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対応言語：英語
Long admired for her powerful playing and respected as a champion of new music, Anne-Sophie Mutter is the recipient of numerous pieces composed especially for her by the leading contemporary masters. Henri Dutilleux wrote his nocturne for violin and orchestra, Sur le même accord, for Mutter, and this live, world-premiere recording of the debut performance demonstrates why composers trust her with their music. Dutilleux's work is as fastidious and well-crafted as ever, transparently orchestrated to keep the violin part clear at all times, and expansively drawn to highlight Mutter's rich lines and sweeping bowing. With her penetrating interpretation and strong execution, Mutter guarantees this work a place in the repertoire. Yet Sur le même accord is extremely short at nine minutes, and the disc is necessarily filled with longer concertos, plainly not written for Mutter. Her 1991 recording with Seiji Ozawa and the Boston Symphony Orchestra of Bartók's Violin Concerto No. 2 is a fine choice, for it fits comfortably with Dutilleux's piece in its dark moods and subdued timbres. Stravinsky's Concerto in D, recorded in 1988 with Paul Sacher and the Philharmonia Orchestra, is also worthwhile, though its placement after Bartók's longer Concerto makes it seem anticlimactic and a bit like padding. DG's sound quality is fine.
© TiVo
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Sur le même accord (Dutilleux, Henri)
Kurt Masur, Conductor, MainArtist - Henri Dutilleux, Composer - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Joël Soupiron, Recording Engineer, StudioPersonnel - Alain Duchemin, Producer, Recording Producer - Martin T:son Engstroem, Producer, Executive Producer
℗ 2005 Deutsche Grammophon GmbH, Berlin
ヴァイオリン協奏曲 第2番 Sz.112 (ベラ・バルトーク)
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Bela Bartok, Composer - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer, Executive Producer - Jobst Eberhardt, Recording Engineer, StudioPersonnel - Günter Hermanns, Balance Engineer, StudioPersonnel - Reinhild Schmidt, Editor, Recording Engineer, StudioPersonnel - Alison Ames, Producer
℗ 1991 Deutsche Grammophon GmbH, Berlin
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Bela Bartok, Composer - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Jobst Eberhardt, Recording Engineer, StudioPersonnel - Günter Hermanns, Balance Engineer, StudioPersonnel - Reinhild Schmidt, Editor, Recording Engineer, StudioPersonnel - Alison Ames, Producer
℗ 1991 Deutsche Grammophon GmbH, Berlin
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Bela Bartok, Composer - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Jobst Eberhardt, Recording Engineer, StudioPersonnel - Günter Hermanns, Balance Engineer, StudioPersonnel - Reinhild Schmidt, Editor, Recording Engineer, StudioPersonnel - Alison Ames, Producer
℗ 1991 Deutsche Grammophon GmbH, Berlin
ヴァイオリン協奏曲 ニ調 (IGOR STRAVINSKY)
Igor Stravinsky, Composer - Philharmonia Orchestra, Orchestra, MainArtist - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Paul Sacher, Conductor, MainArtist - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Ursula Singer, Editor, StudioPersonnel - Wolfgang Mitlehner, Balance Engineer, StudioPersonnel - Volker Martin, Recording Engineer, StudioPersonnel
℗ 1988 Deutsche Grammophon GmbH, Berlin
Igor Stravinsky, Composer - Philharmonia Orchestra, Orchestra, MainArtist - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Paul Sacher, Conductor, MainArtist - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Ursula Singer, Editor, StudioPersonnel - Wolfgang Mitlehner, Balance Engineer, StudioPersonnel - Volker Martin, Recording Engineer, StudioPersonnel
℗ 1988 Deutsche Grammophon GmbH, Berlin
Igor Stravinsky, Composer - Philharmonia Orchestra, Orchestra, MainArtist - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Paul Sacher, Conductor, MainArtist - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Ursula Singer, Editor, StudioPersonnel - Wolfgang Mitlehner, Balance Engineer, StudioPersonnel - Volker Martin, Recording Engineer, StudioPersonnel
℗ 1988 Deutsche Grammophon GmbH, Berlin
Igor Stravinsky, Composer - Philharmonia Orchestra, Orchestra, MainArtist - Anne-Sophie Mutter, Violin, MainArtist, AssociatedPerformer - Paul Sacher, Conductor, MainArtist - Christopher Alder, Producer, Recording Producer - Dr. Steven Paul, Producer - Ursula Singer, Editor, StudioPersonnel - Wolfgang Mitlehner, Balance Engineer, StudioPersonnel - Volker Martin, Recording Engineer, StudioPersonnel
℗ 1988 Deutsche Grammophon GmbH, Berlin
アルバム·レビュー
Long admired for her powerful playing and respected as a champion of new music, Anne-Sophie Mutter is the recipient of numerous pieces composed especially for her by the leading contemporary masters. Henri Dutilleux wrote his nocturne for violin and orchestra, Sur le même accord, for Mutter, and this live, world-premiere recording of the debut performance demonstrates why composers trust her with their music. Dutilleux's work is as fastidious and well-crafted as ever, transparently orchestrated to keep the violin part clear at all times, and expansively drawn to highlight Mutter's rich lines and sweeping bowing. With her penetrating interpretation and strong execution, Mutter guarantees this work a place in the repertoire. Yet Sur le même accord is extremely short at nine minutes, and the disc is necessarily filled with longer concertos, plainly not written for Mutter. Her 1991 recording with Seiji Ozawa and the Boston Symphony Orchestra of Bartók's Violin Concerto No. 2 is a fine choice, for it fits comfortably with Dutilleux's piece in its dark moods and subdued timbres. Stravinsky's Concerto in D, recorded in 1988 with Paul Sacher and the Philharmonia Orchestra, is also worthwhile, though its placement after Bartók's longer Concerto makes it seem anticlimactic and a bit like padding. DG's sound quality is fine.
© TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 8曲
- 合計収録時間 : 01:08:29
- メインアーティスト : アンネ=ゾフィー・ムター
- 作曲家 : Various Composers
- レーベル : Deutsche Grammophon (DG)
- ジャンル： クラシック
© 2005 Deutsche Grammophon GmbH, Berlin ℗ 2005 Deutsche Grammophon GmbH, Berlin
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