - Tempo I)
Alexandre Debrus
00:09:09

Noé Inui, Performer - Sébastien Lienart, Performer - Alexandre Debrus, Performer - Bedrich Smetana, Composer

2007 Pavane Records 2007 Pavane Records

アルバム·レビュー

Ever hear the sarcastic mantra "anything worth doing is worth overdoing"? It would appear that the Trio Carlo Van Neste -- which got its name via a rather circuitous route after the previous ensemble with that name changed titles -- holds this philosophy near and dear. From the opening of Dvorák's Op. 90 "Dumky" Trio, the initial impression is one of exciting and distinct contrasts. These contrasts -- whether they come in the form of mode changes, tempo distinctions, or textures -- are at the very heart of what makes for a good Dumky performance. But like a dessert that's a little too sweet and rich, Trio Carlo Van Neste's constant over exaggeration of every ritardando and every glissando quickly becomes saccharine. The openings of five out of six movements that begin with slow tempos are almost ponderously deliberate, even the two middle movements that are only marked Andante. Their performance of Smetana's Op. 15 Piano Trio, which is also replete with contrasting sections, is much less overstated than the Dvorák, although there is still a tendency to repeatedly make too much out of every small little gesture written into the score. Apart from the musical interpretation, the Trio's sound is generally well-balanced and intonation is acceptable (though sometimes sharp in the violin). Still, listeners may find slightly more understated performances of these two works preferable.
© TiVo

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