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Claudine Ansermet|D'India: Com'é soave cosa

D'India: Com'é soave cosa

Paolo Cherici, Claudine Ansermet

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対応言語:英語

For many years now, Swiss soprano Claudine Ansermet (nothing to do with the orchestra leader) has given over her talent to the music of the Italian Renaissance and early baroque. She had already made a start on the music of Sigismondo d'India, in an album published by Lyrinx in 1984 with the Hoc Pus ensemble. Of course, her voice has changed now, there is more vibrato, but her interest in this super-expressive music remains the same as ever.
Probably born in Palermo at the end of the 16th century, Sigismondo d'India sits at the threshold separating the last of the Renaissance and the start of the baroque era which flourished in Mantua, and in Venice with Claudio Monteverdi. Leaving his native Sicily, he turns up in the north of the Italian peninsula, at court in Turin, in the chapel of the Duke of Savoy, and then later in Modena and Rome. We don't know a lot about him, but one can easily spot the influence of Carlo Gesualdo in his music. His First Book of Madrigals (he wrote six), published in 1606, is dedicated to Vincent Gonzague who was Monteverdi's protector in Mantua. With his dramatic chromaticism and complex harmonies, he is every bit the successor to Gesualdo, and indeed one of the only artists to pick up the latter's torch; and likewise, he is a successor to Monteverdi. His art represents the last word on the madrigal, which was soon to be replaced by opera. This new album from Claudine Ansermet, with the Milanese lutist Paolo Cherici, is given over to d'India's Lamenti, but also other composers of his time, like Alessandro Piccinini and Kapsberger. Here is a music of desperation, melancholy and black bile.
© François Hudry/Qobuz

詳細はこちら

D'India: Com'é soave cosa

Claudine Ansermet

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Voi ch'ascoltate (Sigismondo d'India)

1
Voi ch'ascoltate
Claudine Ansermet
00:03:27

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Toccata No. 5 (Giovanni Girolamo Kapsperger)

2
Toccata No. 5
Paolo Cherici
00:03:28

Giovanni Girolamo Kapsperger, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Quell'infedele (Sigismondo d'India)

3
Quell'infedele
Claudine Ansermet
00:03:56

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

La moda e la sua chiaccona (Carlo Calvi)

4
La moda e la sua chiaccona
Paolo Cherici
00:01:17

Paolo Cherici, Artist, MainArtist - Carlo Calvi, Composer

(C) 2018 Vermeer (P) 2018 Vermeer

Le musiche, Book 1 (Sigismondo d'India)

5
Piangono al pianger mio
Claudine Ansermet
00:03:44

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Partite variate sopra La Folla (Alessandro Piccinini)

6
Partite variate sopra La Folla
Paolo Cherici
00:02:15

Alessandro Piccinini, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Lamento D'olimpia (Sigismondo d'India)

7
Lamento d'Olimpia
Claudine Ansermet
00:09:53

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Toccata No. 2 (Alessandro Piccinini)

8
Toccata No. 2
Paolo Cherici
00:02:45

Alessandro Piccinini, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Le musiche, Book 1 (Sigismondo d'India)

9
Cara mia cetra andianne
Claudine Ansermet
00:01:46

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Bergamasca (Bernardo Gianoncelli)

10
Bergamasca
Paolo Cherici
00:03:38

Bernardo Gianoncelli, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Ma che? squallid'e oscuro (Sigismondo d'India)

11
Ma che? Squallid'e oscuro
Claudine Ansermet
00:02:08

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Occhi convien morire (Sigismondo d'India)

12
Occhi convien morire
Claudine Ansermet
00:03:23

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Aria di Fiorenza e sua corrente (Carlo Calvi)

13
Aria di Fiorenza e sua corrente
Paolo Cherici
00:03:34

Paolo Cherici, Artist, MainArtist - Carlo Calvi, Composer

(C) 2018 Vermeer (P) 2018 Vermeer

Un dì soletto (Sigismondo d'India)

14
Un dì soletto
Claudine Ansermet
00:01:36

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Toccata No. 1 (Alessandro Piccinini)

15
Toccata No. 1
Paolo Cherici
00:04:49

Alessandro Piccinini, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

E pur tu parti (Sigismondo d'India)

16
E pur tu parti
Claudine Ansermet
00:03:38

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Riede la primavera (Sigismondo d'India)

17
Riede la primavera
Claudine Ansermet
00:02:18

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Chiaccona Mariona alla vera Spagnola (Alessandro Piccinini)

18
Chiaccona Mariona alla vera spagnola
Paolo Cherici
00:02:33

Alessandro Piccinini, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

O del cielo d'amor unico sole (Sigismondo d'India)

19
O del cielo d'amor unico sole
Claudine Ansermet
00:03:38

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Pavaniglia e spagnoletta (Sigismondo d'India)

20
Pavaniglia e spagnoletta
Paolo Cherici
00:02:22

Sigismondo D'India, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Tu parti, ahi lasso (Sigismondo d'India)

21
Tu parti, ahi lasso
Claudine Ansermet
00:02:17

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

O se torna il mio sol (Sigismondo d'India)

22
O se torna io mio sol
Claudine Ansermet
00:01:01

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

Aria di saravanda in varie partite (Alessandro Piccinini)

23
Aria di saravanda in varie partite
Paolo Cherici
00:04:23

Alessandro Piccinini, Composer - Paolo Cherici, Artist, MainArtist

(C) 2018 Vermeer (P) 2018 Vermeer

Com'e soave cosa (Sigismondo d'India)

24
Com'è soave cosa
Claudine Ansermet
00:02:05

Sigismondo D'India, Composer - Claudine Ansermet, Artist, MainArtist - Paolo Cherici, Artist

(C) 2018 Vermeer (P) 2018 Vermeer

アルバム·レビュー

For many years now, Swiss soprano Claudine Ansermet (nothing to do with the orchestra leader) has given over her talent to the music of the Italian Renaissance and early baroque. She had already made a start on the music of Sigismondo d'India, in an album published by Lyrinx in 1984 with the Hoc Pus ensemble. Of course, her voice has changed now, there is more vibrato, but her interest in this super-expressive music remains the same as ever.
Probably born in Palermo at the end of the 16th century, Sigismondo d'India sits at the threshold separating the last of the Renaissance and the start of the baroque era which flourished in Mantua, and in Venice with Claudio Monteverdi. Leaving his native Sicily, he turns up in the north of the Italian peninsula, at court in Turin, in the chapel of the Duke of Savoy, and then later in Modena and Rome. We don't know a lot about him, but one can easily spot the influence of Carlo Gesualdo in his music. His First Book of Madrigals (he wrote six), published in 1606, is dedicated to Vincent Gonzague who was Monteverdi's protector in Mantua. With his dramatic chromaticism and complex harmonies, he is every bit the successor to Gesualdo, and indeed one of the only artists to pick up the latter's torch; and likewise, he is a successor to Monteverdi. His art represents the last word on the madrigal, which was soon to be replaced by opera. This new album from Claudine Ansermet, with the Milanese lutist Paolo Cherici, is given over to d'India's Lamenti, but also other composers of his time, like Alessandro Piccinini and Kapsberger. Here is a music of desperation, melancholy and black bile.
© François Hudry/Qobuz

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